Anna Levine Movies

High schooler Angus (Charlie Talbert), a jumbo-sized lad, seems underappreciated in all aspects of his life: he is a standout offensive lineman on the football team, but golden-boy quarterback Rick (James Van der Beek) gets all the accolades for his blood, sweat, and pass-blocking; he is also an outstanding student, but his classmates still regard him as a dork; the girl of his dreams (Arian Richards), Rick's girlfriend, seems to ignore him. Only when Angus musters the courage to put on a maroon tuxedo and head off to the school dance at the urging of his loving, free-spirit mom (Kathy Bates) does he finally get the recognition he deserves (as does Rick, who attempts to publicly humiliate Angus with a cruel prank). While the story is familiar, director Patric Johnson and the entire cast infuse the film with real warmth, making Angus a winner (as does its refreshing attitude toward violence). ~ Jeremy Beday, All Movie Guide

John Hughes sticks to his seemingly fool-proof formula for success in Baby's Day Out, a cross-pollination of Home Alone and a Swee' Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple's home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit. ~ Jeremy Beday, All Movie Guide

Forest Whitaker stars as the brilliant jazz saxophonist Charlie "Bird" Parker in this elegiac biopic. Director Clint Eastwood pays full homage to Parker's musical genius, but also devotes ample time to the musician's twin demons--drugs and alcohol-which accelerated his death at the age of 34. In his struggles to gain widespread acceptance for his music, "Bird" is forever stymied by his own self-destructiveness, and forever bailed out by the love of his life, Chan Richardson Parker (Diane Venora). The film bemoans the decline of the brand of jazz fathered by Parker, which came to be replaced by more conventional material -- as illustrated by the "descent" into the mainstream of Parker's mentor Buster Franklin. Also starring in Bird is Samuel E. Wright as Dizzy Gillespie. That's the real Charlie "Bird" Parker on the film's soundtrack, though most of the background music has been re-orchestrated. ~ Hal Erickson, All Movie Guide

Goldie Hawn makes a change of pace in this downbeat drama about a mother' sacrifice for her family, and her son's attempts to save her from herself. When John Cross (Keith Carradine) returns home to Key West, Florida in 1969 after a tour of duty as a fighter pilot in Viet Nam, he's an emotionally shattered man; he begins drinking heavily and, in an desperate effort to find himself, abandons his wife Tracy (Goldie Hawn) and their 12-year-old son Chris (David Arnott) to live in a monastery, where he takes a vow of silence. Left with no means of support for herself or her son, Tracy takes a job as a bartender at a sleazy strip joint, but when she finds out how much more money the dancers are making, she reluctantly moves on to a career as a go-go girl. When Chris finds out about his mother's new job, he wants to rescue her from a shameful and humiliating (if profitable) career and stars taking odd jobs, including running fresh catch from a local fisherman to the restaurant in a resort hotel. However, Chris soon discovers that's he's actually being making cocaine drops, with the drugs hidden inside the fish; Chris makes the dangerous decision to steal the drugs and sell them himself. The supporting cast features Arliss Howard and Steve Buscemi. ~ Mark Deming, All Movie Guide

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. Soon, Roberta finds herself being romanced by Dez and pursued separately by her husband, Jim, Susan, and by a murderous mobster who's looking for the stolen jewels. For her second feature outing, which was partially inspired by Jacques Rivette's Celine and Julie Go Boating, director Susan Seidelman filled her cast with hipster extras, downtown personalities, and New York thespians. Notable faces include comedian Steven Wright; future indie mainstay John Turturro; future TV stars Michael Badalucco and Laurie Metcalf; punk singer Richard Hell, who also starred in Seidelman's Smithereens; and performance artist Ann Magnunson, who would star in the director's Making Mr. Right. The big dance-club sequence was filmed at Danceteria, the disco that helped launch Madonna's career. The scene, and the film, helped propel "Into the Groove," one of the singer's all-time club classics, into the charts even though it was actually a b-side to the single "Angel." ~ Brian J. Dillard, All Movie Guide

"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, All Movie Guide

CIA director Snyderburn (Joe Don Baker) talks former agent Leonard (Bill Cosby) into returning to the job in this failed Bond-style spy comedy. Leonard's mission is to stop the evil Medusa (Gloria Foster) from taking over the planet by controlling the behavior of the world's animals. The highlight of the film is when lobsters, fish, and frogs begin to attack the humans in a reversal of the food chain. Jane Fonda makes a brief appearance as she talks to Leonard while filming one of her exercise videos. ~ Dan Pavlides, All Movie Guide

Newly divorced Emma Moriarty (Sally Field) moves herself and her young son to a small Arizona town, hoping to establish a horse farm. Town pharmacist Murphy Jones (James Garner), the town's most eligible bachelor, develops a platonic friendship with Emma, but he decides to keep his distance when her ex-husband Bobby Jack (Brian Kerwin), who claims he's changed his irresponsible ways, moves back in with her. At a party at Emma's ranch, Murphy and Bobby Jack get into a verbal row, but nothing is settled until Wanda (Anna Levine) shows up with two babies in tow, claiming that Bobby Jack is the father. Once rid of her ex, Emma commisserates with her friend Murphy at his drug store--and is quite surprised to discover that she's fallen in love with the older man, and he with her. Murphy's Romance is a very gentle romantic comedy; even Murphy's cast-away lady friend (Georgann Johnson) behaves like a civilized human being instead of a woman scorned. ~ Hal Erickson, All Movie Guide

The made-for-television Playing for Time debuted on September 30, 1980. Vanessa Redgrave stars as Fania Fenelon, a Jewish cabaret singer working in Paris at the time of the Nazi invasion. Shipped to the Auschwitz death camp in 1944, Fenelon is certain that she is as doomed as all the other prisoners. But SS camp matron Shirley Knight has other plans: she orders Fenelon and several other female inmates with musical ability to form themselves into a prisoner's orchestra. They are to perform for the benefit of those who are herded into the gas chambers--a "humane" means of easing the condemned into the next world. As much as she despises her work, Fenelon and her fellow musicians continue to play, lest they too be exterminated. The film raises several questions about courage, guilt and survival at any price, but the most controversial aspect was the casting of anti-Zionist Vanessa Redgrave as Fania Fenelon. Like many others, the real-life Fenelon (who died in 1988) was vehemently opposed to Redgrave's appearance in the film. Playing for Time won Emmy Awards for Redgrave, scriptwriter Arthur Miller, supporting actress Jane Alexander, and as Outstanding Dramatic Special. Redgrave's husband Tony Richardson was the original director, but he bowed out and was replaced by Joseph Sargent., who himself was replaced by Daniel Mann (the only one credited) ~ Hal Erickson, All Movie Guide

Monologist Eric Bogosian's one-man theatre piece Talk Radio, co-written by Bogosian and Ted Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays a provocateur radio talk-show host, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Bogosian is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Oliver Stone interweaves elements of Steven Singular's factual book Talked to Death, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. Talk Radio was the indirect inspiration for the 1990 TV series Night Caller. ~ Hal Erickson, All Movie Guide

Set on the streets of New York's Little Italy, this dramatic series of character studies chronicles the lives and relationships between a disparate pair of Italian American cousins. Both of them want to leave the poverty of ghetto life, but each takes a dramatically different route when one of them joins the mob and the other accidentally impregnates his girlfriend. When the young gangster gets into deep trouble, the other must reevaluate his goals and his true feelings about his family. ~ Sandra Brennan, All Movie Guide

Tune in Tomorrow is based on Mario Vargas Llosa's novel, Aunt Julia and the Scriptwriter. In New Orleans, circa 1951, a news writer for a local radio station, Martin Loader (Keanu Reeves), meets and falls in love with his aunt Julia (Barbara Hershey), a divorced woman who is looking for a new husband. Meanwhile, new-in-town eccentric radio-soap-opera writer, Pedro Carmichael (Peter Falk) has been hired to help boost the station's bad ratings. Pedro begins manipulating Martin and Julia's affair and using it as the basis for his radio show. Director Jon Amiel uses the same story-within-a-story construction from The Singing Detective, the miniseries that he directed for British television. ~ Linda Rasmussen, All Movie Guide