James B. Leong Movies

Ostensibly based on the life of World War I flying ace Eddie Rickenbacker, whose smiling visage opened each of the 13 chapters, this fanciful serial depicted the travails of a globe trotting airline company. It seems that a villain known only as The Dragon (Arthur Loft) is determined to sabotage the company, who in desperation hires daredevil pilot Ace Drummond (John King) to investigate. By the time of the serial's 13th and final chapter -- "The World Akin" -- Drummond has not only managed to destroy The Dragon but also reunited lovely Peggy Trainor (Jean Rogers) with her long lost father (Montagu Shaw) and discovered a hidden mountain containing a fortune in jade. A former band singer with Ben Bernie, the rather bland John King later became "Dusty" King and enjoyed a minor career in B-Westerns. A legendary serial queen, blonde Jean Rogers gained her lasting reputation that same year when Universal cast her as Dale Arden in Flash Gordon. An edited feature version of Ace Drummond was released later in 1936 as Squadron of Doom. ~ Hans J. Wollstein, All Movie Guide

Tarzan, "The Police Dog," stars in this ultra low-budget thriller from independent producer Bert Sternbach. The human leads, Marion Shilling and Charles Delaney, play reporters assigned to cover the wedding between members of warring Tong families. Expected to end generations of feud between the Lings and the Wongs, the nuptials turn into tragedy when a mystery intruder clad in Ling family attire valuable snatches the necklace from the bride. As the groom (Wing Foo) attempts to stop the fleeing thief, he is brutally shot and killed and his father calls for the feud to continue. Meanwhile, cub reporter Ann Parker (Shilling) is kidnapped by the murderer (Paul Ellis), who thinks she may be able to identify him. But Tarzan, the police dog, races to the rescue with Bob Martin (Delaney) in tow and the killer is unmasked in the nick of time. The Lings are cleared of suspicion and peace between the families is restored. ~ Hans J. Wollstein, All Movie Guide

This odd program drama seemed out of pace with the Roaring Twenties, and is only redeemed by its excellent cast. The Southern California coast made an adequate backdrop for the story, which was supposed to take place in San Francisco. Michelo Bresca (Josef Swickard), an old Italian-American man, has grown discouraged with life. In great despair, he throws his daughter, Lucia (Renée Adorée), into the sea, and plans to do the same with himself. Lucia is saved when she falls into a fisherman's boat, but is kidnapped by Francisco (Buddy Post) and taken to the headquarters of Dr. Chong Foo (James B. Leong), who smuggles illegal Chinese immigrants into the U.S. Foo's partner is artist Pietro Savori (Lew Cody), who uses his studio as a front. The men all fight each other for Lucia's favors, and Dr. Foo murders Savori. But Luigi Bevani (Dick Sutherland) rescues Lucia and returns her to Guido, her sweetheart. ~ Janiss Garza, All Movie Guide

This WW II drama is the first to deal with the fateful atomic bomb attack on Japan. Originally, the film centered on the acquisition of a new kind of gun, but as it was in production during the time the Bomb was dropped, the producers were quick to change the story to suit the times. It tells the story of a straight-arrow American pilot who was raised in Japan and is asked to return there to get a captured scientist to garner valuable information about the A-bomb. The pilot, Major Ross, realizes that he will not survive the mission, but as he has just lost his lover, he cares little for life. Before he goes, his face is surgically altered so he looks Japanese and he then infiltrates the camp where the scientist is being held. There he finds his girl friend, an army nurse, who has also been captured. Unfortunately, she has fallen in love with a fellow inmate. The determined Major Ross remains focused and completes his mission, but not before encountering considerable danger at the hands of enemy officers. The end of the film features actual newsreel footage of nuclear bombings from Pathe. ~ Sandra Brennan, All Movie Guide

In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide

Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret Weldon, the wife of advertising executive William Weldon (Franchot Tone). Though Weldon is successful, Margaret can't help but feel that he'd be more successful if she were to take an active part in his business affairs. The fun really begins when Margaret tries to help Weldon promote a crackpot inventor (Mikhail Rasumny) who's come up with a revolutionary new embalming fluid. As in the previous year's The Hucksters, Madison Avenue and Big Business are targetted for a great deal of derisive ribbing. If only Her Husband's Affairs were as funny as everyone involved seems to think it is. ~ Hal Erickson, All Movie Guide

In this adventure, set in Shanghai, a gunrunner gets entangled with a conspiracy to deliver customs certificates. Unfortunately, his contact has died and the money has disappeared. He being pursued by other smugglers when Japanese bombs are dropped. He is saved from the firestorm by a French singer. Together they flee the city and board a refugee ship. ~ Sandra Brennan, All Movie Guide

The tendency is to scoff at Macao as just another example of Josef von Sternberg's late-career exercises in exoticism; true, it has its problems, including a weak plot and a slightly hasty pace, but it is still an extraordinary film for its time and its personnel. The real sparkplug for the movie is Jane Russell as out-of-work singer Julie Benson, who inadvertently gets the plot rolling when she ends up in a cabin with a lout who won't take no for an answer. Her plight, and a flying shoe, brings in laconic, slightly mysterious traveler Nick Cochran (Robert Mitchum), who seems to have something to hide and manages to get his wallet (including passport) lifted by the opportunistic Julie. Crossing paths with them is Lawrence Trumble (William Bendix), a good-natured lunkhead salesman coming to Macao for the gambling. And gambling, among other less legal activities, is what local hood Halloran (Brad Dexter) is all about. He's just hot enough in international crime circles to attract the authorities, who can't touch him in Macao; he's already had one New York detective killed and expects another to arrive, and he's keeping an eye on any suspicious, unfamiliar Westerners arriving, which leads him to Julie, Cochran, and Trumble. Halloran has other, obvious plans for Julie, especially when obliging corrupt police chief Thomas Gomez points her to a singing job at his club, much to the distress of his one-time girlfriend (Gloria Grahame); he dismisses Trumble as a lovable clown. But Nick has cop written all over him and is hiding something. All of the pieces fit together neatly in the end, and everyone is keeping at least one secret that will surprise viewers.

What makes Macao truly special are the performances, beginning with Jane Russell, who, with the possible exception of Gentlemen Prefer Blondes, was never better. Her ample physical assets are on display as usual, but she also never gave a sharper, more naturalistic or purely sensual acting performance. Russell had clearly found her talent and her center with this film. Whether she's shooting a suspicious glance at larcenous police chief Thomas Gomez, singing a sultry torch song in a seductive white strapless outfit, or striding forward in an exquisite dolly-out shot, she commands every scene in which she appears. And it's not just her imposing physique that does it, but a boldness of nuance; Russell had learned a lot since The Outlaw. Brad Dexter, the odd man out in The Magnificent Seven, makes an excellent villain, like a more pathological version of Steve Cochran. Meanwhile, Robert Mitchum, in his portrayal of a neurotic, perhaps shell-shocked veteran, shows a vulnerable side that seldom came out so convincingly or touchingly in his RKO movies; and even William Bendix found a new wrinkle to his screen persona as the seemingly larcenous commercial traveler. The audience will be beguiled and surprised throughout this movie -- an underrated noir classic -- and not just by the stories that unravel. The last line and wrap shot create an amazingly lusty, censor-challenging denouement for an early '50s film. ~ Bruce Eder, All Movie Guide

In this fourth of 20th Century-Fox's "Mr. Moto" series, a beautiful young aviatrix (Rochelle Hudson) on a secret diplomatic mission crash-lands in a remote Indochinese jungle province ruled by a despotic potentate (J. Edward Bromberg). Japanese adventurer Mr. Moto (Peter Lorre) is in the vicinity on an archeological expedition, while two hotshot American newsreel cameramen (Robert Kent, Chick Chandler) also stumble upon the scene. The aviatrix tries to get the potentate to help quell an insurrection led by a maniacal high priest (George Regas), but it turns out that the duplicitous ruler is in on the rebellion as a means of increasing his own wealth and power. Moto takes charge by posing as the high priest; he rescues the aviatrix and the newsreel men, vanquishes the villains and destroys a munitions site. And all this in 63 minutes! ~ Hal Erickson, All Movie Guide

Notorious Hollywood tightwad Sam Katzman's first serial, Shadow of Chinatown stars Bela Lugosi as Victor Poten, a Eurasian with a destructive hatred of both whites and Asians hired by Sonya Rokoff (Luana Walters) to ruin the tourist trade in San Francisco's Chinatown. But, as Sonya discovers and Poten himself acknowledges, she has inadvertently created a seemingly unstoppable "Frankenstein's monster." The forces of good opposing Poten and Rokoff include Martin Andrews (Herman Brix, aka Bruce Bennett), a novelist specializing in all things Oriental, sob-sister-turned-crime-reporter Joan Whiting (Joan Barclay), and Chinese houseboy Willy Fu (Hawaiian crooner Maurice Liu). Sonya Rokoff, whose allegiance to the madman quickly comes under some strain, is destroyed by a falling chandelier in Chapter 14, but Victor survives to be carted off to jail in the 15th and final chapter, "The Avenging Powers." Shadow of Chinatown was filmed in two weeks in Culver City, CA, and on rental stages at Hollywood's Talisman Studios. A slightly altered feature version in which Lugosi's character is killed off in the final reel was released simultaneously. ~ Hans J. Wollstein, All Movie Guide

"It took more than one man to change my name to Shanghai Lily," purrs Marlene Dietrich in Shanghai Express. She certainly has her well-manicured hands full with more men than she can count in this exotic far-Eastern adventure. Among her fellow passengers on the Shanghai Express are her disillusioned former fiance, stalwart British medical corps officer Clive Brook; overfervent missionary Lawrence Grant; dope smuggler Gustav von Seyffertitz; and mysterious Eurasian businessman Warner Oland. As the train chugs through the more treacherous passages of war-torn China, Oland reveals himself as the leader of a rebel group, who plans to hold the passengers hostage to secure the release of his imprisoned followers. In Boule de Suif fashion, Dietrich, who is a notorious "Chinese coaster" but who has remained sexually aloof throughout the trip, gives herself to Oland to save the life of Brook, the man she truly loves. Directed by Josef von Sternberg at his most orgiastic (love those long, lingering dissolves!), Shanghai Express is 80% style and 20% substance, as proven by two less stylish remakes, Night Plane to Chungking and Peking Express. ~ Hal Erickson, All Movie Guide