Mark Lester Movies

A Frenchwoman vacationing with her daughter and a Viennese professor vacationing with his son meet in the Tyrolean Alps of Italy. Of a liberal persuasion, both parents actively encourage the two young people to get to know one another, and perhaps have their first sexual liaison; the two adults have long since gone to bed with one another. With many hesitations and missed opportunities, this is just what the daughter and son eventually do. ~ Clarke Fountain, Rovi

A pair of crazed and violent fleeing criminals kidnap a young boy and hold him hostage as they try to escape the law. ~ Rovi

In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, Rovi

An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children's point of view in which the grownups' objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential. This film is a reunion of sorts for Oscar-winning Oliver! co-stars Mark Lester and Jack Wild ~ Clarke Fountain, Rovi

Ziggy (Mark Lester) is the young boy who witnesses the murder of a visiting black official by the police. Much like the boy who cried wolf, Ziggy has been known to stretch the truth and exaggerate. He is unable to convince the adults that he witnessed the killing. The murderous cops are soon on his trail as he hits the road with his sister (Susan George)and her boyfriend (Tony Bonner). The real police soon follow, after convincing his parents that Ziggy has told the truth for once. The boys grandfather (Lionel Jeffries) is the retired Colonel, a lighthouse keeper and lovable curmudgeon. Jeremy Kemp is the police chief, and the main heavy is played by Peter Vaughan. The boyfriend's car is cornered on a treacherous cliff where the villains try to ram the vehicle to the jagged rocks below. ~ Dan Pavlides, Rovi

Inspired by Charles Dickens' novel Oliver Twist, Lionel Bart's 1961 London and Broadway musical hit glossed over some of Dickens' more graphic passages but managed to retain a strong subtext to what was essentially light entertainment. For its first half-hour or so, Carol Reed's Oscar-winning 1968 film version does a masterful job of telling its story almost exclusively through song and dance. Once nine-year-old orphan Oliver Twist (Mark Lester) falls in with such underworld types as pickpocket Fagin (Ron Moody) and murderous thief Bill Sykes (Oliver Reed), it becomes necessary to inject more and more dialogue, and the film loses some of its momentum. But not to worry; despite such brutal moments as Sikes' murder of Nancy (Shani Wallis), the film gets back on the right musical track, thanks in great part to Onna White's exuberant choreography and the faultless performances by Moody and by Jack Wild as the Artful Dodger. The supporting cast includes Harry Secombe as the self-righteous Mr. Bumble and Joseph O'Conor as Mr. Brownlow, the man who (through a series of typically Dickensian coincidences) rescues Oliver from the streets. Oliver! won six Oscars, including Best Picture, Best Director, and a special award to choreographer Onna White. ~ Hal Erickson, Rovi

In the future, an oppressive government maintains control of public opinion by outlawing literature and maintaining a group of enforcers known as "firemen" to perform the necessary book burnings. This is the premise of Ray Bradbury's acclaimed science-fiction novel Fahrenheit 451, which became the source material for French director François Truffaut's English-language debut. While some liberties are taken with the description of the world, the narrative remains the same, as fireman Montag (Oskar Werner) begins to question the morality of his vocation. Curious about the world of books, he soon falls in love with a beautiful young member of a pro-literature underground -- and with literature itself. Critics were divided on the effectiveness of the result; some praised the unique design and eerie color cinematography by Nicolas Roeg, while others found the film's stylized approach overly distancing and attacked the central performances as unnatural. In any case, however, the film inarguably succeeds in making Truffaut's reverence for the written word abundantly clear, especially during the film's justifiably famous finale. ~ Judd Blaise, Rovi

Henri (Robert Dhery) joins a group of rowdy soccer fans who travel from France to London two days before he is supposed to be married, and he goes to the dentist after his two front teeth are knocked out in a melee with rival fans. Sight gags include a busload of drunken fans trying to evade the police in a rare working combination of Gallic and British humor. Diana Dors appears as herself in this feature directed and co-written by Dhery. ~ Dan Pavlides, Rovi