Kay Lenz Movies

Weekend Nun was an unsold TV pilot film based on the life and career of Louisiana nun Sister Fabian (real name: Joyce Duco). Joanna Pettet stars as Sister Mary Damien (aka: Marjorie Walker), who on weekdays holds down a job as a probation officer (she even packs a gun). The schism between the outside world and Sister Fabian's religious calling is brought sharply into focus when tragedy strikes. Vic Morrow costars as the sister's probation department associate, while Ann Sothern appears as the head nun. The real Sister Fabian/Joyce Duco, who had left the Order long before this film was made, acted as technical adviser on Weekend Nun. ~ Hal Erickson, All Movie Guide

In this drama, a young woman is devastated to find out that her mother is involved with a younger man. ~ Sandra Brennan, All Movie Guide

Kay Lenz essays the troubled title role in the made-for-TV Lisa, Bright and Dark. Unhappy at school and at home (her parents, Anne Baxter and John Forsythe, are the just-don't-understand type), Lisa is on the verge of a nervous breakdown. Three of her classmates (Anne Lockhart, Debralee Scott and Jamie Smith-Jackson) come to her rescue. They submit Lisa to their own interpretation of a group therapy session, learning a lot about themselves in the process. Based on a novel by John Neufield, Lisa, Bright and Dark was originally telecast November 28, 1973. ~ Hal Erickson, All Movie Guide

This somewhat clunkily titled TV movie was an offshoot of producer Quinn Martin's series The FBI. Robert Foxworth plays Depression-era desperado Alvin Karpis, who for nearly five years eluded capture while committing bank robberies, kidnappings and murders. Karpis finally comes acropper when the FBI's J. Edgar Hoover (Harris Yulin) enters the case. Since this film was made long before Hoover became every filmmaker's favorite historical villain, he is depicted in shining-knight terms, a sharp contrast to the loathsome Karpis. Producer Martin had planned to produce six to nine additional TV-movies based on authentic FBI files, but dropped the project after only three entries. The FBI Vs. Alvin Karpis was first telecast November 8, 1974. ~ Hal Erickson, All Movie Guide

Joseph Bottoms plays a 17-year-old high school boy who gets his girl friend Kay Lenz pregnant. The girl wants to put the baby up for adoption, but Bottoms decides to take on the parental responsibilities himself. He battles in court to gain custody of the child, even after being apprised of the heavy financial and personal burdens he's about to assume. Made for TV, Unwed Father has a good concept defeated by poor execution. One wonders whether the boy or the girl would have been the "good guy" had this film been made ten years later. ~ Hal Erickson, All Movie Guide

In this action film, trucker Carrol Jo Hummer (Jan-Michael Vincent) borrows money to purchase a truck of his own, only to discover that part of his "payment plan" includes smuggling goods on his trips. When Carrol refuses to participate in the underhanded scheme, a group of thugs threaten his wife, leading Carrol to fight back with a vengeance. ~ Iotis Erlewine, All Movie Guide

More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, All Movie Guide

In this broad comedy-western set in 1908 Colorado, Lee Marvin and Oliver Reed team up as Sam Longwood and Joe Knox, two con-men who once worked as a team. They reunite in order to get revenge upon their third partner, Jack Colby (Robert Culp), who used the trio's ill-gotten gains to become a high society big shot. Oliver Reed's ridiculously stereotypical portrayal of an Indian goes down in film history as the most absurd casting of a Native-American role since Howard Keel's "distinctive" portrayal of Levi Walking Bear in The War Wagon. Kay Lenz also appears as the sexy prostitute Thursday, who has an affair with Sam. ~ Paul Brenner, All Movie Guide

Barnard Hughes plays Father Brown, the crimesolving cleric created by G. K. Chesterson. In this made for TV movie, Father Brown tends to a parish in the heart of Manhattan--and delights in using his intellectual resources to solve baffling mysteries. He tackles the case of a frightened young actress (Kay Lenz) subjected to a seemingly unfounded campaign of terror; aiding in the investigation is Father Brown's young and somewhat straitlaced assistant (Robert Schenkkan). Though this 2-hour pilot did not graduate to a series, the "Father Brown" concept would later be reworked into a moderately successful TV weekly, Father Dowling Mysteries, starring Tom Bosley in the title role. Father Brown, Detective has been reissued to home video and TV under two alternate titles: Sanctuary of Fear and Girl in the Park. ~ Hal Erickson, All Movie Guide

A Manhattan priest with a fondness for dabbling in detective work investigates a series of unnerving, mysterious attacks, seemingly designed to terrify a young actress. This made-for-television film, retitled for its video release, is inspired by the books of mystery author G.K. Chesterton. ~ Judd Blaise, All Movie Guide

The made-for-TV Escape was inspired by the true story of Dwight Worker, an American imprisoned in Mexico for smuggling hashish. Given the country's stringent anti-drug laws, Worker's chances of release are slim to none (a situation similar to the protagonist's plight in Midnight Express). Against all odds, Worker plans a daring getaway from the notoriously impenetrable Lecumberri Prison (for obvious reasons, the film was not shot on location). Timothy Bottoms stars as Worker, with Kay Lenz as Barbara Chilcoate, the woman who became his wife; Colleen Dewhurst co-stars as the sympathetic "Mother Jones" type who helped engineer the escape. Adapted from Dwight and Barbara Worker's autobiography, Escape debuted February 20, 1980. ~ Hal Erickson, All Movie Guide

Higgins (John Hillerman) enthusiastically mounts a production of Gilbert & Sullivan's "The Mikado" to entertain his distinguished visitor Sir Cedric Brooke (Terence Knapp). Meanwhile, Magnum is hired by Sally DeForrest (Kay Lenz) to locate her brother Eric (Christopher Mitchum), who has apparently been spirited away by a religious cult. The two plotlines converge--or more accurately, collide--when Sally is invited to sing a major role in Higgins' operetta, thereby setting the stage (no pun intended) for a not-so-melodic political assassination. ~ Hal Erickson, All Movie Guide