Barbara Leigh Movies

Cycle-flick veteran William Smith stars as the head of a highly trained US intelligence team, each with the requisite invaluable "special talent." Headquartered in Hawaii, the team aims its sights on a powerful crime syndicate. Since the syndicate's henchmen are all martial arts experts, a combination of brawn and brains will be required throughout. The title alludes to the seven mobsters who must be wiped out by Smith & company in order to collect their $7 million reward. One gag in Seven was later appropriated (unconsciously or otherwise) by Raiders of the Lost Ark. ~ Hal Erickson, Rovi

While searching for an embezzler who disappeared after posting bail, Jim (James Garner) asks one question too many at an elite health club. As a result, he is knocked out, heavily sedated, and bundled off to a mental institution. Unable to convince anyone of his real identity and surrounded by delusional patients who imagine themselves to be everyone from "James Bond" to "Doc Holliday", Jim nonetheless manages to find the man he's looking for and to figure out who is responsible for his current predicament--and why. Now all he has to do is escape the institution and inform the authorities. ~ Hal Erickson, Rovi

This film for the TV series Harry-O was originally telecast under the title Smile, Jenny, You're Dead. David Janssen plays Harry Orwell, a seedy private eye investigating the murder of his friend's son-in-law. The principal suspect is the victim's wife Jenny (Andrea Marcovicci), a photographer's model. Since this is less a mystery than a suspense story, it isn't unfair to reveal that the real killer is a looney photographer (Zalman King, later a prolific producer of film erotica!), who is in love with Jenny and insanely jealous of anyone who gets in his way. The climax takes place on the roof of a high-rise. Guess what happens. The Harry-O series proper debuted in the fall of 1974, lasting two seasons. ~ Hal Erickson, Rovi

Sam Peckinpah eschews his slow-motion bullet ballets for this quiet character study of ex-rodeo cowboy turned drifter Junior Bonner (Steve McQueen), who returns home to Arizona to reconcile with the family he hasn't seen in years. Bonner is shocked to see that the solid family he was hoping to come back to is breaking apart. His parents, Ace (Robert Preston) and Elvira (Ida Lupino), have separated, and his brother Curley (Joe Don Baker) has turned into a heartless real estate tycoon, parceling off sections of his parent's land for quick money. With nowhere to turn and nowhere to run, Bonner has to face himself and try to find a way to regain his self-respect. He is given that opportunity at the town's Fourth of July Rodeo, where he is determined to mount and ride and unrideable bull. ~ Paul Brenner, Rovi

Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.

If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, Rovi