Ken Lerner Movies

Dick Van Dyke stars as a doctor-turned-detective in this made-for-television medical thriller. Van Dyke stars as Dr. Mark Sloan, the ring leader of a small group of doctors who investigate the death of a U.S. Senator (David Richards) during surgery. Sloan has his own interest in finding out the cause of death -- his ex-lover (Suzanne Pleshette) is the prominent heart surgeon who was at the helm. Unfortunately though, Dr. Sloan gets more than he bargained for and stumbles onto a plot of revenge and murder. This two-hour movie was one of several which introduced viewers to Van Dyke's character and led to the popular TV-series Diagnosis Murder. ~ Bernadette McCallion, All Movie Guide

This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, All Movie Guide

In the second episode of the series, Buffy (Sarah Michelle Gellar) and friends Xander Harris (Nicholas Brendon), Willow Rosenberg (Alyson Hannigan), and Watcher Rupert Giles (Anthony Stewart Head) band together to stop a group of vampires from fulfilling an ancient prophecy called "The Harvest." The Harvest will allow Luke (Brian Thompson), a vampire supernaturally connected to The Master (Mark Metcalf) -- a very old, powerful, and angry vampire -- to feed on humans and thereby give him strength. The Master, viewers learn, was imprisoned in catacombs underneath Sunnydale 60 years earlier by an earthquake while attempting to open the Hellmouth, and is trapped underground until The Harvest is complete. When Luke sends some vampires out for food, they subsequently capture Xander's buddy Jesse and use him as bait to lure Buffy into a trap. Buffy, who now understands her destiny to be the Slayer, dutifully chases after Jesse. Buffy and Xander find Jesse in the catacombs only to realize that he has already been turned into a vampire. Meanwhile, Luke and his vampires are attacking all the club-going teens at The Bronze to fulfill The Harvest prophecy. Buffy and her cohorts come to the rescue just in time to stop them, during which Xander accidentally kills Jesse. Most of the vampires (including Luke) are killed, but Darla (Julie Benz), a vampire who figures heavily in future episodes, gets away. Originally aired on March 10, 1996, "The Harvest" is the second half of the two-part pilot episode. ~ All Movie Guide

Ostensibly picking up where the movie Buffy the Vampire Slayer left off, episode one finds the vampire-stiffing Buffy Summers (Sarah Michelle Gellar) and her mother, Joyce (Kristine Sutherland), recently moved from Los Angeles to the ironically named suburb of Sunnydale, CA. During her first day at Sunnydale High School, Buffy meets a group of people who will define the course of her new life. Cordelia Chase (Charisma Carpenter), a popular girl at school, proffers her friendship by testing Buffy's "coolness factor." "James Spader?" Cordelia inquires. "He needs to call me," replies Buffy, without missing a beat. But Cordelia is soon dismayed when Buffy begins hanging out with the shy computer nerd Willow Rosenberg (Alyson Hannigan), her friend Xander Harris ( Nicholas Brendon), and his buddy Jesse (Eric Balfour). Also among her new acquaintances is the school librarian, the very British Rupert Giles (Anthony Stewart Head), who just happens to be Buffy's Watcher, a sort of guidance counselor for vampire slayers. Giles informs Buffy that the earth is much older than commonly accepted and was once populated by demons and vampires; only vestiges of the great evil still exist. Through Giles, we also learn that after every slayer dies, another is born to take her place, and 17-year-old Buffy is the Chosen One. That night, Buffy meets the enigmatic and mysterious Angel (David Boreanaz), who warns her that Sunnydale is located on the Hellmouth -- a kind of mecca for demons and vampires of all sorts -- and the accompanying "Harvest," when vampires will attempt to take over the earth, is soon approaching. Buffy is resistant to donning her mantle as the Slayer, unaware that in catacombs beneath Sunnydale, the Master (Mark Metcalf) -- a very old and powerful vampire, trapped for 60 years underground -- is now being awakened by his minion Luke (Brian Thompson) to be set free by the Harvest. Originally aired on March 10, 1996, "Welcome to the Hellmouth" is part one of the show's two-part pilot episode. ~ All Movie Guide

Carter (Noah Wyle) pulls off his first major blunder when he tells the wrong family that their teenaged son died in a car accident. Resident Romeo Ross (George Clooney) steps up his campaign to win Carol (Julianna Margulies) away from her current beau, Dr. Taglieri (Rick Rossovich). And the volatile Benton (Eriq La Salle) attacks his brother-in-law, Walt (Ving Rhames), for neglecting his family, then turns his wrath upon Lewis (Sherry Stringfield) for a misdiagnosis. ~ Hal Erickson, All Movie Guide

This film noir style, made-for-TV movie contains three parts, each based on stories by three different authors (Jim Thompson, Cornell Woolrich, and James Elroy). It looks as if a con-artist (Peter Gallagher) has finally met someone who can pull the wool over his eyes in "The Frightening Frammis." In "Murder, Obliquely," a shifty man (Alan L. Rickman) manages to win the affections of a woman (Laura Dern). Little does she know that his former girlfriend might have been murdered by his own hands. The mobster Mickey Cohen (James Woods) and Howard Hughes (Tim Matheson) both have their eyes on the same woman and Buzz Meeks (Gary Busey) has been contracted to seek her out in "Since I Don't Have You." ~ Iotis Erlewine, All Movie Guide

Aisha Tyler makes her first series appearance as Charlie, a sexy paleontologist to whom Ross (David Schwimmer) is attracted in a big way. Alas, when Ross invites Charlie to attend a wrap party for Days of Our Lives, she meets his actor pal, Joey (Matt LeBlanc), and it looks as though Ross is about to be shot down in the romance wars once more. Attending the same party is Rachel (Jennifer Aniston), whose efforts to overcome her feelings for Joey are aided and abetted by a brace of Joey's handsome co-stars, Kyle Lowder and Matthew Ashford (playing themselves). Meanwhile, Chandler (Matthew Perry) must endure the slings and arrows of an extremely vitriolic performance artist (played by Alex Borstein, the voice of Lois Griffin on the animated series Family Guy). ~ All Movie Guide

In exchange for being allowed to make his directorial debut in Grand Theft Auto, Ron Howard agreed to take no salary as a director, merely as star and co-screenwriter (with his dad Rance). The plot finds Sam Freeman (Howard) eloping with his heiress girlfriend Paula Powers (Nancy Morgan). Her mob-connected dad Bigby Powers (Barry Cahill) vehemently opposes the marriage, and isn't about to change his mind now that Sam has stolen his Rolls-Royce and sped off to Las Vegas with his daughter in tow. Marion Ross, Howard's Happy Days mom, turns in an offbeat supporting characterization. ~ Hal Erickson, All Movie Guide

Martin Brest was a student filmmaker when he made Hot Tomorrows for $33,000 -- practically nothing even by the standards of 1977. He went on to produce major Hollywood movies, including Beverly Hills Cop. In this film, Michael (Ken Lerner) is a young New York writer who has moved to L.A. and who spends his days writing about his elderly aunt, when he is not busy exploring his obsession with death. He is spending Christmas Eve with Louis (Ray Sharkey), a visiting friend, and they choose some unusual sites in which to carry on their holiday discussions, including a mortuary and a retirement home. Though this short black-and-white feature was given high praise by critics, few have had a chance to see it. ~ Clarke Fountain, All Movie Guide

Glenn Close and James Woods star in this artery-clogging schmaltz about a childless couple who desperately want to have a baby. Linda (Close) and Michael Spector (Woods) are an upscale couple who have everything -- except a child. Linda mists over after she takes her temperature, plans the correct time for conception, and then her period starts. Despite medical intervention, the Spectors cannot conceive. They finally decide to adopt a child and meet the pregnant 17-year-old Lucy (Mary Stuart Masterson), who decides that the Spectors can provide a better home for her child than she and her boyfriend Sam (Kevin Dillon) could. The Spectors look Lucy over and determine -- since Lucy's mother died when she was seven -- to take care of her during her pregnancy. The three bond as they await the birth of Lucy's child. But now Lucy has second thoughts about the decision to turn her baby over to the Spectors. The solution for this happy group? Adopt Lucy and become the "immediate family." ~ Paul Brenner, All Movie Guide

In this human-scale drama/comedy, a pair of Beverly Hills parents, Albert (Ryan O'Neal) and Lucy (Shelley Long) first come together as a couple interested in writing (she) and teaching (he), but Albert's life takes an upscale turn when he starts both writing and then directing in Hollywood. As he becomes successful, Lucy is forced to burrow into her own writing in self-defense, and after her book is well-received, she is compensated a little for Albert's lack of attention and philandering. After Hollywood and its well-known flaws are sketched out in the increasingly strained marriage, the story reaches its primary focus: Albert and Lucy's 9-year-old daughter Casey (Drew Barrymore) talks to a lawyer because she wants to sue her parents for divorce. She gets no hugs or affection, and precious little attention, and she would prefer to go live with the maid. Given the parents' celebrity, the case receives wide press -- and the family begins to reconsider where it is going and why. Although a bit long, especially in the first half which wanders off course a little, the story is engaging enough (especially for Hollywood buffs) to balance any weaknesses. ~ Eleanor Mannikka, All Movie Guide

As indicated by its title, this episode features 1950s pop idol Fabian as himself--a bit more mature than in his glory days, but no less charming and charismatic. Although Fabian's upcoming concert in Milwaukee is sold out, Laverne (Penny Marshall) and Shirley (Cindy Williams) are determined to not only attend the show but also go backstage and get their pictures taken with the singer. All this stems from a bet between the girls and their obnoxious rival Big Rosie (Carol Ita White)--and the stakes embarrassingly high! Fabian sings "Turn Me Loose". ~ Hal Erickson, All Movie Guide

A psychotic estranged wife attempts to sabotage her husband's new romance by turning her children against his lover in this thriller. Jude (Jamie Lee Curtis) had abandoned her husband Robert (Peter Gallagher) and their three sons several years earlier. Unfortunately, now that Robert has filed for divorce after falling in love with Callie (Joanne Whalley-Kilmer), the sweet-natured assistant principal at his son's school, Jude is back for revenge. At first she merely tries to convince the children that Callie is an intruder on the rightful family, but the psychotic Jude's actions soon turn dangerous, as she attempts to frame the educator for assault. Things become particularly sticky when she tries to win over her 12-year-old son Kes (Luke Edwards), involving him in a potentially deadly scheme. Director Yves Simoneau borrows from numerous other stalker dramas and attempts to ratchet the action to a feverish pitch in the conclusion, but Jude's behavior remains unbelievable, and most critics found Mother's Boys an unconvincing, often over-the-top psychodrama. ~ Judd Blaise, All Movie Guide