Charles Levin Movies

Amazingly, Season Eight of Law & Order begins with the cast from Season Seven intact, with no additions or deletions. The case at hand: the murder of a pizza delivery man, which the detectives believe was deliberate and not a random shooting. As it turns out, the dead man was the victim of a thrill killing committed by a pair of teenagers (Rob McElhenney, Michael Marrona). Complications: Each teen blames the other for the murder, an eyewitness saw only one of the boys pulling the trigger, and the key clue is the recording of a Confessional -- which cannot be admitted as evidence. In the course of events, detective Curtis (Benjamin Bratt) receives some bad news. ~ Hal Erickson, Rovi

NYPD Blue begins its second season with 15th Precinct police officer Janice Licalsi (Amy Brenneman) on trial for the killing of mob functionary Marino. Despite having suppressed evidence that would have incriminated Janice, Detective John Kelly (David Caruso) testifies on her behalf -- and outside chambers, Kelly tells Robin Wirkus (Debrah Farentino) of his innermost feelings. Elsewhere, the squad investigates a series of robberies targeting drug dealers, and Andy Sipowicz, (Dennis Franz), busy on a case involving a battered wife, must agree to signing a contract with his AA sponsor, Dan Breen (Peter Boyle), before renewing his romance with another recovering alcoholic. With this episode, Gail O'Grady (Donna Abandando), Gordon Clapp (Greg Medavoy), and Sharon Lawrence (Sylvia Costas) graduate from recurring-characters to full "series regular" status. ~ Hal Erickson, Rovi

In the final episode of NYPD Blue's first season, Kelly (David Caruso) offers to stand by Janice (Amy Brenneman) as she goes to trial. Later on, Robin (Debrah Farentino) and Kelly have a romantic rendezvous. Meanwhile, Sipowicz (Dennis Franz) unearths evidence pertaining to a nearly cold case at an auction, and also tries to make another go of his relationship with Sylvia (Sharon Lawrence). Dominating all these proceedings is the investigation of the killing of a priest. Sherry Stringfield makes her final series appearance as Laura Michaels Kelly. ~ Hal Erickson, Rovi

The bizarre relationship between an overbearing mother and her son, a convicted rapist, forms the basis of this dark drama based on a novel by Jack Olsen, which is in turn based on a true story. ~ Sandra Brennan, Rovi

In this romance, a woman campaigns against a handsome actor in a mayoral race in their small seaside town. Trouble ensues when she falls in love with him. ~ Sandra Brennan, Rovi

As Night Court launches its seventh season, Judge Harry T. Stone (Harry Anderson) invites his father Buddy (John Astin) to move with him after Buddy is released from a mental institution. The arrangement soon proves to be more than Harry can handle--and Buddy's not so keen on living outside the "system" either. Meanwhile, slimy prosecutor Dan Fielding (John Larroquette) conspires with shady real-estate agent Mark Colson (Charles Levin) to get their mitts ona rent-controlled Park Avenue apartment owned by an elderly gent (King Moody) who presumably isn't long for this world. ~ Hal Erickson, Rovi

Michael Ritchie's The Couch Trip follows a long line of Hollywood films (One Flew Over the Cuckoo's Nest, The Disorderly Orderly) in which the psychos are seen as saner than the psychiatrists. Charles Grodin plays Dr. George Maitlin, a pompous radio self-help guru, who is having his own personal mental breakdown. Maitlin's lawyer puts in a call to a Cicero, IL, mental facility and the telephone is answered by schizophrenic mental patient John Burns (Dan Aykroyd). Thinking Burns is a crony of Maitlin, Burns is offered the job of replacing Maitlin during his recovery. Of course, Burns accepts the job. Immediately jetted to Los Angeles, Burns meets panhandler Donald Becker (Walter Matthau) at the airport. While wearing the garb of a priest, Becker sounds off against the madness of societal conventions; Burns takes to him immediately and they become fast friends. When Burns assumes command of the airwaves in Maitlin's place, his words of wisdom are so obvious and commonsensical that he is an overnight sensation. Meanwhile, in London, where Maitlin is convalescing, he gets wind of Burns' success. With renewed vigor and outrage, Maitlin leaves his recovery room and hops on a plane back to Los Angeles in an effort to recover his radio show. ~ Paul Brenner, Rovi

Eddie Murphy followed up his Beverly Hills Cop success with this fantasy adventure that plops him right into the land of Ray Harryhausen and Indiana Jones. The plot revolves around a God-like youngster (J.L. Reate) known as a "golden child," who has been sent to Tibet to bring the gift of compassion to humanity. But the devil isn't idle, sending his emissary, Sardo Numspa (Charles Dance) to kidnap the golden child. Sardo absconds with the child and takes off to Los Angeles. In L.A., a beautiful Tibetan priestess named Kee Nang (Charlotte Lewis) seeks out Chandler Jarrell (Eddie Murphy), a social worker and self-styled "finder of lost children." She tells Chandler he has been chosen to rescue the magical child from the devil and save the world from evil. Before Chandler can let go of his first riposte, he finds himself holding a magic dagger, following a sacred parakeet, and under-going several trials by fire. He also falls in love with Kee Nang, who at one point in the film has to be brought back from the dead. ~ Paul Brenner, Rovi

In this rather routine adaptation of the French hit, The Tall Blond Man with One Black Shoe, Richard (Tom Hanks) is a bicycling violinist who is innocently drawn into a nasty struggle for control of the CIA. Cooper (Dabney Coleman) is the unscrupulous current head honcho of the notorious U.S. agency, Ross (Charles Durning) is his nemesis, and Maddy (Lori Singer) works for Cooper. After Richard the violinist is forced into the picture, Maddy fights off an attraction to the rather dull man, and complications introduce enough gadgetry to fill a James Bond movie, almost. ~ Eleanor Mannikka, Rovi

Jolene (Celia Weston) is thrilled when TV game show host Harry Parker (John McCook) proposes marriage. But she begins to wonder if such a union is possible after she manages to super-glue herself to boss Mel (Vic Tayback). Jean Smart of Designing Women and 24 fame makes an early TV appearance in this episode. ~ Hal Erickson, Rovi

Newly married Vera (Beth Howland) and Elliot (Charles Levin) receive a brand-new piano as a wedding gift. Once the piano arrives, Elliot is unable to leave it alone, and as he plays the days away Vera pines away. Or, as it was so delicately phrased in the original TV Guide ad for this episode, "Why is Vera's husband tickling the ivories instead of her?" ~ Hal Erickson, Rovi

Finally moving out of their cramped apartment, Vera (Beth Howland) and Elliot (Charles Levin) find a wonderful old house, fully furnished with charming antiques. Unfortunately, one of these "antiques" is not so charming: an elderly minister (David Bond) with more than one screw loose. Reluctantly, the newlyweds agree to play landlord for the cuckoo clergyman. This is the final episode of Alice's eighth season. ~ Hal Erickson, Rovi

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, Rovi