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Melissa Leo Movies

After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.

Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.

Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State. ~ Rovi
1993  
 
A suspect, Risley Tucker (Moses Gunn), has been hauled in for the murder of 11-year-old Adena Watson. Having pursued this case for weeks, Bayliss (Kyle Secor) and Pembleton (Andre Braugher) are anxious for a chance to wrest a confession from Tucker. Unfortunately, it will be their last chance: If Tucker doesn't crack within the next 12 hours, they will be forced to let him walk. Writer Tom Fontana won an Emmy for this episode. ~ Hal Erickson, Rovi

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Starring:
Daniel BaldwinRichard Belzer, (more)
 
1993  
 
Worn out by the dead-end investigation of the Watson killing, Bayliss (Kyle Secor) turns on the obstreperous Capt. Barnfather (Clayton LeBouef) and calls him a "butthead." As his ex-partner Thormann (Edie Falco) recovers from her wounds, Crosetti (Jon Polito) closes in on the man whom he thinks pulled the trigger -- and who seems eager to confess whether he's guilty or not. While investigating a double murder, Munch (Richard Belzer) becomes fed up with being constantly compared to Bolander's (Ned Beatty) former partner. And Pembleton (Andre Braugher) and Felton (Daniel Baldwin) search for a car that may be crucial to the outcome of a case. ~ Hal Erickson, Rovi

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Starring:
Daniel BaldwinNed Beatty, (more)
 
1992  
 
Religious and personal tensions escalate steadily in this drama, and nearly everyone in it has some sort of extra-sensitive "toes" that get stepped on by others. James Wilby would seem to have a relatively non-controversial job, for a foreigner, since he is a wildlife conservationist, and foreigners are always going on about the environment. Pakistan is, however, a pretty strange place for his Jewish wife Hannah, the daughter of an American senator. The couple are almost deranged with a desire to have a child together, and when they hear about a local shrine which is said to give the blessing of fertility, they think that it sounds harmless enough and go out to see it. In the rest of the world, eunuches are a thing of the past, but in Pakistan and India, they actually have a culture of their own; ironically enough, they run the fertility shrine. When Wilby and Hannah visit the place, they are rendered unconscious with a drugged drink, and a local boy is called in to inseminate Hannah, who does in fact become pregnant. The birth of the child, however, seems to be the trigger for a lot of strange goings-on, beginning with Hannah's conversion to Islam, which strains her marriage nearly to the breaking point. Also, Hannah has discovered that Alistair has been carrying on with a family friend, and in addition, the eunuches seem to be excessively interested in the child she has by now given birth to. ~ Clarke Fountain, Rovi

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Starring:
James WilbyMelissa Leo, (more)
 
1992  
R  
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For sheer abject self-indulgence this side of an Eric Schaeffer movie, one need look no further than the films of Henry Jaglom. Jaglom's vanity productions require an intense Stalin-like loyalty to the filmmaker and his films going in, otherwise a viewer is lost. So when, in Venice/Venice, Henry Jaglom appears as a filmmaker named Dean at the Venice Film Festival, there promoting a film resembling a Henry Jaglom film, a viewer must give himself up to the force or walk out of the theater. Dean is the kind of pretentious Hollywood type who likes to wear his heart and his distribution contract on his sleeve, so when adoring European journalist Jeanne (Nelly Alard) inexplicably smiles at him the right way, filmgoers will come to understand why the film business is so attractive to wimpy film geeks. Jeanne and Dean fall in love and take a walking tour of Venice, but Jeanne pays no attention to the city, since she religiously hangs on every word Dean has to say regarding love, films, and destiny. Since there are more pearls of wisdom to be gloaned from this Bel-Air Gandhi, Jeanne willingly follows Dean back to Venice, California. Realizing that she has already spent too much time basking in the brilliance of Dean's sun, Penny (Melissa Leo), Dean's California girlfriend, obligingly offers to pack up and leave when she sees Dean returning to Southern California with Jeanne in tow. When Henry Jaglom talks, they all listen. ~ Paul Brenner, Rovi

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Starring:
Nelly AlardHenry Jaglom, (more)
 
1992  
R  
Carolina Skeletons is based on a prize-winning novel by David Stout. Louis Gossett Jr. plays a former Green Beret colonel who returns to his home town after thirty years. As a child, Gossett was forced to look on in horror as his brother was tried and executed on a trumped-up murder charge. Now that he's back, Gossett seeks out new evidence, intending to bring the real killer to justice. Unfortunatel, there are several people in town who'd prefer that the past remained buried-and aren't averse to burying Gossett should the need arise. Made for television, Carolina Skeletons debuted September 30, 1991. An R-rated version was later prepared for cable TV. ~ Hal Erickson, Rovi

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1990  
 
In this drama a bride, widowed on her wedding day when her husband was shot, investigates her late groom's past. She soon discovers why he was killed. ~ Sandra Brennan, Rovi

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Starring:
Susan LucciDavid Soul, (more)
 
1989  
 
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Season One of The Young Riders begins in 1860, as a rambunctious teenaged hothead known only as The Kid (Ty Miller) signs on as a rider for the Central Overland Express mail service in Sweetwater, Wyoming. This particular branch of the service is overseen by stationmaster Teaspoon Hunter (Anthony Zerbe, a grizzled-old-codger type who is doing his best to live down his past as a gunslinger. Before long, several other youthful buckaroos have joined up as riders, including natural-born scout Billy Cody (Stephen Baldwin), straight-shooter Jimmy Hickok (Josh Brolin), taciturn mute Ike McSwain (Travis Fine), half-Kiowa Indian Buck Cross (Gregg Rainwater), and short-tempered Lou McCloud (Yvonne Suhor)--who, unbeknownst to anyone (at least at first), is a girl in male disguise. Emma Shannon (Melissa Leo) is the station's cook and resident "earth mother", while local lawkeeper Marshall Cain (Brett Cullen) is Emma's would-be beau. This season, Don Collier makes the first of many recurring appearances as versatile general store keeper William Tompkins, who hopes to one day be reunited with the wife and daughter who'd been stolen by the Sioux years earlier; the taciturn Ike demonstrates time and again that it would take a bolt from Heaven to persuade him to abandon his curious set of values; and the Riders come to the defense of runaway slaves, abandoned and abused children and wrongly persecuted Native Americans, and overall demonstrate a stronger sympathy for the abolitionist North than the slaveholding South in the months leading to the Civil War. As for historical accuracy. . .well, you can't have everything. The season ends with a two-hour finale, involving the Young Riders' dangerous encounter with a vigilante character clearly based on the infamous "Kansas Raider" Quantrill. ~ Hal Erickson, Rovi

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Starring:
Anthony ZerbeTy Miller, (more)
 
1989  
 
The Nasty Boys refers not to a rock group but an elite corps of law enforcement officers. This fact-based TV movie is set in August, 1986. The place is drug-ridden North Las Vegas, Nevada. Unable to stem the drug trade by orthodox means, the police department organizes a group of "commando cops", who swoop down on the narcotics kingpins while garbed in identification-obscuring ski masks. These guerilla tactics worked beautifully in 1986, though the hooded vigilantism inherent in so extreme a police procedure has subsequently triggered racial tensions in some large cities. In 1989, however, The Nasty Boys was regarded as a merely a slam-bang piece of entertainment. It was designed as the pilot for a potential TV series, and was given a "sure-fire" network lead-in with the premiere episode of Baywatch (Baywatch clicked; The Nasty Boys clunked). ~ Hal Erickson, Rovi

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1988  
PG13  
Martin (William Hurt) and Jack (Timothy Hutton) are World War II soldiers who go from being army buddies to bitter enemies during the war in this uneven melodrama. Not realizing they are brothers-in-law, Martin eventually learns that Jack is married to his sister Josie (Melissa Leo). On their wedding night, Josie's father Jorge (Francisco Rabal) had abducted her in an attempt to dominate her with his old-world ideals of marriage. When Jorge drowns in a lake after the car skids off the road, black-sheep Martin returns home to learn of his father's death, vowing to avenge his father after he learns his buddy is his sworn enemy. ~ Dan Pavlides, Rovi

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Starring:
William HurtTimothy Hutton, (more)
 
1986  
R  
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Inspired by traditional fairy tales, this trio of gruesome and darkly-comic vignettes is framed by the story of a lethargic uncle who can't seem to alleviate his bratty young nephew's fear of the dark, trying his hand at a few warped, testosterone-fueled versions of his favorite bedtime tales. The first installment, "Peter and the Witches," tells the story of a young fisherman (Scott Valentine) enslaved by two shape-shifting witches who are trying to bring their sister back to life; he later rebels against his masters after falling in love with the virgin they've captured as a sacrifice. The goofy second chapter involves "Little Red Running Hood" -- a somewhat shapelier modern version of the classic heroine -- whose jog to Granny's house leads to a showdown with a pill-popping weirdo whose anti-werewolf remedy got switched with Granny's prescription. Still unable to satisfy the demanding tyke, the exhausted uncle pulls out all the stops for the final tale, in which the Three Baers -- a family of murderous crackers -- encounter the telekinetic Goldi Lox, a malevolent cutie who shares the Baers' penchant for death and dismemberment. Originally titled Freaky Fairy Tales, this plodding, pedestrian film wandered in distribution limbo until Valentine's role in "Family Ties" lent some degree of marquee value. The cynical closing (in which the nephew's fears turn out to be justified) is rather satisfying, though. ~ Cavett Binion, Rovi

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Starring:
Scott ValentineNicole Picard, (more)
 
1985  
 
A young wife and her husband witness the brutal barroom rape of a young woman and now must decide whether or not to testify against the culprits or remain quiet in this made-for-TV drama that exploits an actual Massachusetts case. Compounding her difficulties is the fact that one of the rapists is her brother-in-law. ~ Sandra Brennan, Rovi

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1985  
R  
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In a sex-and-violence film that emphasizes the physical abuse of young women, director Joan Freeman may raise the shackles as well as the hackles of her distaff viewing audience. Cookie (Melissa Leo) is a young runaway who arrives in New York City with her brother in tow and ends up working as a prostitute for the apparently easy-going Duke (Dale Midkiff). Everything seems fine, at least as much as can be expected, until one of Duke's streetwalkers threatens to quit, and he nearly beats her to death. Sickened and shocked, Cookie runs away with an infuriated Duke hot in pursuit and unsparing of anyone who gets in his way. The murders, the beatings, the stabbings, and other forms of mayhem weigh heavily in the plot's sequences. ~ Eleanor Mannikka, Rovi

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Starring:
Melissa LeoDale Midkiff, (more)
 
1985  
R  
Add Always... But Not Forever to Queue Add Always... But Not Forever to top of Queue  
Henry Jaglom, the best professional "home movie" maker in the business, produced, directed, wrote and starred in Always. Also appearing is Jaglom's ex-wife Patrice Townsend, here cast as...his ex-wife. Showing up one night at Jaglom's home to finalize the divorce decree, Townsend is persuaded to stay by her former husband, who hopes to talk her out of dissolving the marriage. Sideline characters include Melissa Leo as Townsend's uninhibited sister, and Alan Rachins as a reclusive type. Mostly improvised, Always attempts to offer up a few sobering truths about relationships. ~ Hal Erickson, Rovi

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Starring:
Patrice TownsendHenry Jaglom, (more)