Margaret Leighton Movies

Dorothy and Campbell Christie's witty courtroom comedy/drama Carrington V.C. was given a classy screen treatment by director Anthony Asquith. David Niven stars as Major Carrington, a war hero who is "kicked upstairs" in peacetime. Compelled to use his own money for his expense account, Carrington becomes convinced that he will never see his money again; thus, he takes back the money from his department's funds without permission. For this gaffe in military protocol, Carrington is court-martialed. During the trial, Carrington's shrewish wife (Margaret Leighton) gets even for a wartime affair conducted by her husband by supplying false testimony. Though Carrington is declared guilty, the implication is that he is well rid of both his wife and his dead-end government post. Carrington VC was released in the US as Court Martial. ~ Hal Erickson, All Movie Guide

British stage and film star Ralph Richardson stepped behind the cameras for the first and last time to direct Murder on Monday. Richardson also starred in the film, portraying a clerk who suffers a blackout after a blow on the head. Upon recovering, Richardson is led to believe that he has committed murder during the past 24 hours. Originally released in Great Britain as Home at Seven, Murder on Monday was based on a play by R. C. Sheriff. No Orson Welles he, Ralph Richardson invited Sheriff to the set to help him properly interpret the original material; with the input of the author, and with the technical advice of producer Alexander Korda, was able to shoot the film in less than 14 days. ~ Hal Erickson, All Movie Guide

In this costume adventure set in France during the Reign of Terror, a mysterious man known only as the Scarlet Pimpernel rescues noblemen from the guillotine and leads them to safety across the English Channel. Chauvelin (Cyril Cusack) is determined to unmask the Pimpernel and bring him to justice. When evidence begins to suggest that the hero is actually foppish Sir Percey Blakeney (David Niven), Chauvelin blackmails Percey's wife, Marguerite (Margaret Leighton), into cooperating on the threat that he'll expose the criminal activities of her brother Armand (Edmund Audran). However, Marguerite doesn't much care for her husband, hardly believes he could be the heroic Pimpernel, and is startled when she finds out that he truly is the masked vigilante. The Elusive Pimpernel was originally shot in color as a musical, but the musical numbers were cut before the film was released, and the picture's American distributor chose to make only black-and-white prints (though the current home-video release is in color). ~ Mark Deming, All Movie Guide

Returning to his old Elstree Studios headquarters in England, Alfred Hitchcock did his best with Hume Cronyn's adaptation of the James Bridie novel Under Capricorn. Costume drama was never Hitchcock's forte, as proven by his disappointing Jamaica Inn (1939), but Capricorn does have its moments. Set in Australia in the early 19th century, the film concerns the tribulations of Lady Henrietta (Ingrid Bergman), who was driven out of her home in disgrace after eloping with unkempt stableman Sam Flusky (Joseph Cotten). Accused of the murder of Henrietta's brother, Flusky has been transported to Australia, where he starts life anew as a prosperous businessman, even while his wife descends further and further into alcoholism and self-hatred. When her cousin Charles Adare (Michael Wilding) comes to visit, Henrietta falls in love with him; she also confides that it was she, and not Flusky, who was responsible for her brother's death. The operatic climax finds Lady Henrietta doing the "right thing" at the cost of her own happiness. At times ponderously directed, the film comes explosively to life whenever Margaret Leighton, cast as Lady Henrietta's spiteful housekeeper, dominates the scene. On a technical level, Under Capricorn is distinguished by the same "ten-minute takes" that Hitchcock had utilized in Rope; particularly effective is an uninterrupted dialogue sequence, played against the backdrop of a spectacular Technicolor sunset (courtesy cinematographer Jack Cardiff). ~ Hal Erickson, All Movie Guide

In one of his rare visits to his home turf, British actor David Niven essayed the title role in Bonnie Prince Charlie. The film's principal challenge was to transform 18th-century Scottish Prince Charles into a sympathetic character, which, patriotism aside, he most decidedly was not in real life. The court-intrigue scenes are the weakest aspect of the film; the strongest moments take place on the battlefield, where Charles "the pretender" and his followers face down the battalions of King George II (Martin Miller). Even in defeat, Charles is the victor, successfully eluding his British pursuers and escaping to France. Filmed in Technicolor at a cost of $4 million, Bonnie Prince Charlie fell with a thud when it premiered at a kidney-busting 140 minutes. Subsequent reissues were cut by as many as 40 minutes, and some were economically reprocessed in black-and-white. Thanks to constant exposure on American television, this notorious flop finally posted a profit in the late 1950s. ~ Hal Erickson, All Movie Guide