Ken Lerner Movies

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, All Movie Guide

Glenn Close and James Woods star in this artery-clogging schmaltz about a childless couple who desperately want to have a baby. Linda (Close) and Michael Spector (Woods) are an upscale couple who have everything -- except a child. Linda mists over after she takes her temperature, plans the correct time for conception, and then her period starts. Despite medical intervention, the Spectors cannot conceive. They finally decide to adopt a child and meet the pregnant 17-year-old Lucy (Mary Stuart Masterson), who decides that the Spectors can provide a better home for her child than she and her boyfriend Sam (Kevin Dillon) could. The Spectors look Lucy over and determine -- since Lucy's mother died when she was seven -- to take care of her during her pregnancy. The three bond as they await the birth of Lucy's child. But now Lucy has second thoughts about the decision to turn her baby over to the Spectors. The solution for this happy group? Adopt Lucy and become the "immediate family." ~ Paul Brenner, All Movie Guide

Real-life siblings Beau and Jeff Bridges star as the eponymous Fabulous Baker Boys. Musical prodigies both, the Bakers have long been teamed as a twin-piano act, with the less talented Frank (Beau Bridges) coasting on the skills of his brilliant younger brother Jack (Jeff Bridges). Their career dwindling to nickel-and-dime dates in second-rate clubs, the Bakers decide that they need a female vocalist to boost their popularity. They select auditioner Susie Diamond (Michelle Pfeiffer), who in addition to being a gifted songstress is drop-dead gorgeous. The newly renovated Baker Boys act scores a success, which is inevitably threatened by Susie's growing popularity and by Jack's insistence upon pursuing an affair with the girl. ~ Hal Erickson, All Movie Guide

Directed by former Starsky and Hutch TV star Paul Michael Glaser, this post-apocalyptic science fiction yarn satirized American entertainment, mocking pro wrestling, game shows, and law-and-order reality programming. Arnold Schwarzenegger stars as Ben Richards, a cop in the totalitarian America of 2019, framed for massacring rioting civilians during a famine. After escaping from jail, Richards tries to prove his innocence, but his efforts are thwarted at every turn by a regime in need of a scapegoat. Richards is captured along with an innocent civilian, Amber Mendez (Maria Conchita Alonso), and they are forced to participate in a violent game show called "The Running Man," hosted by the unctuous Damon Killian (Richard Dawson). The object of the game for Richards and Mendez: obtain freedom by staying alive against a gauntlet of skillful assassins like "Subzero" (Prof. Toru Tanaka) and "Captain Freedom" (Jesse Ventura), each armed with unique weapons like razor-sharp hockey sticks and chainsaws. With the help of some fellow "contestants," Richards is able to tap into government computers and prove his innocence. The Running Man was very loosely based on a short story by Stephen King, who wrote it under the name Richard Bachman. ~ Karl Williams, All Movie Guide

A doctor (Tom Conti) and his wife (Teri Garr), recently divorced, are kidnapped and brought to South America by an inept jewel thief (Paul Rodriguez), just in time to help cure a tribal chief's daughter of appendicitis. Then, a series of circumstances brings the entire family together. ~ John Bush, All Movie Guide

Season Four of The A-Team begins with part one of a two-part story (originally telecast as a single two-hour episode). Despite increasing threats of capture by their old nemesis Col. Decker (Lance LeGault), the A-Team agrees to help Judge Mordente (Dana Elcar), whose daughter Lori (LaGena Hart) is being held hostage so that Mordente will render a "not guilty" verdict upon mob boss Joe Scarlett (Robert Miranda). The plan involves Hannibal (George Peppard) posing as a gangster in order to infiltrate Scarlett's gang, as well as the "borrowing" of a mob limo for an escape vehicle. Ultimately, both the Team and the kidnapped girl wind up in Italy, where things really begin to percolate! ~ Hal Erickson, All Movie Guide

In this human-scale drama/comedy, a pair of Beverly Hills parents, Albert (Ryan O'Neal) and Lucy (Shelley Long) first come together as a couple interested in writing (she) and teaching (he), but Albert's life takes an upscale turn when he starts both writing and then directing in Hollywood. As he becomes successful, Lucy is forced to burrow into her own writing in self-defense, and after her book is well-received, she is compensated a little for Albert's lack of attention and philandering. After Hollywood and its well-known flaws are sketched out in the increasingly strained marriage, the story reaches its primary focus: Albert and Lucy's 9-year-old daughter Casey (Drew Barrymore) talks to a lawyer because she wants to sue her parents for divorce. She gets no hugs or affection, and precious little attention, and she would prefer to go live with the maid. Given the parents' celebrity, the case receives wide press -- and the family begins to reconsider where it is going and why. Although a bit long, especially in the first half which wanders off course a little, the story is engaging enough (especially for Hollywood buffs) to balance any weaknesses. ~ Eleanor Mannikka, All Movie Guide

Not exactly meant for intellectuals or feminists, this juvenile comedy-drama centers around the competition between a decaying, old-fashioned gas station and that of a sleek, modern version across the street. Neither Uncle Joe (Huntz Hall) nor his station are doing well. So niece June (Kirsten Baker) comes to the rescue, enlisting three buxom friends with names like April (Sandy Johnson) and January (Rikki Marin) who help fill out the rest of the calendar year, and occasionally fill up tanks when not disco dancing in the garage. Using the only weapons they have, the young women wear as little as possible to distract the competition, to attract customers, to distract the gangsters sent over to teach them a lesson, and to distract attention away from the script. ~ Eleanor Mannikka, All Movie Guide

Martin Brest was a student filmmaker when he made Hot Tomorrows for $33,000 -- practically nothing even by the standards of 1977. He went on to produce major Hollywood movies, including Beverly Hills Cop. In this film, Michael (Ken Lerner) is a young New York writer who has moved to L.A. and who spends his days writing about his elderly aunt, when he is not busy exploring his obsession with death. He is spending Christmas Eve with Louis (Ray Sharkey), a visiting friend, and they choose some unusual sites in which to carry on their holiday discussions, including a mortuary and a retirement home. Though this short black-and-white feature was given high praise by critics, few have had a chance to see it. ~ Clarke Fountain, All Movie Guide