Ron Leibman Movies

A teen comedy that does not quite rise to the level of that age group, this uninspired story features Ron Liebman as the Major, a sadistic instructor at a military school. Ralph Macchio (before his 1984 hit, Karate Kid) and other teens of every stripe suffer through the indignities heaped on them by the Major and do their best with the sexual, ethnic, and racial stereotypes that the script gives them to handle. Robert Downey directs, Tom Patchett and Jay Tarses wrote the screenplay. ~ Eleanor Mannikka, All Movie Guide

Loosely based on a true story this sudsy made-for-television courtroom drama tells the story of a rather hedonistic young divorcee who is accused of killing her own child. ~ Sandra Brennan, All Movie Guide

Originally produced as the pilot for a prospective TV series and based on a novel entitled Gypsy in Amber, this is the story of a detective, who also happens to be a gypsy, who becomes involved in a homicide case when one of his friends, a fellow antique dealer, is charged with the murder. Interesting and unusual premise. ~ Tana Hobart, All Movie Guide

"Batman and Robin" are the principal characters in the fact-based The Super Cops. Well, not the real Batman and Robin; these just happen to be the nicknames of two irrepressible New York City cops, Dave Greenberg (Ron Leibman) and Bob Hantz (David Selby). Flying in the face of departmental procedure and protocol, Greenberg and Hantz use bizarre (and often amusing) extreme methods to rid the streets of drug merchants. The two gonzo cops find an unexpected ally in the form of a prostitute named Sara (Sheila E. Frazer). Adapted by Lorenzo Semple Jr. (who coincidentally wrote the Batman TV pilot episode) from the best-selling book by L. H. Whitemore, The Super Cops features the genuine Dave Greenberg and Bob Hantz in minor roles...as cops, naturally. ~ Hal Erickson, All Movie Guide

"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, All Movie Guide

Director Carl Reiner, most closely associated with the homey values of situation comedies, shocked, surprised, and (in some cases) delighted his admirers with the jet-black comedy Where's Poppa?. George Segal plays Gordon Hocheiser, a New York attorney whose love life is constantly being sabotaged by his senile mother (Ruth Gordon), who constantly asks the question of the title. (She doesn't realize Poppa is dead). Every time Gordon has a prospective bride or lover lined up, Mrs. Hocheiser gums up the works with her insane behavior. The attorney at last finds a kindred spirit in the beautiful caregiver Louise Callan (Trish VanDevere), who has likewise been a victim of someone else's eccentricities (her first husband used the conjugal bed as his own personal toilet). When Mrs. Hocheiser chases Louise away like she has all the others, Gordon begins entertaining notions of killing his mother. In desperation, Gordon begs his brother Sidney (Ron Leibman) to take his mother off his hands, which leads to several comic vignettes in deliriously bad taste. The film's incest-themed original ending (trimmed from the video version but still included in cable prints) finds Gordon climbing into bed with Mrs. Hocheiser, only to be greeted with a "Here's Poppa." The celebrated "tush scene," wherein Mrs. Hocheiser bites Gordon on his bare backside while Louise looks on in horror, packed a real wallop back in the early '70s, as did a courtroom scene involving a disgruntled hippie (Rob Reiner) and a psychotic U.S. general who graphically describes his homicidal acts against the Vietnamese. Though Carl Reiner would continue to "push the envelope" in his later films (Steve Martin as a "poor black child"? George Burns as God?) he would never again attempt anything as risky as Where's Poppa?. ~ Hal Erickson, All Movie Guide