Robert H. Barrat Movies

Who else but Randolph Scott could be the Tall Man Riding in this rugged western? Forced to lay low for several years after being forced out of town by land baron Tucker Ordway (Robert Barrett), Larry Madden (Randolph Scott) returns to wreak vengeance against Ordway and claim the land that is rightfully his. Madden also hopes to rekindle the flames of romance with his ex-fiancee, Ordway's daughter Corinna (Dorothy Malone). The tension lies not in whether or not Madden will get what he wants but whether or not he can be dissuaded from becoming a murderer--and, by extension, a fugitive for the rest of his life. Tall Man Riding benefits from the brisk, no-nonsense direction of Lesley Selander, in one of his few Warner Bros. assignments. ~ Hal Erickson, Rovi

In this swashbuckling adventure-satire, Kashma Baba's famous father Ali, sends the reluctant youth to military school to prepare him for the troubles ahead. Meanwhile, an evil Caliph kidnaps and enslaves an Arabian princess as part of his plan to steal Ali Baba's fabulous treasure. He then sends his new "slave' to Kashma's home. The Caliph tells the Shah, to whom the princess is betrothed, that Kashma has stolen her and that he will get her back. While staying with Kashma, the princess finds herself falling in love. When Kashma learns of the plot he and his buddies pick up their swords and begin trying to save her and retrieve his father's stolen treasure. ~ Sandra Brennan, Rovi

Audiences got their money's worth and then some from Byron Haskin's The Denver and Rio Grande. Edmond O'Brien plays Jim Vesser, a former U.S. Cavalry officer and hero, now the man in charge of getting the D&RG's tracks across the Rockies first to secure a right-of-way -- he revels in the job, chosen for it by General Palmer (Dean Jagger), his former commanding officer, who is chairman of the D&RG. But he suddenly finds himself in competition with the somewhat less scrupulous Canyon City and San Juan line, whose right of way is being secured by the much less honest and more ruthless McCabe (Sterling Hayden). At their first meeting, McCabe provokes a fight in which he shoots his own chief engineer, Bob Nelson -- another ex-Cavalry officer -- and manages to pin it on the unconscious Vesser. Although he avoids jail, Vesser is so torn up with guilt over what he thinks he has done that he leaves the railroad. Months go past, and in that time the Denver and Rio Grande steadily loses its lead over the rival company, as "accidents" and unrest among the men seem to plague their every move. Vesser finally decides to step back into the fight when one of these seeming accidents nearly wrecks the train on which he's hitched a ride. Coming to the aid of the general, he takes a two-fisted approach to the problem of McCabe that puts the two on a collision course in more ways than one. He also wouldn't mind getting to know the general's secretary, Linda Prescott (Laura Elliott), a little better, but for reasons that no one around her can explain, she is standoffish and even openly hostile to him. The conflict between Vesser and McCabe turns into what amounts to guerilla warfare between the two outfits, but somehow McCabe and his chief gunman, Johnny Buff (Lyle Bettger), always seem to be a half-step or more ahead of Vesser. ~ Bruce Eder, Rovi

Flight to Mars is the second American film of the postwar era (after the previous year's Rocketship X-M) to depict a manned space trip to the Red Planet. Leading-man responsibilities are evenly divided between Arthur Franz as brilliant scientist Dr. Jim Barker and Cameron Mitchell as two-fisted reporter Steve Abbott. Both men make the journey to Mars, finding time along the way to battle over the affections of leading lady Virginia Huston. Upon landing on Mars, the earthlings learn that planetary leader, Ikron (Morris Ankrum, a fixture of 1950s sci-fi), intends to conquer the world. Fortunately a group of good Martians are on hand to lend moral and physical support to the heroes. ~ Hal Erickson, Rovi

The year is 1942. Ensign Chuck Palmer (Tyrone Power) is stranded in the Japanese-occupied Philippines after his ship is torpedoed. Linking up with several other American refugees, Palmer helps the Filipinos organize a resistance movement against the enemy. They even manage to construct a few jerry-built radio stations to keep tabs on Japanese fleet movements. Hard to believe that Palmer finds romance under these trying circumstances, but he does, in the form of Jeanne Martinez (Micheline Presle), the wife of a Filipino war hero. Based on the novel by Ira Wolfert, American Guerilla in the Philippines is directed with unvarnished efficiency by Fritz Lang. Standouts in the supporting cast include Tom Ewell as Tyrone Power's wisecracking buddy and Robert Barrat as General Douglas MacArthur. ~ Hal Erickson, Rovi

Samuel Fuller wrote and directed this lively drama based on the real-life adventures of James Addison Reavis, one of the most ambitious swindlers of the 19th Century. In 1871, Reavis (played by Vincent Price) began hatching an elaborate scheme to claim the Arizona territory (then three decades away from statehood) as his own. At the time, land grants established during Spanish rule of Arizona were still valid, and one rainy evening Reavis visited Pepito Peralta (Vladimir Sokoloff) and his daughter Sofia (Karen Kester) with some exciting news. While working as a real estate clerk, Reavis found documents which granted ownership of nearly the whole of the Arizona territory to one Miguel Peralta, who was named Baron of the new land by Spain's rulers, and as his heir Sofia will become Baroness when she reaches adulthood, giving her claim to the territory. After giving Pepito and Sofia money and hiring a governess (Beulah Bondi) to educate the girl in a manner befitting the Barony, Reavis sailed for Spain on business; unknown to the Peraltas, Reavis posed first as a monk and then as a gypsy in order to revise old land grant documents to conform with his story. Several years later, Reavis returned to Pepito and Sofia's home, and asked the young woman (now played by Ellen Drew) to marry him. Once wed, Reavis presented his carefully forged paperwork to the Arizona authorities which gave him and his bride royal claim to the land; however, not everyone believed Reavis's elaborate tale, and John Griff (Reed Hadley), an expert in falsified documents, was brought in to examine the evidence. The Baron of Arizona gave Vincent Price a rare leading role in a non-horror vehicle, and he cited it as one of his favorite performances on film. ~ Mark Deming, Rovi

Double Crossbones is an unusually elaborate comedy vehicle for Donald O'Connor. Set in the Carolinas in the 18th century, the film casts O'Connor as Davy Crandall, a bumbling shopkeeper's apprentice. Davy's boss (Hayden Rourke) is in cahoots with the corrupt colonial governor (John Emery), who in turn deals directly with the pirates who sail in and out of port with impunity. Unfairly accused of piracy, Davy finds refuge on a buccaneer's boat. Through circumstances better seen than described, our hapless hero gains the reputation of being the boldest pirate on the Seven Seas. The stellar supporting cast includes Helena Carter as the heroine, Will Geer as O'Connor's aide-de-camp, and Hope Emerson, Alan Napier and Robert Barrat, cast respectively as notorious pirates Anne Bonney, Capt. Kidd and Henry Morgan. ~ Hal Erickson, Rovi

When a priceless diamond is stolen from a museum exhibition all suspicion falls upon the notorious Lone Wolf, a former jewel thief who became a reporter. It doesn't help that he was in the museum to write a story on the gem at the time of its theft. Now he and his gal pal must play amateur detectives in order to ring the real crooks to justice. This was the final entry in the "Lone Wolf" series. ~ Sandra Brennan, Rovi

RKO's resident cowboy stars Tim Holt and Richard "Chito" Martin were back in 1949's Riders of the Range. Hired on as ranch hands, Kansas (Holt) and Chito come to the aid of ranch owner Dusty (Jacqueline White), whose brother (Robert Clarke) has been led astray by a crooked gambler (Reed Hadley). As had happened in so many previous RKO oaters, Our Heroes are accused of murder, but manage to break jail in time to collar the real culprit. No, the "mystery" villain isn't the gambler, since he was the murder victim (without giving away the ending, here's a clue: keep an eye on that former cowboy hero who in this film heads the supporting cast). Riders of the Range was the first Tim Holt vehicle to lose money for RKO, an indication of the audience erosion caused by that upstart TV medium. ~ Hal Erickson, Rovi

Director Kurt Neumann, more closely associated with science fiction and mystery programmers, delivers a powerhouse of a pocket western in Bad Men of Tombstone. Barry Sullivan and Broderick Crawford head the cast as a pair of gunslingers who hold no regrets and evidently harbor no consciences. They ride into a mining camp during the Gold Rush days and set about staking a claim--and woe be unto him who gets in the way. A blood-splattered gunfight is the logical conclusion when the two gunfighters have their final falling out. Screenwriters Philip Yordan and Arthur Strawn clearly hold their leading characters in contempt, but can't help imbuing them with a certain degree of fascination. ~ Hal Erickson, Rovi

Described by one critic as a western version of The 39 Steps, Relentless stars Robert Young as a cowboy on the lam. Framed for murder, Young must find the one man who can clear him, while a posse dogs his trail. He briefly becomes an outlaw, hoping to make contact with his quarry by befriending the dregs of the west, notably mercenary saloon keeper Akim Tamiroff. Marguerite Chapman plays the love interest, while Barton MacLaine does his usual as the main heavy. Directed at a rapid clip by George Sherman, Relentless does its best to live up to its title. ~ Hal Erickson, Rovi

Private detective Franchot Tone is hired by a prominent politician (Tom Powers) to run a background check on the politician's wife (Lynn Merrick). Meanwhile, another client (Janet Blair) engages Tone to locate her missing sister-in-law. The two assignments merge into one before long, and Tone is up to his ears in the trouble he claims to love in the film's title. Like most movie private eyes, Tone attracts women like a magnet: In addition to the aforementioned Lynn Merrick and Janet Blair, the cast includes Glenda Farrell (as the p.i.'s faithful secretary), Janis Carter and Adele Jergens. I Love Trouble was based on The Double Take, a novel by Roy Higgins. ~ Hal Erickson, Rovi