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Michel Lemoine Movies

1986  
R  
Michel Lemoine and Elizabeth Tessier are as professional as possible under the circumstances in A Chambermaid's Dream. Tessier is the chambermaid, Lemoine her employer. When the house is empty, the maid fantasizes about her master. And then, one day, he comes home early. This soft-core exercise holds few surprises; still, the photography is excellent, even in the "sraight", non-erotic scenes. ~ Hal Erickson, Rovi

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1976  
 
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The dreams of a sadistic businessman become the nightmares of his weekend visitors in this psychedelic tale of terror that was originally banned in France! In the light of the sun, Boris Zarloff (Michel Lemoine) appears to be a mild-mannered businessman, but when night falls and Zarloff sleeps, he silently savors hideous visions of torture and domination -- much like his notorious father. When a pair of travelers arrives at Zarloff's secluded castle for a weekend getaway, the beautiful young girl begins to express a morbid fascination in the history of the estate and asks Zarloff for a guided tour of its infamous torture chamber. With all the elements in place to live out his dark fantasies once and for all, Zarloff soon succumbs to the madness that plagues his family's bloodline. ~ Jason Buchanan, Rovi

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1971  
 
Le Seuil du Vide tells its story through fantasies and dreams. The young painter is someone who cannot resist a mystery; because of this she is swiftly drawn into a disturbing and fantastic world. After she rents a room in Paris from an old woman, she finds a door leading from her room into nothingness. She sets up her studio just inside the door and experiences visions which she paints. Her paintings are well-received by the art galleries, so she continues. The visionary state induced by the room continues even when she leaves it, and she is struck by a car as she crosses the street. During her recovery in the hospital, she resolves to give up the room. When she returns to her room for her things, she succumbs to the temptation to take another peek at the void. This proves to be her undoing. ~ Clarke Fountain, Rovi

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Starring:
Dominique ErlangerJean Servais, (more)
 
1971  
 
This French film is a combination psychological drama and softcore porn film. The story revolves around the fantasies of a disturbed woman whose love interests begin in childhood with her father, and later devolve onto her mother. In the film, she has already transferred her obsessions to her sister and her sister's husband. She fantasizes them having all sorts of sexual encounters. One day she walks in on them while they are having sex and joins in. This change from fantasy to real experience does her no good, and the story reaches a tragic conclusion. ~ Clarke Fountain, Rovi

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1970  
R  
The Sensuous Teenager was also released as Libido and Forbidden Passions. No matter what the title, we get the idea. High schooler Sandra Julien starts getting teasing sensations south of the navel. Rather than dole herself out in small portions, she gives her all to everyone she meets. Since this soft-core endeavor was not made in the US, the producers may not have been required to use certified adults (over 18, that is) in the cast, so perhaps the title has more veracity than usual. ~ Hal Erickson, Rovi

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1970  
 
This plodding, pretentious effort makes the directorial debut for Pier A. Caminneci, who also appears in the feature. Janine Reynaud play the double role of Isabel and Fabienne, and Hans Meyer plays Marc. The uneven and confusing plot concerns sex and criminal activity among car racing fanatics. It is hard to follow which character Miss Reynaud is portraying at any given time due to the scattered presentation of the film. ~ Dan Pavlides, Rovi

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Starring:
Janine ReynaudHans Meyer, (more)
 
1967  
 
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This strange, surrealistic German horror film from cult director Jesus Franco stars Janine Reynaud as Lorna Green, who performs a pseudo-snuff nightclub act involving erotically staged S&M murders. Lorna's mind is controlled by a man who might be Satan (Michel Lemoine), and she slowly loses her tenuous hold on reality, moving increasingly closer to the night when she begins to really kill. Lorna's nightclub act and the final scenes -- involving a wild orgy where Lorna viciously murders a man named Bill Mulligan (Jack Taylor) -- were cut drastically in some of the film's several release versions. Prints run 93, 84, 81, and 78 minutes. Acclaimed director Fritz Lang called Necronomicon "a beautiful piece of cinema," but its edgy sexuality and hallucinatory tone struck most viewers as confusing and off-putting. This eerie, haunting film co-stars Howard Vernon and Nathalie Nord, while producer Pier A. Caminnecci (who co-scripted) and singer-filmmaker Adrian Hoven also appear. ~ Robert Firsching, Rovi

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Starring:
Janine ReynaudJack Taylor, (more)
 
1967  
R  
Janine Reynaud and Rossana Yanni return as Diana and Regina, the sexy female detectives from the Red Lips Agency, in cult filmmaker Jesus Franco's enjoyable sequel to El Caso de las Dos Bellezas. The women receive some song lyrics from a messenger who has been stabbed in the back, and they visit an island inhabited by strange, suspicious people. The mystery revolves around the notes of the late eugenics expert Prof. Bertrand, who seems to have been creating muscular mutants in red posing straps before his death. Diana and Regina are kidnapped by lesbians, threatened by the mutants, and appear in several sexy striptease acts in this silly, entertaining romp. Michel Lemoine is the prime suspect, Adrian Hoven and Chris Howland appear as Interpol agents and Franco makes a cameo as a shifty informant. Prints run 83 and 77 minutes. ~ Robert Firsching, Rovi

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1965  
 
In this low-budget sci-fi adventure, Martian light creatures employ mind control to overtake the Earth. Fortunately, Earthlings are tougher than they look and quickly send the evil beings back to Mars. ~ Sandra Brennan, Rovi

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Starring:
Tony RussellLisa Gastoni, (more)
 
1964  
 
In this western, an outlaw is so despicable that even his own gang abandons him in the desert. He is later rescued by a wagon train where straightens out his life by saving the travelers from Indians, helping destroy his former gang, and returning the money they took from a bank. ~ Sandra Brennan, Rovi

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1963  
 
Gordon Scott portrays Glaucus, the son of the king of Pyras, who journeys to the neighboring kingdom of Mycene, which is ruled by the evil cult of the god Moloch. There he assumes the name of Hercules and distinguishes himself in the arena, becoming a trusted member of the household guard. This allows him to organize and lead a rebellion against the followers of the murderous Moloch, then against the monster himself. The acting and production values of this sword-and-sandal adventure film are above average, with very elaborate battle scenes involving far more than the usual number of extras, a large visual canvas, and an ambitious finale set in a maze of caverns in which two contending sets of gods use the character as their pawns. A rich score by Carlo Rustichelli also enhances the viewing of this lively, action-filled fantasy-adventure, although parents might want to keep younger viewers away from this movie, with its depictions of Moloch mutilating the beauty of the women sacrificed to him. ~ Bruce Eder, Rovi

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Starring:
Gordon Scott
 
1962  
 
Credited in some source books to Lee Kresel, the French-made Prisoner of the Iron Mask was actually directed by Francesco DeFeo. This colorful if occasionally empty-headed swashbuckler concerns an evil count, who imprisons the patriot (Michael Lemoine) who bears proof of the count's perfidy. Few of the elements of the Alexandre Dumas novel The Iron Mask surface in this film, chiefly because it is based not on The Iron Mask but on another Dumas work, Ten Years After. Nor do D'Artagnan or the Three Musketeers make their anticipated appearances in this film. Rarely seen today, The Prisoner of the Iron Mask enjoyed its widest American exposure during the Color TV "boom" of the mid-1960s. ~ Hal Erickson, Rovi

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1962  
 
In this French thriller, two rival mobsters fight for control of the local drug traffic. The film also includes a lesbian nightclub act. ~ Sandra Brennan, Rovi

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Starring:
Hans VernerJean-Pierre Kalfon, (more)
 
1961  
 
In this sci-fi film, an alien android escapes from his home planet and ends up on Earth where he discovers that everyone he touches dies. In the end, he is defeated by a ship from his planet and the Italian army. ~ Sandra Brennan, Rovi

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1961  
 
In this rather sordid French drama, an unhappy couple go on vacation to an isolated resort owned by a different couple. The proprietor's husband has been sick for a long time and she ends up falling in love with the visiting husband. When her long-suffering husband finally dies, the other man begins trying to blackmail her by threatening to inform the police that the woman helped her husband die. In exchange for his silence, the man demands that he and his wife be allowed to stay at the hotel's expense. Eventually the blackmailer's wife gets bored with the slow-paced life and ends up doing a coochy dance for the bartender. The hotel owner learns of this, and to make the extortionist jealous, entices his wife into a lesbian affair. Unfortunately, the ploy fails and the married couple ends up reconciling briefly. They then fight, causing the husband to make love to the proprietor on the beach. The wife comes back and threatens to blackmail them both. In the end, the proprietor admits that she really did kill her husband. ~ Sandra Brennan, Rovi

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Starring:
Monique JustGisele Gallois, (more)