Joe Lerer Movies

A criminal trying to reform is forced to endure the most humiliating punishment of all -- hanging out with his son -- in this family comedy. Ray Gleason (Ted Danson) is a thief whose ambitions far outstrip both his skill and his intelligence; Ray is just bright enough to have realized this, and he's decided to go straight and open a bake shop (he learned how to decorate cakes during his last stay in prison). However, Ray needs to raise some working capital, so in association with his buddies Bobby (Saul Rubinek) and Carl (Gailard Sartain) he is planning his last heist, in which they hope to walk away with a highly valuable collection of rare coins. Ray also happens to have an 11-year-old son, Timmy (Macaulay Culkin), whose mother died several years ago; Timmy has been living with his aunt, but when she gets married and goes away on her honeymoon, Timmy ends up staying with Ray. Timmy is a lot smarter than his dad and quickly figures out what Ray and his cronies have been up to; he's long felt a great deal of resentment toward his father for not being around when he needed him, so Timmy steals the loot from the robbery and uses it to blackmail Ray into spending some quality time with him. Timmy also thinks that it's high time Ray settled down, so when he notices that Theresa (Glenne Headly), an undercover cop, has been following Ray's trail, Timmy tries to play matchmaker and bring them together. Getting Even with Dad would prove to be the next-to-last screen appearance for former pre-teen superstar Macaulay Culkin; he was 14 when this film was released, and within five years he was a married man attending the Rhode Island School of Design. ~ Mark Deming, All Movie Guide

Richard Benjamin directed this farce that plays like "Guess Who's Coming for Insemination?" Whoopi Goldberg stars as Sarah Matthews, who runs an African-American oriented bookstore in Oakland. She is raising her daughter, a beautiful high school student named Zora (Nia Long), on her own after her husband's death many years earlier. As a result of a science class blood test, Zora discovers that the man she thought was her father actually wasn't. Instead Zora finds she was the result of artificial insemination. After researching the sperm bank's records, Zora discovers, much to the surprise of Sarah and herself, that the anonymous sperm donor is in fact, Hal Jackson (Ted Danson), a loud, crude obnoxious (and white) used-car dealer who advertises on late-night television. Zora visits Hal while he is filming a commercial and Hal brushes her off. Enraged, Sarah tells Hal off, but after meeting Zora he now feels a paternal itch. Not only that, but he is beginning to feel an attraction to Sarah. ~ Paul Brenner, All Movie Guide

Long before she was in Friends, Courteney Cox had to deal with a few enemies in Blue Desert. A rape victim, Cox is given the runaround by the New York police. Fed up with city life, she heads for the wide open spaces of Arizona. Not long afterward, she is propositioned by lowlife Craig Sheffer. She reports this to sympathetic local cop D.B. Sweeney, who replies matter-of-factly that this is not the first time that Sheffer has been accused of a sexual offense. To her amazement, Cox is later visited by Sheffer, who agitatedly warns her not to trust the supposedly sweet-natured Sweeney. Someone is lying about something-and Cox plain doesn't know who to believe. When she finally finds out, it's nearly too late. ~ Hal Erickson, All Movie Guide

A husband goes middle-age bonkers and leaves his wife in this comedy. Now she is determined to show him that she doesn't need him anyway. ~ Sandra Brennan, All Movie Guide

In Transylvania Twist, producer Roger Corman and director Jim Wynorski make Mel Brooks movies look like Noël Coward drawing-room comedies. The film begins with nubile innocent Patty (Monique Gabrielle) being chasing through the woods by the Greatest Horror Hits of the 1980s --with Jason, Freddy Krueger, and Leatherface all vying for a piece of her. Robert Vaughn has the hammiest role as a vampire named Lord Byron Orlock. His ravishing niece Marissa (Teri Copley), an American singing star, arrives at Lord Byron's castle in Transylvania after the death of her father. Accompanying her is Dexter Ward (Rick Altman), her wise-cracking Donald O'Connor-inspired sidekick. What happens next involves a frantic search for a mysterious book that will raise "the evil one" from the dead. The flimsy plot serves as a handy clothesline on to which to hang self-referential parodies of the horror film genre, with time out for some clever editing of an appearance by long-dead Boris Karloff. ~ Paul Brenner, All Movie Guide

History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide

This run-of-the-mill teen romantic comedy's main attraction is 22-year-old Demi Moore as Laura Victor, an aspiring rock singer. The slightly younger Jon Cryer is Charles Cummings, a dedicated photographer who meets Laura, falls in love, and decides that a dedication to furthering her career might further his own amorous designs. Charles is essentially a loser when it comes to women -- and just about anything else except photography. One day Charles captures Laura on film along a San Francisco seashore and is shocked but excited to run into her later while at a North Beach nightclub where she is a performer. Unable to just let her go, he finally convinces her to pose for him, and as a result of that session he comes up with one good photo which he then puts on nearly 200 San Francisco cabs -- using up all his savings in the process. The result consists of offers that have nothing to do with singing -- until one exception occurs. Another new face in the crowd in this conventional movie is Jennifer Tilly (younger sister of Meg Tilly and Oscar-nominated for her role in Bullets Over Broadway), working in her first film. ~ Eleanor Mannikka, All Movie Guide

The frequently used title An Eye for an Eye was applied to a Chuck Norris martial-arts festival in 1981. Norris plays Sean Kane, a San Francisco cop whose partner is murdered by an Oriental drug ring. Told to keep his distance by his superiors, Kane quits the force and sets out to exact vengeance. When he's not suffering from traumatic nightmares, our hero is single-handedly decimating every one of villain Morgan Canfield's (Christopher Lee) henchmen. ~ Hal Erickson, All Movie Guide