Michael Lerner Movies

Leonardo Ricagni, director of the 1998 Uruguayan comedy El Chevrolé, helmed this straight-to-video ensemble crime thriller, in which the main character is a bag of money. Initially belonging to a casino on an Indian reservation, The Chief (Russell Means) hires The Hitman (Chris O'Donnell) to track the bag down when it turns up missing. As The Hitman gets closer and closer to finding it, the bag of dough passes through the hands of several other nameless characters, including The Waitress, played by Rachael Leigh Cook, The Drifter, played by Jeremy Davies, and The Sheriff, played by Keith David. Before hitting American video-store shelves in 2003, 29 Palms screened at the München Fantasy Filmfest and the Cologne Fantasy Film Festival, both in Germany. The film should not be confused with the 2004 Bruno Dumont picture of the same name. ~ Matthew Tobey, Rovi

Based on the 1976 autobiography My Luke and I by Eleanor Gehrig and Joseph Durso, Love Affair: The Eleanor & Lou Gehrig Story provides a slightly different slant on the events previously dramatized on film as Pride of the Yankees (1942). The story is told in flashback from the point of view of the wife of baseball's "Iron Man". Sitting in a deserted Yankee stadium, Eleanor (Blythe Danner) relates her tale to her biographer Joseph Durso (Robert Burr). She recalls how she met the painfully shy ballplayer Lou Gehrig (Edward Herrmann) on a blind date in 1933. She remembers her battle of wills with Lou's domineering and possessive mother (played with a nearly impenetrable foreign accent by Patricia Neal), and her 1934 elopement with her "Luke." Other memories include the New York Yankees' goodwill trip to Japan, where relationships became strained between teammates Gehrig and Babe Ruth (Ramon Bieri). Also recalled is the fact that Lou played 2130 consecutive games (a record was only recently broken by Cal Ripken Jr.). Eleanor's story ends inevitably with Lou's slow death from amyotropic lateral sclerosis. In summing up, Eleanor insists that despite the tragic final years, she wouldn't have traded her short time as Mrs. Lou Gehrig for anything. Edward Herrmann took pride in the fact that his portrayal of Lou Gehrig won the unqualified praise of the real Eleanor (though Herrmann learned to bat southpaw for the role, he is seen actually playing baseball only once) Originally scheduled for broadcast on October 9, 1977, the made-for-TV Love Affair was bumped by a World Series playoff game; it was rescheduled for January 15, 1978--smack dab opposite the Super Bowl. ~ Hal Erickson, Rovi

Filmmaking duo Joel and Ethan Coen write, produce, and direct this period black comedy set in 1967 concerning a Midwestern physics professor whose staid and stable life slowly begins to unravel after his wife announces that she's leaving him. As if the failure of his longtime marriage wasn't enough for Larry Gopnik (Tony-nominated Michael Stuhlbarg) to contend with, now his socially inept brother refuses to move out of the house as well. Larry is a modest man of science. Up to this point, his life has been uneventful at best, but things are about to get interesting. When his wife, Judith, announces that she is leaving him to move in with his smug colleague Sy Ableman, Larry does his best to contend with his failed marriage while barely tolerating his unemployable brother, Arthur, who appears to have grown roots on Larry's couch. Meanwhile, Larry's son, Danny, is getting into trouble at Hebrew school, and his daughter, Sarah, is stealthily snatching money from his wallet so she can afford a nose job. As Judith and Sy merrily begin making plans for their new life of domestic bliss together, Larry begins receiving a series of anonymous letters from someone who seems intent on sabotaging his chance for tenure at the university. To further complicate matters, a graduate student with failing grades is attempting to bribe the professor while simultaneously threatening him with a defamation lawsuit. Larry is in some serious need of equilibrium, though it's hard to focus on getting your life in order when your beautiful neighbor insists on sunbathing in the nude just outside your window. Perhaps by seeking the advice of three trusted rabbis, Larry can finally learn to cope with his afflictions and become a genuine mensch. A Serious Man is the second in a two-picture deal that the siblings made with Focus Features and Working Title. The first film in the deal, entitled Burn After Reading and starring Brad Pitt, George Clooney, and Frances McDormand, was released nationwide in September 2008. ~ Jason Buchanan, Rovi

When African-American professional Andrew Sterling (Samual L. Jackson) moves into a summer home on an up-tight all-white New England resort island, the snoopy white neighbors are sure he must be breaking and entering. They call the cops who get too rambunctious and break into Sterling's limo, tripping its security alarm. When Sterling shows up to stop the alarm and pulls out his keys to open the car, a skittish cop thinks he's pulling a gun and opens fire. Now things are really a mess, because not only have these cops screwed up big-time, they've screwed up big-time in an election year when their Police Chief (Dabney Coleman) just happens to be running for re-election. This mess-up smacks too much as a race-inspired melee, so Chief Tolliver arranges a cover-up to keep his reputation intact. He hires a drifter to pose as a thief so the cops will have a legitimate reason for "protecting" the vacationing Sterling. Things continue to complicate in this airbrush farce, that attempts to lighten with laughter, the delicate and combustible subject of American race relations. ~ Rovi

John Savage plays a roving reporter on assignment in Africa. While nosing around in the jungle, Savage stumbles upon an unregenerate Nazi war criminal. As he mulls over what do with this information, the Nazi continues laying the groundwork for a worldwide neofascist conspiracy. Despite the presence of such thespic heavyweights as William Hickey and Ernest Borgnine, Any Man's Death never quite lives up to its potential. ~ Hal Erickson, Rovi

This adaptation of Ayn Rand's 1957 objectivist novel Atlas Shrugged tells the first installment in the story of a dystopian future in which a collectivist society has forced the great thinkers of the world to go on strike, leaving the functioning world without scientists, engineers, philosophers, or artists. Set against this stark backdrop, a railroad heiress named Dagny Taggart tries to bring her failing company back from the brink with the development of a new alloy to repair breaks in the lines, and hopefully calm the business' vital corporate partnership with an oil company. But with the endless bureaucracy of an evil and corrupt government fighting her at every turn, and her own inept brother battling her for control, Dagny soon finds that in order to set things right in her world, things must be set right in the world at large. ~ Jason Buchanan, Rovi

This low-rent Disney comedy mines the Home Alone territory for labored laughs. Brian Bonsall stars as the eleven-year-old Preston Waters, who is low-kid on the family totem pole -- his father Fred (James Rebhorn) lectures him on saving his money, while his older brothers, Ralph (Michael Faustino) and Damian (Chris Demetral), are pushy bullies. The final insult arrives when Preston is invited to a friend's birthday party -- held at an amusement park -- and Preston doesn't have enough money to go on any of the good rides. Preston wishes to the gods in heaven that he had his own money. At that point, on-the-lam criminal Quigley (Miguel Ferrer) takes his cue and runs over Preston's bike with his car. Eager to leave the scene before the cops arrive, Quigley hurriedly gives Preston a half-written check and vamooses. Preston looks down at the check and notices that the amount has not been filled in, so he obligingly completes the transaction by adding six zeroes and a one -- for a million dollars in cold cash. This amount, by a strange coincidence, happens to be the exact amount that Quigley has deposited in a money-laundering bank run by his partner-in-crime Biderman (Michael Lerner). Preston goes to the bank, cashes the check, and purchases a neighborhood mansion with all the toys he has ever dreamed of owning. But Quigley and his gang want the money back, and they are on their way to Preston's new home for a housewarming he will never forget. ~ Paul Brenner, Rovi

Charles Bronson switches from his traditional role as a vigilante to playing an actual lawman in this crime drama. Jeb Maynard (Bronson) is a border patrol agent who is trying to stem the tide of illegal aliens from Mexico into the United States. Jeb is hot on the trail of Hotchkiss (Ed Harris), a "coyote" who brings illegals into the United States for a hefty price and with little concern for their safety. But while Jeb is sworn to keep illegal immigrants out of America, he finds his relationship with Elena Morales (Karmin Murcelo) becoming more than professional. Elena is an illegal alien who wants to cooperate with Jeb by leading him to Hotchkiss, who smuggled her into the United States. But businesslike Jeb soon finds that the plight of Elena and her young son, who are desperate to build a better life for themselves, has touched a soft spot inside him. While the story may sound similar to the Tony Richardson/Jack Nicholson picture The Border, Borderline actually preceded it by two years. ~ Mark Deming, Rovi

Black-and-white Sven Nykvist cinematography highlights this Woody Allen comedy about fame and obscurity among Manhattan celebs. Journalist Lee Simon (Kenneth Branagh), makes a play for actress Nicole Oliver (Melanie Griffith), subject of his current story. Lee is separated from his wife Robin (Judy Davis), a schoolteacher who's totally lost and insecure -- until TV producer Tony Gardella (Joe Mantegna) becomes fascinated with her. Concerned about her possible sexual inadequacies, Robin recruits a prostitute (Bebe Neuwirth) to instruct her on oral sex techniques. On the town, Lee becomes transfixed by a blond supermodel (Charlize Theron), who teases him throughout the night, eventually dropping him before they get home. Lee's relationship with book editor Bonnie (Famke Janssen) is solid, and she's due to move into his place. However, he suddenly becomes romantically involved with waitress-actress Nola (Winona Ryder), complicating his agreement with Bonnie. Lee's efforts to sell his screenplay take him to the Stanhope Hotel, where he arrives just as spoiled young movie star Brandon Darrow (Leonardo DiCaprio) is fighting with his girlfriend (Gretchen Mol), trashing his hotel room, and insulting hotel staffers. When Darrow and his entourage head off to Atlantic City, Lee tags along, but as life swirls about him, a dismal dawn awaits. In addition to the Stanhope, locations included Barbetta's Restaurant, Ziegfeld Theatre, Soho's Serge Soroko Gallery, Flamingo Club, Jean-Georges Restaurant, and the Trump Marina Hotel and Casino (donated by Donald Trump, who portrays himself in a cameo at the Jean-Georges). Shown at the 1998 Venice Film Festival, this was the opening night selection of the 1998 New York Film Festival. ~ Bhob Stewart, Rovi

This TV movie was the longest--and dullest--of the three filmizations of George Brewer Jr. and Bertram Block's play Dark Victory. Elizabeth Montgomery stars as a successful TV producer (an heiress in the original play) who suffers from headaches. Her doctor (Anthony Hopkins) knows that the ailment is an incurable brain tumor, but at first he keeps this information a secret from the producer. When she learns the truth, she is bitter and resentful, but before walking gently into the Hereafter she falls in love with and marries the doctor. The 1939 Bette Davis Dark Victory wrapped this up in 106 minutes; the 1963 Susan Hayward remake, Stolen Hours, lasted only 100 minutes. Elizabeth Montgomery's Dark Victory is stretched out over two and one-half hours...and when it's all over, she's just as dead as Davis and Hayward (The Montgomery version was later pared down to 90 minutes, only a minor improvement). ~ Hal Erickson, Rovi

In this off-the-wall comedy, Joan Sweeney (Judy Tenuta) is an actress who unfortunately hit the peak of her career at the age of eight. As a child performer, she was the star of a successful television series, but as a grown-up, she can't get work to save her life. Tired of dressing up as a child for personal appearances, Joan has decided she needs publicity to put her career back on track, and she's thoroughly convinced there's no such thing as bad press. Consequently, Joan poses as a homeless person, knocks over a convenience store, and even openly declares herself as lesbian in the interest of greater press coverage, all with no luck. Fate appears to be smiling on her, but at just the wrong time, when Joan finally gets offered a role that could kick start her career just as she discovers she's pregnant. Desperation Boulevard also stars Michael Lerner and Weird Al Yankovic; one-time TV stars Erin Moran, Burt Ward, and Ken Osmond also appear in cameo roles. ~ Mark Deming, Rovi

For his sophomore stab at directing, actor/writer/director Jon Favreau (Swingers, Made), took on this holiday comedy starring Saturday Night Live-alum Will Ferrell. Ferrell stars as Buddy, a regular-sized man who was raised as an elf by Santa Claus (Edward Asner). When the news is finally broken to Buddy that he's not a real elf, he decides to head back to his place of birth, New York City, in search of his biological family. Elf also stars James Caan, Mary Steenburgen, Zooey Deschanel, and Bob Newhart. ~ Matthew Tobey, Rovi