William Leslie Movies

Lunar astronauts explore strange ice caves on the moon and end up becoming hosts for a bizarre, deadly parasitic fungus. Unaware of their contamination, the explorers return to their space station. One of them dies and a biochemist investigates. The ship's physician is the next to suffer. He and the surviving astronaut attempt to convince the ship's captain to radio in a warning to Earth, but the commander refuses. The two then try to contact Earth on their own, but the communication officer, who loves the captain, stops them, leaving the twosome to figure out another way to save their planet from catastrophe. ~ Sandra Brennan, All Movie Guide

A serial killer (Grant Williams) and his therapy sessions with a psychologist are juxtaposed with his gruesome, successive murders in this standard thriller by director Owen Crump. The killer, Charles Campbell, is fixated on calling in his next murder to the Los Angeles police, confident that he will always elude capture. Dr. Janz (Onslow Stevens) might have his own views on that if Charles were to let him know how he really gets out his rage. In fact, the doctor himself is no more than a father figure to Charles -- not a good analogy considering that the killer hated his domineering dad. The question remains, will the LAPD stop the killer before the world is minus one psychologist? ~ Eleanor Mannikka, All Movie Guide

Lt. (jg) Ken Braden (James Garner) is a US Navy frogman and underwater demolitions expert who is assigned to a vital mission, and to a submarine captained by Commander Stevenson Edmond O'Brien. But Stevenson is a CO who may have seen too many men die -- the two immediately come into conflict over Braden's presence on the boat and his mission, a top secret foray into Japanese waters that jeopardizes the boat. The captain, in his strict adherence to regulations, makes it as difficult as possible for Braden to carry out his assignment, and Braden doesn't make matters easier between them by speaking his mind. And the crew's low morale only makes matters worse as the voyage progresses and the dangers around them mount. ~ Bruce Eder, All Movie Guide

Spencer Tracy stars in John Ford's sentimental adaptation of Edwin O'Connor's novel about the final campaign of a big city mayor, loosely based upon the life of Boston politician James Curley. Tracy is Frank Skeffington, the political boss of an Eastern city dominated by Irish-Americans. Skeffington tries to assist the people of the city and avoids cutting political deals with the power elite. But despite his concern for the people, Skeffington has no friends, just flunkies. The Mayor is greatly admired by his idealistic nephew Adam Caulfield (Jeffrey Hunter), who writes for an opposition newspaper run by Amos Force (John Carradine). When Skeffington needs money for a loan, he asks the powerful banker Norman Cass (Basil Rathbone), but Cass steadfastly refuses. In retaliation, Skeffington appoints Cass's retarded son as an interim fire commissioner. To prevent his son from disgracing the family, Cass agrees to the bank loan. But Cass uses his deep pockets to finance the opposition's candidate for mayor. ~ Paul Brenner, All Movie Guide

With Andy Hardy Comes Home, Mickey Rooney hoped to revive the character -- and the movie series -- that had brought him fame and fortune back in the 1930s and 1940s. Returning to his home town of Carvel after several years absence, lawyer Andy Hardy (Rooney) brings his wife Jane (Patricia Breslin) and two children Andy Jr. (played by Rooney's real-life son Teddy) and Jimmy (Johnny Weissmuller Jr.) along on his sentimental journey. Andy's dad Judge Hardy is long gone (though the late Lewis Stone appears in flashbacks), but his mom (Fay Holden), sister Marian (Cecilia Parker), and Aunt Milly (Sara Haden) welcome him with open arms. After a while, Andy reveals the real reason for his return: now in the employ of an aircraft company, he hopes to convince his bosses to build a plant in Carvel. The fly in the ointment is crooked businessman Chandler (Frank Ferguson), who, when Andy refuses to purchese Chandler's land at a ridiculously exorbitant price, mounts a campaign to discredit the Hardy family. A pleasant enough diversion, Andy Hardy Comes Home failed to spark interest in a new Hardy Family series. ~ Hal Erickson, All Movie Guide

A steamship docks in San Francisco, and as one of the passengers, Philip Dressler (Raymond Bailey), is waiting for a cab after clearing customs, a baggage handler suddenly grabs one of his cases and throws it into a taxi, which takes off. In the ensuing getaway, a police officer is killed, but not before he gets off a shot that takes the fleeing cab driver's life. What Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile G. Meyer) can't figure out is why two men are suddenly dead within a matter of seconds, all for a seemingly inexplicable baggage snatch. The truth begins to come out when an examination reveals that a small ornamental statue in Dressler's case is loaded with half a million dollars in pure heroin. Then the bodies start turning up -- beginning with a baggage handler at the docks. Guthrie and Quine uncover a plan by a drug syndicate to use innocent, unsuspecting tourists visiting the Far East as unknowing drug couriers -- and now that the original method of retrieval at the docks has unraveled, thanks to the wheelman being an addict who got himself killed, another method is improvised.

Enter a pair of hitmen from out of town, Dancer (Eli Wallach), a soft-spoken psychopath with a perfect memory and not a trace of conscience, and his philosophical mentor and "handler," Julian (Robert Keith). Taken around San Francisco by their mob-employed driver, Sandy McLain (Richard Jaeckel), a juicehead who's not quite as good a wheelman as he thinks he is, the hitmen start collecting the latest shipment of heroin from three new arrivals: a ship's crew member who knows too much for his own good, a wealthy husband and wife, and a woman and her young daughter. They calmly go about their business, Dancer and his silenced pistol taking care of any "problems" while Julian runs interference and discusses issues of grammar and speech with him, and adds to his collection of "last words" from Dancer's victims -- until the last shipment turns up missing. It seems the little girl (Cheryl Callaway) found the bag of white powder hidden on the doll her mother bought her, and used it to powder the doll's face....Now Dancer and Julian have to disrupt the planned drop to "The Man" (Vaughan Taylor) to explain the short count, and to do that they have to keep the little girl and her mother (Mary Laroche) alive, at least long enough to tell their story. Meanwhile, Guthrie and Quine keep getting closer, following the trail of bodies and putting together a description of the two killers. But can they find them before the kidnapped mother and daughter join the other victims? ~ Bruce Eder, All Movie Guide

This Sam Katzman-produced sci-fier was originally released on a double bill with Katzman's Giant Claw. The plot is motivated by a newly discovered element called E-112, which festers at the Earth's core. Rising to the surface in the form of liquefied stone, E-112 becomes extremely dangerous when it is mixed with nitrogen. Before long, the entire world is threatened with the explosive power of the volatile element. To save Mankind from being blown to smithereens, seismologist David Conway (William Leslie) tries to neutralize E-112 with a combination of volcanic gases and silver iodide. Despite all the scientific doublespeak, The Night the World Exploded is doggedly nonintellecutal in its execution and appeal. ~ Hal Erickson, All Movie Guide

Future "first couple" Ronald Reagan and Nancy Davis made their only joint film appearance in Hellcats of the Navy. Ronnie plays Casey Abbott, commander of a WW2 submarine, while Nancy portrays navy nurse Helen Blair, Abbott's off-and-on girlfriend. During a delicate mission in which his sub is ordered to retrieve a revolutionary new Japanese mine, Abbott is forced to leave frogman Wes Barton (Harry Lauter) behind to save the rest of his crew. But Abbott's second-in-command Don Landon (Eduard Franz) is convincing that Abbott's sacrifice of Barton was due to the fact that the dead man had been amorously pursuing Helen. The rest of the film is spent proving Abbott right and Barton wrong. Based on a book by former USN vice-admiral Charles A. Lockwood (played in the film by Maurice Manson) and retired USAF colonel Hans Christian Adamson, Hellcats of the Navy is a much better film than Reagan's detractors would have one believe. ~ Hal Erickson, All Movie Guide

Produced by low-budget maven Bryan Foy, Battle Stations is a standard wartime melodrama with the usual assortment of cliches. John Lund plays Father Joe McIntyre, who is assigned as chaplain of an Essex-class aircraft carrier. Father Joe finds himself in conflict with the carrier's Captain (Richard Boone), a strict disciplinarian with little room for compassion. Among the chaplain's allies on board are tough-but-tender chief bos'un Buck Fitzpatrick (William Bendix), hotheaded sailor Chris Jordan (Keefe Brasselle), and young pilot Pete Kelly (William Leslie), whose doom is assured the moment he learns that he's about to become a father. The economies in Battle Stations extend to its opening-credit music, which has been lifted bodily from Max Steiner's score for The Caine Mutiny. ~ Hal Erickson, All Movie Guide

The life story of West Point athletic director Marty Maher was the inspiration for John Ford's The Long Gray Line. Told in flashback, the film recalls the first days at the Point for Irish immigrant Maher (Tyrone Power), a pugnacious boy who can't seem to fit in with the institution's regimen of unquestioning discipline. Athletic director Ward Bond takes a liking to Maher and arranges for the young man to become his assistant; Bond also plays Cupid between Maher and Irish maidservant Mary O'Donnell (Maureen O'Hara). When Mary's baby is stillborn, the Mahers begin to regard the West Point cadets as their surrogate children: this eventually leads to the film's most touching scene, in which Mary bids farewell to her son-substitute as he marches off to World War II. Following Mary's death, Marty stays on at the Point, until the place seems somehow incomplete without his presence. On the occasion of his forced retirement, Maher gently pleads with one of his former students--President Dwight D. Eisenhower--to permit him to remain at his post (Ike is played by Harry Carey Jr. in his early scenes, and by the voice of Paul Frees in the wraparound White House scenes). Based on Marty Maher's autobiography, The Long Gray Line seems at first glance too leisurely for its own good, but this appealing film gradually grows on its audience--just like Marty Maher himself. ~ Hal Erickson, All Movie Guide

Blake Edwards made his directorial debut in the bubbly musical comedy Bring Your Smile Along. The story, written by Edwards and his longtime associate-mentor Richard Quine, gets under way when New England schoolmarm Nancy Willows (Constance Towers) heads to New York, there to try her luck as a lyricist. Teaming with aspiring composer Martin Adams (Keefe Brasselle), Nancy pens several hit tunes for crooner Jerry Dennis (Frankie Laine). Martin would like to make his collaboration with Nancy a little more intimate, but she happens to have a fella back home, David Parker (William Leslie). Since David is as likeable as Martin, Nancy really has a problem. Lucy Marlow, who the previous year had shown up briefly in A Star is Born, is "introduced" as comedy-relief character Marge Stevenson. ~ Hal Erickson, All Movie Guide

In this unusual Western directed by Douglas Sirk, Rock Hudson stars as Taza, whose legendary father Cochise (Jeff Chandler) is on his deathbed. Taza promises his father that he will keep the tribe -- which Cochise united and ruled -- at peace. But Taza's brother wants the tribe to join with another bloodthirsty tribe, headed by Geronimo (Ian MacDonald), which is tangling with white settlers and other Indian tribes. Taza must battle his brother and try to keep his promise to his father. This film was originally shown in 3-D, and many of the battle scenes feature shots of warriors rushing headlong toward the screen. ~ Michael Betzold, All Movie Guide

Sir James Barrie's whimsical play Rosalind was updated and urbanized as the 1953 film Forever Female. Ginger Rogers plays a veteran Broadway star who has optioned a play written by William Holden. Though on the less sunny side of 40, Rogers expects to play the leading role, that of a 19 year old girl. Producer Paul Douglas--who also happens to be Rogers' husband--insists that Holden alter the age of the main character. Meanwhile, iron-willed ingenue Patricia Crowley, who is far more suited to the part than Rogers, begins her own campaign to win the role. Far more enjoyable than the plot mechanics of Forever Female are the sly showbiz inside jokes, courtesy of screenwriters Julius and Philip Epstein. It's also fun to tick off the familiar faces in the supporting cast, including George Reeves as a stuffy suitor, future Mrs. Bing Crosby Katherine Grant as an auditioning actress, and Gunsmoke and Dragnet villain Vic Perrin as an effeminate set designer. ~ Hal Erickson, All Movie Guide