Iris Adrian Movies

Trained as a dancer by Marge Champion's father Ernest Belcher, Iris Adrian began her performing career at age 13 by winning a "beautiful back" contest. Working as a New York chorus girl (she briefly billed herself as "Jimmie Joy"), Iris's big break came with the 1931 edition of The Ziegfeld Follies, which led to featured nightclub and comedy revue work in the U.S. and Europe. In the Kaufman/Hart Broadway play The Fabulous Invalid, Adrian raised the temperatures of the tired businessmen in the audiences by performing a strip-tease--this at a time (the late 1930s) when the standard burlesque houses had been banned from New York by Mayor LaGuardia. Brought to films by George Raft, Adrian made her first screen appearance in Raft's 1934 vehicle Rhumba. This led to dozens of supporting roles in subsequent feature films; Iris' standard characterization at this time was the brassy, gold-digging dame who never spoke below a shout. Often appearing in one-scene bits, Adrian received more sizeable roles in Laurel and Hardy's Our Relations (1936), Bob Hope's The Paleface (1948), Milton Berle's Always Leave Them Laughing (1949) and Jerry Lewis' The Errand Boy (1961). Through the auspices of director William Wellman, who had a fondness for elevating character actors to larger roles, Adrian gave a rollicking performance as Bonnie Parker wannabe Two Gun Gertie in 1942's Roxie Hart. She launched her TV career in 1949 on Buster Keaton's LA-based weekly comedy series. Some of her most memorable work for the small screen was on the various TV programs of Jack Benny, Adrian's favorite comedian and co-worker. Throughout the 1960s and 1970s, Iris Adrian kept very active in the comedy films of the Walt Disney studio, including That Darn Cat (1965) and The Love Bug (1968); and in 1978, she was superbly cast in the regular role of the sarcastic secretary for a New York escort service on The Ted Knight Show. ~ Hal Erickson, All Movie Guide
1936  
 
The real "message to Garcia" was delivered by an American lieutenant to Cuban rebel General Garcia, asking for the General's help in the Spanish-American war. The fact that the lieutenant made his way to Garcia in absolute safety was ignored in 20th Century-Fox's Message to Garcia--which is just as well, since otherwise the movie would have been eight minutes long. In the film version, lieutenant John Boles is guided through the treacherous Cuban jungle by Barbara Stanwyck, doing her best to convince us that she's an Hispanic senorita. Also along for the trip is renegade marine Wallace Beery, who may not be as friendly as he seems. Fighting off Spaniards and spies at every turn, Boles successfully completes his mission. As history, Message to Garcia is about as reliable as the Hearst newspaper dispatches which triggered the Spanish-American war in the first place. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace BeeryBarbara Stanwyck, (more)
1943  
NR  
Action in the North Atlantic is solid wartime propaganda with a rather endearing inner lining of left-wing politics, courtesy (no doubt) of scenarist John Howard Lawson, who based his screenplay on a novel by maritime specialist Guy Gilpatric. While running war goods to America's Russian allies, a merchant marine ship captained by Raymond Massey is torpedoed. The courage of Massey and his first mate Humphrey Bogart serves as an inspiration to the survivors, who manage to navigate their tiny lifeboat to America, where they are lauded as heroes. After only the briefest of compassionate leaves (Massey is reunited with wife Ruth Gordon, while Bogart strikes up a relationship with Julie Bishop), the crew is assigned a new Liberty Ship. Despite fears of being torpedoed again, Massey, Bogart, and the other men successfully bring their cargo to Russia, shooting down several German planes in the process. As the Americans are cheered on by the smiling, well-fed Russian seamen and peasants, Action in the North Atlantic fades out, with the voice of Franklin D. Roosevelt (actually radio announcer Art Gilmore) heard on the soundtrack encouraging a "United Nations" allegiance against the axis. The supporting cast of Action in the North Atlantic includes a young newcomer by the name of Bernard Zanville, whose billing was changed to "Dane Clark" upon the film's release. ~ Hal Erickson, All Movie Guide

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Starring:
Humphrey BogartRaymond Massey, (more)
1971  
 
After nearly four seasons in a Saturday-night timeslot, Adam-12 moved to a new Thursday evening berth beginning with this episode. The LAPD's Internal Affairs Division zeroes in on officer Tony Johnson (Jed Allan), who has been charged with extorting money from a civilian. The only person who can clear Johnson is a bar girl, but no one can locate her--except, hopefully, officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner). ~ Hal Erickson, All Movie Guide

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1944  
 
This '40s film (based upon a Jack London story) is set in Alaska's gold rush days and revolves around the dilemma faced by a man wrongfully accused of murder whose future depends upon his ability to solve the crime. ~ All Movie Guide

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1956  
 
A celebrated short story by Ray Bradbury is the source for this eerily entertaining episode. Detective Krovitch (Charles Bronson) shows up at a seedy vaudeville house to investigate the murder of one person and the disappearance of another. Among the suspects is an elderly ventriloquist named John Fabian (Claude Rains), who seems obsessed with his strangely alluring female dummy, named Riabouchinska. Ultimately, the detective solves both the murder and the disappearance -- but only with the help of Riabouchinska, whose voice is provided by radio actress Virginia Gregg (later the voice of another infamous character in the Hitchcock canon, namely Norman Bates' mother in Psycho). ~ Hal Erickson, All Movie Guide

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1949  
 
Milton Berle was enjoying the first flush of his television success when his musical-comedy movie vehicle Always Leave Them Laughing hit the screens. Though his character name is Kip Cooper, Uncle Miltie more or less plays himself: an ambitious comedian who rises to fame by stealing other performers' material. Surprisingly, Berle seems to delight in painting himself in as unsympathetic a light as possible, though the audience can be assured that he will find redemption before fadeout time. In contrast, Bert Lahr turns in a warm-hearted performance as an ageing burlesque comic who teaches Berle the ropes--whereupon our "hero" repays the favor by wooing Lahr's avaricious young bride Virginia Mayo. Ultimately, it is nice girl Ruth Roman who wins Berle's heart, though she certainly has her work cut out for her. Featured in the cast are such veteran troupers as Grace Hayes(the mother of Peter Lynd Hayes), Julius Tannen and Wally Vernon. But it's Berle's show all the way, and he makes a feast of it. ~ Hal Erickson, All Movie Guide

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Starring:
Milton BerleVirginia Mayo, (more)
1939  
 
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William K. Howard, a once-prestigious director fallen on hard times in 1939, proved that he still had the "right stuff" with the modest tearjerker Back Door to Heaven. Wallace Ford stars as Frankie, a pugnacious drifter stigmatized by his reform-school upbringing. Frankie and his former "classmate" Jud (Stu Erwin) try to go straight, but get mixed up in a robbery, during which a man is killed. Though not responsible for the murder, it is Frankie who is railroaded to the death house. Nonetheless, he manages to bust out -- just in time for his grammar school class reunion, presided over by teacher Miss Williams (Aline MacMahon), the only person who ever tried to give Frankie a break. Despite severe storytelling shortcomings and gaping logic holes, director Howard managed to make a silk purse out of the critically acclaimed Back Door to Heaven. However, what may once have been social realism, now seems more like a sentimental, mawkish melodrama. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace FordAline MacMahon, (more)
1950  
 
This film, which is one of a series based on the characters from the Blondie comic strip, finds Dagwood entering the Army Reserve. Blondie visits, only to discover that he has caused all sorts of problems which lead to numerous conflicts. The ORC Training Center, Fort MacArthur, California was used for the setting of this film. ~ Sandra Brennan, All Movie Guide

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1961  
 
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One of Elvis Presley's most successful post-Army vehicles, Blue Hawaii casts Elvis as scion to a Hawaiian pineapple fortune. His snooty mother Angela Lansbury wants Presley to take over the management of the family business, but he'd rather make his own way in the world. He lands a job at a tourist agency, and incidentally finds time to dally with such lovelies as Joan Blackman and Nancy Walters. Steve Brodie, as ever, is on hand to inveigle Elvis into an outsized brawl. Among the songs featured in the film are the title number (originally written in 1937 for Bing Crosby) and "Can't Help Falling in Love." ~ Hal Erickson, All Movie Guide

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Starring:
Elvis PresleyJoan Blackman, (more)
1944  
 
Bluebeard casts the saturnine John Carradine as Gaston, a popular painter in 19th century Paris. Unbeknownst to the authorities, Gaston is also the serial killer of beautiful young women that they have been seeking for several months. Whenever a girl fails to come up to Gaston's standards of perfection, she is summarily strangled and tossed into the streets. Gaston's latest model is the gorgeous Lucille (Jean Parker), who once she learns her employer's horrible secret courageously vows to bring him to justice. ~ Hal Erickson, All Movie Guide

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Starring:
John CarradineJean Parker, (more)
1945  
 
Boston Blackie's Rendezvous quite transcended its B-picture origins, and was easily the best of Columbia's "Boston Blackie" series. In this one, crook-turned-sleuth Blackie (Chester Morris) tries to track down homicidal maniac James Cook (Steve Cochran). This time it's personal: Cook has been committing a number of violent murders while posing as Blackie. Stuck in the middle is Sally Brown (Nina Foch), who is kidnapped by the villain so that Blackie will lay off. When asked in later years about Boston Blackie's Rendezvous, Nina Foch couldn't remember too many plot details, but did note with pride that costar Richard Lane (cast as Blackie's perennial nemesis Inspector Farraday) later became a prominent TV sportscaster. ~ Hal Erickson, All Movie Guide

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Starring:
Chester MorrisNina Foch, (more)
1942  
 
In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

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Starring:
George RaftPat O'Brien, (more)
1943  
 
Though the 45-minute Calaboose was the second of three Hal Roach "streamliners" teaming Jimmy Rogers (son of Will) and Noah Beery Jr., it was the third to be released. Rogers and Beery play a couple of laid-back itinerant cowobys who wander into a small western town. Here they meet sheriff's daughter Doris Lane (Mary Brian), a staunch believer in the rehabilitation of criminals. Smitten by Doris, the boys contrive to get themselves arrested by her dad (William B. Davidson), who, in accordance with Doris' wishes, runs his jail like a luxury hotel. The plot thickens when desperate gangster Sluggsy Baker (Marc Lawrence) shows up in town-and Sluggsy just can't see things Doris' way so far as reforming is concerned. For its 1980s TV release, Calaboose was coupled with another 45-minute Roach streamliner, Dudes are Pretty People. ~ Hal Erickson, All Movie Guide

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Starring:
Jimmy RogersMary Brian, (more)
1944  
 
The career girl in this PRC musical is Joan (Frances Langford), a Kansas City gal with showbiz aspirations. She heads to New York, where she sets up residence in a theatrical boarding house straight out of Stage Door. A few setbacks later, Joan lands the lead in a Broadway musical revue, which despite its threadbare production values (a PRC trademark) bids fair to be the hit of the season. Endearingly old-fashioned, Career Girl puts over its clichés with energy and verve. Besides, any picture with wisecracking Iris Adrian in a large role can't be all bad. ~ Hal Erickson, All Movie Guide

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1957  
 
Producer-director Roger Corman serves up another thinly plotted musicfest in Carnival Rock. Corman regular Susan Cabot stars as Natalie, a singer for an oceanside carnival. Smitten by Natalie, high-stakes gambler Stanley (Brian Hutton) wins the carnival in a poker game so that he can be near the girl. Christy (David J. Stewart), the carnival's ex-owner, is likewise in love with the girl, so he stays on as a baggy-pants burleycue comic. As in most films of this nature, the plot can be blissfully ignored in favor of the musical highlights, which in this case are performed by the likes of The Platters, David Houston, Bob Luman, The Shadows and The Blockbusters. And what would a Roger Corman flick be without Dick Miller in a supporting role? ~ Hal Erickson, All Movie Guide

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Starring:
Susan CabotBrian G. Hutton, (more)
1952  
 
When a final tally is made, it may turn out that Andre De Toth directed as many superior Randolph Scott westerns as the more celebrated Budd Boetticher. In De Toth's Carson City, Scott is cast as a railroad construction engineer known only as Silent Jeff. His plans to build a railroad line between Nevada's Carson City and Virginia City are met with hostility by the locals, who feel that where there are trains, there are bandits. Sure enough, a criminal gang headed by Big Jack Davis (Raymond Massey) and Jim Squires (James Millican) begins drawing up plans to plunder Carson City. When Silent Jeff vows to get rid of the town's criminal element, the villains frame him on a murder charge. The climax is one of the best of its kind, with Silent Jeff forced to contend with both a landslide and a big-scale gold bullion heist. Lucille Norman plays the heroine, whose attentions are torn between Silent Jeff and second lead Richard Webb (later TV' s Captain Midnight). ~ Hal Erickson, All Movie Guide

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Starring:
Randolph ScottLucille Norman, (more)
1954  
 
A car with two men visible in it pulls up to a Los Angeles service station at night, with a single attendant (Dub Taylor) working. As he starts to pump the gas, he doesn't see the third man come around the side until it's too late and he's knocked cold. The trio carries out their robbery but before they can finish, a motorcycle cop rolls up. A gun battle ensues, and one of the robbers is shot, as is the police officer. Now a manhunt is on for the trio, all escapees from San Quentin who were making their way south; the other two give the wounded man enough money to get to the apartment of a former cellmate of one of them, Steve Lacey (Gene Nelson). But Lacey is genuinely trying to go straight and live a clean, honest life with his wife, Ellen (Phyllis Kirk), and wants nothing to do with anyone he knew in prison, or with harboring an escaped prisoner. He's even more unhappy when Dr. Otto Hessler (Jay Novello), another ex-con and a veterinarian, arrives to treat the gunshot victim. But when the hood dies, matters get even more complicated -- Lacey's life becomes a nightmare as the police arrive, led by the hardboiled Det. Sgt. Sims (Sterling Hayden), who doesn't believe that any hood ever goes straight. Sims doesn't believe that Lacey's claim of knowing nothing of the escapees, and is ready to send him back to prison on a parole violation -- even though his parole officer (James Bell) believes him -- when he won't cooperate. And worse still, the other two escapees, Doc Penny (Ted de Corsia) and Ben Hastings (Charles Buchinsky, aka Charles Bronson), force their way into Lacey's home, insisting on hiding out there and threatening Ellen. And as they're now a man short, they want Steve's help on a major heist they're planning -- and will kill Ellen if he doesn't cooperate. Soon Lacey is up to his neck in a daylight bank robbery, timed to the minute, and his wife is at the mercy of a mentally deficient, sexually deviant confederate (Timothy Carey), while the police still seem to be following every trail but the right one. Steve realizes that he is the only one who is going to be able to save himself or his wife from this nightmare, and isn't convinced that he'll get out of it alive -- but by then, between being put on him by Sims and his unwanted companions, he's prepared to die in order to save Ellen. ~ Bruce Eder, All Movie Guide

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Starring:
Sterling HaydenGene Nelson, (more)
1946  
 
True Confession was one of the unfunniest of the "screwball" comedies of the 1930s, and its musical remake, Cross My Heart, isn't much of an improvement. Betty Hutton steps into the old Carole Lombard role as Peggy, a compulsive liar who'll do anything to help her attorney fiance Oliver Clarke (Sonny Tufts) get ahead. When it looks as though an unsolved murder case will be Clarke's ticket to success, Peggy, sticking her tongue in her cheek (as she always does when she's about to tell a whopper), glibly confesses to the killing. Peggy's plan is to allow her boyfriend to prove her innocence, thereby cementing his reputation as a man of integrity-but things don't go quite as planned. The subsequent trial is enlivened by the antics of looney Russian actor Peter (Michael Chekhov), who may or may not be the actual murderer. Betty Hutton's song numbers are just about as mediocre as the rest of the film. ~ Hal Erickson, All Movie Guide

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Starring:
Betty HuttonSonny Tufts, (more)
1947  
 
Nice guys don't always finish last as can be seen in this crime drama. The story begins as a perfectly nice fellow finds himself arrested for murder. The trouble is, the man cannot remember a thing about the night of the murder. Though he insists he is innocent, all the evidence tells a different story. He was found at the scene with a bloody knife in his hand. Fortunately, a policeman friend, believes him. He gets him out of jail and together, they begin looking for the real killer. They soon find that the set-up was perpetrated by his uncle who strongly disapproved of his dating his ward. The woman who died had been the uncle's lover who was blackmailing him. To get even with them all, the uncle drugged his nephew, killed his mistress and planted the knife upon his unconscious relative. In the end, the uncle is arrested and the nephew and his lover live a long and happy life together. ~ Sandra Brennan, All Movie Guide

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1964  
 
Suspense builds around the investigation of a plane crash that caused 53 deaths in this dramatic adaption of Ernest K. Gann's novel. Authorities systematically eliminate probable causes, finally placing blame on the pilot, who was seen drinking before the flight. The airline's director of flight operations, Sam McBane (Glen Ford), knowing the pilot's excellent WW II record, refuses to accept the authorities' conclusions and begins his own investigation. With the help of the only survivor, a stewardess (Suzanne Pleshette), McBane re-creates the events leading to the crash in an attempt to discover the true cause. The character of the incriminated pilot, Captain Jack Savage (Rod Taylor), is revealed through a series of flashbacks, from a wartime army camp (with a cameo by Jane Russell) to the climactic moment of the thrilling crash. Milton Krasner's crisp cinematography earned him an Oscar nomination. ~ Lucinda Ramsey, All Movie Guide

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Starring:
Glenn FordNancy Kwan, (more)
1942  
 
A fun though abortive bid to pair crime-solving duo Lew Ayres and Laraine Day for a series of thrillers, this murder mystery benefits from good performances by the leads. The plot involves a series of axe murders in Chicago being perpetrated by the patients of an insane asylum, all of whom have been hypnotically conditioned to kill by madman Doctor Santelle (Basil Rathbone). The plot is finally foiled by Oliver Duffy (Ayres), a former actor-turned-amateur sleuth, just in time to save his none-too-bright companion Edwina (Day). Though the suspense elements are fairly well-mounted, they are too frequently diluted by some rather ill-conceived attempts at comic relief. Despite his popularity as Doctor Kildare, Ayres' star potential would fade quickly after this film thanks to his subsequent conscientious-objector status during World War II. ~ Cavett Binion, All Movie Guide

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Starring:
Lew AyresLaraine Day, (more)
1949  
 
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The fourth of Joan Crawford's Warner Bros. vehicles, Flamingo Road doesn't hold up as well as her earlier Mildred Pierce or Humoresque, but there's plenty to please the eye and ear. Sideshow kootch-dancer Lane Bellamy (Crawford), stranded in a backwater town, gets a job as a waitress. Lane begins falling in love with Fielding Carlisle (Zachary Scott), the political protégé of the town's big-daddy sheriff Titus Semple (Sidney Greenstreet). Semple regards Lane as a gold-digging troublemaker, and does his best to break up the romance, framing her on a trumped-up morals charges and having her shipped off to prison. Once out of the "joint," Lane returns to town, seeking revenge against both Semple and Carlisle. She charms political hack Dan Reynolds (David Brian) into marriage, then transforms Reynolds into a "reform candidate" bent on destroying the corrupt Semple machine. Faced with political ruin, Lane's ex-beau Carlisle commits suicide, a fact that Semple uses as a weapon against Reynolds. A showdown is inevitable--but the story is far from over! Flamingo Road later served as the basis for a weekly TV series; both the film and the series were based on a play by Robert and Sally Wilder. ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordZachary Scott, (more)
1976  
G  
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Prolific television director Gary Nelson made the Walt Disney live-action comedy Freaky Friday, based on the novel by Mary Rodgers. Barbara Harris stars as suburban housewife Ellen Andrews, the wife of Bill (John Astin) and the mother of Annabel (Jodie Foster) and Ben (Sparky Marcus). Ellen just can't understand what's going on with teenaged Annabel, who hangs around the house making snappy remarks, eating ice cream for breakfast, and calling her brother Apeface. They each make a separate wish to be in the other's place, and they get their wish on Friday 13th. Ellen has to go through the day as a kid, playing on the field hockey team and dealing with typing class. Annabel has to deal with grown-up problems like getting appliances fixed and preparing a banquet. The whole silly story ends with a wacky car-chase/water skiing/hang-gliding conclusion in keeping with other Disney movies of the day. Freaky Friday was remade twice with the same title, and spawned a whole subgenre of body-switching movies in the 1980s. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Barbara HarrisJodie Foster, (more)
1951  
 
The 62-minute GI Jane may well be the best of Lippert Studios' "pocket" musicals. TV producer Tim (Tom Neal) is in the midst of staging a special featuring WACS when he receives his induction notice. The shock of the news causes Tim to faint, whereupon he imagines he has been promoted to sergeant and shipped to an all-male desert radar command. Our hero then schemes to transfer the WAC officers to his post. In so doing, he falls in love with the titular "GI Jane" (Jean Porter) and runs afoul of tough-talking WAC lieutenant Adrian (Iris Adrian). Featured in the cast is future Mickey Mouse Club star Jimmy Dodd, performing two of his own compositions. Also on hand is famed Hitler imitator Robert (Bobby) Watson, here cast as a flustered Army colonel. ~ Hal Erickson, All Movie Guide

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Starring:
Jean PorterTom Neal, (more)
1978  
 
In this romantic comedy, a news anchorwoman's prenuptial jitters increase dramatically when another man, a songwriter, falls deeply in love with her and decides that he would do anything to be her husband. ~ Sandra Brennan, All Movie Guide

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Starring:
Richard ThomasBess Armstrong, (more)

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