Dennis Letts Movies

Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." ~ Paul Brenner, Rovi

Two rich boys decide to try their hands at manual labor and so get summer jobs working on a Texas offshore oil rig in this taut thriller. They look forward to it until they encounter a mean-spirited boss who resents them because of their wealth. He mercilessly picks upon them and they wonder if they will survive until helpful Bo Landry shows up. Bo seems to be such a good person and the boys are glad to have him on their side. Unfortunately, things are not what they seem and soon their lives are really in danger. ~ Sandra Brennan, Rovi

This Texas-produced ultra-cheapie aspires to be a parody of cheesy monsters-from-space flicks, but the end result looks so amateurish that viewers may find themselves pining for the artistic merits of Fred Olen Ray. The plot involves a space-borne evil force that takes over the population of a backwater Texas town, making the citizens literally puke themselves to death, draining their bodies of blood before re-animating their corpses to do its evil bidding. Despite making a good-natured attempt at poking fun at the military and the basic yokel lifestyle, the filmmakers manage to fumble at every crucial moment due to horrendous acting and cornball effects (lots of red stuff is sprayed through high-pressure hoses, but that's about it). The film's sole highlight is the appearance of Pat Paulsen (who literally phones in a cameo) in his ideal role as the President of the United States. ~ Cavett Binion, Rovi

Jack Wagner stars in this made-for-TV drama as Nick Rawlings, a Dallas-based commercial airline pilot with (to say the very least) a well-populated private life. But bluntly, Nick is a serial bigamist, with one wife named Jobeth (Shelley Hack) in Dallas and another named Alison (Joan Severance) in Chicago--and a young fiancée named Miriam (Nicole Eggert) in Hawaii. Though he has managed to keep the various women in his life from finding out about one another via a sophisticated system of high-tech subterfuge, Nick's chickens start coming home to roost when Jobeth begins wondering about a bill for a $9000 anniversary present which she has never received. Though based on a true story, the film ends on a note of comic irony that would not be out of place in a Billy Wilder picture! Frequent Flyer first aired March 10, 1996 on ABC. ~ Hal Erickson, Rovi

Johnny Wolfe (Charlie Schlatter) is an Ohio teen whose alcoholic mother Marie (Tuesday Weld) has been a huge Elvis Presley fan since the 1950s. To cheer her up on her birthday, Johnny kidnaps the king of rock & roll (David Keith) after a 1972 concert. Elvis settles in to the Wolfe's den by decorating the house to his flamboyant tastes and helping Marie and her daughter Pam (Angela Goethals) through some difficult times. After Johnny convinces Elvis to perform with him at a high-school talent competition, he also lectures Elvis that he has lost touch with his roots and urges him do drop his schmaltzy Las Vegas image. This implausible but entertaining feature was given the go-ahead by the Presley estate and contains none of the legendary excesses that led to the king's death in 1977. ~ Dan Pavlides, Rovi

Douglas McGrath's Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller's earlier Capote, recounting the events that belied the writer's six-year authorship of the seminal "nonfiction novel" In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote's increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, "conquer all" attitude of Capote in his early years with a seemingly endless string of poor choices in the writer's later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety. ~ Nathan Southern, Rovi

Johnny Walker (Anthony Michael Hall) is a hot-shot high-school quarterback who receives intoxicating offers from spirited college recruiters in this adolescent teen comedy. Bathroom humor and sight gags are strung together in a story involving booze, broads, and other benefits for the coveted quarterback. Robert Downey Jr., Uma Thurman, and Paul Gleason co-star. Even cameos from Jim McMahon and Howard Cosell can't save this feature from itself, though it isn't the fault of the cast. Originally rated PG-13, it was reedited to R (with scenes added) for a home video release. ~ Dan Pavlides, Rovi

Based on a gritty, semi-autobiographical novel by author Kim Wozencraft, this crime thriller was adapted for the screen by noir novelist Pete Dexter and marked the directorial debut of producer Lili Fini Zanuck. Jennifer Jason Leigh stars as Kristen Cates, a rookie police officer recruited to partner with Jim Raynor (Jason Patric), an undercover Texas cop trying to infiltrate the criminal ring of major drug dealer Will Gaines (Gregg Allman) in the 1970s. What Kristen isn't told is that, as part of his deep cover masquerade, Jim must take drugs in order to be convincing and, unsurprisingly, has become an addict. Although this dangerous practice is not acceptable police procedure, Jim and Kristen's zealous superiors Larry Dodd (Sam Elliott) and Donald Nettle (Tony Frank) are obsessed with taking Gaines down because he has corrupted the daughter of a prominent local citizen. Jim and Kristen, who fall in love and move in together, befriend a petty car thief, Walker (Max Perlich), who has ties to Gaines. Since they both become drug addicts, Jim and Kristen's case makes little progress, until they clean up and convince Walker to turn on Gaines. Their investigation becomes tainted, however, when they are pressured from above to manufacture false evidence against their target. The soundtrack for Rushcontained the hit song "Tears in Heaven" by Eric Clapton. ~ Karl Williams, Rovi

Gemma (Winona Ryder) is a young teen raised by her crusty grandfather Dillard (Jason Robards) in this drama of a young woman's coming of age. When she goes to the city to spend the summer with her estranged mother Juanella (Jane Alexander), she falls for Rory (Rob Lowe), a rural rube of less-than-average intelligence, but her only true friend in a hypocritical town. Gemma's promiscuous mother delights in reminding the emotional Gemma that her father could be any one of several men, and Gemma's frustration leads to an inevitable confrontation between mother and daughter. Deborah Richter plays the town floozie Gwen. ~ Dan Pavlides, Rovi

In its elegiac nostalgia for the days of childhood innocence, Robert Mulligan's The Man in the Moon recalls another of Mulligan's earlier films, To Kill A Mockingbird. Set in a Louisiana backwater town in the 1950s, the film chronicles the coming-of-age of a young teenage girl. Dani (Reese Witherspoon) is a fourteen-year-old girl who shares a room with her seventeen-year-old sister Maureen (Emily Warfield). During hot summer nights, they sleep on the screened-in back porch of their home, talking about romance, the future, and the meaning of life. Moving into the house next door is a handsome seventeen-year-old boy, Court Foster (Jason London). Court meets Dani at the local swimming hole and they are immediately attracted to each other; through Court, Dani experiences her first true and perfect love. But when Court meets Maureen, the sparks really fly and Maureen falls in love with him too. Now Maureen is torn between holding back her love for Court or accepting his love and betraying her sister. A tragic event makes Maureen's mind up for her. ~ Paul Brenner, Rovi

This fact-based TV movie takes place in Richmond, Virginia, the home of single mother Jody Shaffell (Valerie Bertinelli). Appalled by the fact that Jody has come out of the closet and is living in an openly gay relationship with her female lover, Jody's mother Nancy (Vanessa Redgrave) sues to gain custody of her grandson Zachary (Adam Rehman). A homophobic judge arranges for Zachary to be taken out of Jody's home, whereupon Nancy sets about to thoroughly wipe her grandson's memory clean of his previous "immoral" lifestyle--even unto demanding that the boy refer to her as Momma. The film's script is careful to weigh both sides of the argument equally, demonstrating that for most of her life, Jody was hardly a paragon of responsible motherhood, having supped full of booze and promiscuity before realizing she was gay and promptly cleaning herself up; nor is Nancy depicted as a cold-hearted villain, merely a concerned grandmother who wants what she thinks is best for Zachary. Indeed, if there are truly any "heavies" in the piece, they are the best friend and brother of the beleagured Jody, who callously testify against her in court. Originally seen over the ABC network, Two Mothers for Zachary debuted September 22, 1996. ~ Hal Erickson, Rovi

Dolly Parton goes dramatic in Wild Texas Wind--with plenty or songs in her repertoire to gloss over the script's shortcomings. This made-for-TV movie costars a curiously hammy Gary Busey as the manager of a country western band fronted by Parton. Through his business acumen, Parton's aggregation goes to the top. But the price of fame is Parton's peace of mind; she enters into a love affair with Busey, who proves to be psychotically abusive. Despite constant beatings, Parton stands by Busey until she gains the gumption to stand alone. C & W fans may not cotton to the storyline of Wild Texas Wind, though they'll probably be appeased by the musical performances of Dolly Parton, Ray Benton and (in a cameo) Willie Nelson. ~ Hal Erickson, Rovi