John Lehne Movies
Supporting actor, onscreen from the early '70s. ~ Rovi
Corporate women launch a bitter courtroom battle when their avaricious employer tells them that they will lose their jobs if they do not get sterilized. The fight takes the women through a disillusioning jungle of government red tape. ~ Sandra Brennan, Rovi
- 1987
With Moonlighting stars Bruce Willis and Cybill Shepherd off-screen for most of this episode, it is up to supporting actress Allyce Beasley--a.k.a. ditzy, poetry-spouting secretary Agnes Dipesto--to carry the ball. Once again, Ms. Dipesto is tired of merely answering the phones at the Blue Moon Detective Agency, and yearns to be in the thick of the action herself. She gets her wish (and learns to be very, very careful of what she wishes for!) when she probes into the truth behind a supposedly haunted mansion. ~ Hal Erickson, Rovi
- 1986
Bill Duke directed this fact-based tale of a poor Southern black woman who rose from poverty to become an FBI agent. Retitled Johnnie Gibson F.B.I. for home video. ~ Jason Ankeny, Rovi
- 1982
- R
- Add Ladies and Gentlemen, the Fabulous Stains to Queue Add Ladies and Gentlemen, the Fabulous Stains to top of Queue
A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, Rovi
- Starring:
- Diane Lane, Peter Donat, (more)
- 1982
World War III is an ambitious if unnecessarily protracted speculative TV movie. Set in a "future December," the film prophesies an American grain embargo levied on Russia. US President Rock Hudson is entreated by the Soviet higher-ups to drop the ban; meanwhile, a group of renegade Russian military officers begin sending expeditionary forces into Alaska. While the countdown to Doomsday begins, the film insists upon cutting back to several expendable romances in both the American and Soviet camps. Boris Sagal, the original director of World War III, was killed in a freak helicopter accident while on location. To make up for lost time, the production was moved to the soundstages of Zoetrope Studios and overseen by ultra-efficient TV director David Greene. Part Two finds novice American president Rock Hudson trying to effect an honorable peace with Soviet premiere Brian Keith. But insurgent military officers endeavoring to seize the Alaska Pipeline as a bargaining chip continue to escalate the hostilities. It develops that the fate of the world may rest in the hands of American colonel David Soul. Also appearing is Cathy Lee Crosby, endearingly miscast as an intelligence officer. A heart-stopping surprise twist brings World War III to a close. While the film has its moments of genuine suspense, one can't help but feel that World War III would have been better an hour or two shorter--or at least with a few of the subplot romances removed. Originally running four hours, World War III was telecast in two parts on January 31 and February 1, 1982.
~ Hal Erickson, Rovi
~ Hal Erickson, Rovi
A young man searches for his brother and sister many years after the three were sent to separate foster homes in this made-for-TV drama. ~ Jason Ankeny, Rovi
- 1980
- R
In Robert Kaylor's Carny, the world of the carnival is an illusion manipulated by the carnies to fleece the suckers. The marks generally deserve what they get, because of their greed, corruption, or just plain stupidity. It's share and share alike for Frankie (Gary Busey) and Patch (Robbie Robertson), partners in a dunk-the-bozo act in a carnival travelling through the American South. At one of the small-town stops, Donna (Jodie Foster), an alienated teenager, dumps her obnoxious boyfriend and, with Frankie's encouragement, joins up and moves into their trailer (and Frankie's bed). Feeling displaced, Patch schemes to get Donna out of the carnival. However, the carnival's owner needs Donna to foil a loathsome pair of local officials who demand payoffs. She plays her part perfectly and is accepted by all, although she moves into another trailer. ~ Steve Press, Rovi
- Starring:
- Gary Busey, Jodie Foster, (more)
- 1979
Darker Side of Terror is a TV movie that wants to have its cake and eat it too: it is a science fiction drama and a romantic triangle all in one. Researcher Robert Forster submits to an experiment in cloning conducted by his former professor (Ray Milland) The operation is a success--except in terms of Forster's personal life. It seems that the researcher's wife (Adrienne Barbeau) finds the clone to be more desirable than the original. To make matters dicier, the clone is a homicidal maniac! Darker Side of Terror is derivative from start to finish; the producers should have simply put their cards on the table and titled the film The Adventure of Frankenstein's Sexier Brother. ~ Hal Erickson, Rovi
- 1978
This lively musical comedy pays tribute to the birth of rock & roll in the late 1950s and the instrumental role played by disc jockey Alan Freed who helped bring the new sound into vogue. Much of the story centers on the daring deejay's attempts to put on the very first live rock & roll stage show at the Paramount Theatre in Brooklyn. To do this he must overcome the protests of concerned and angry parents, conservatives, and local police. Several performers of the era appear in the film including Chuck Berry, and Jerry Lee Lewis. ~ Sandra Brennan, Rovi
- Starring:
- Tim McIntire, Fran Drescher, (more)
F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, Rovi
- Starring:
- Sylvester Stallone, Rod Steiger, (more)
- 1977
Stone (Karl Malden) is appalled by an upsurge in teenage crime, especially because the perpetrators have been able to escape punishment because they're still "children" in the eyes of the law. Bucking against public opinion and political pressure, Stone tries to change the laws so that the teen outlaws will be tried as adults. Mark Hamill, on the verge of celebrity by virtue of Star Wars, is afforded "special guest star" billing in the episode; Carl Weathers, despite his burst of fame as Apollo Creed in Rocky, is merely listed among the featured players. ~ Hal Erickson, Rovi
- 1977
- R
Based loosely on the real-life relationship between political activist Angela Davis and convict-turned-author George Jackson, Brothers stars Bernie Casey as David Thomas, who begins corresponding with college professor and outspoken black activist Paula Jones (Vonetta McGee) after he's convicted of a crime he didn't commit. David's relationship with Paula gives him strength and insight as he tries to survive in the brutally violent and racist environment of prison. A great deal more serious and politically minded than most of the other "blaxploitation" films of its era, Brothers was directed by Arthur Barron, in a severe departure from his previous film, the sweet teenage love story Jeremy. ~ Mark Deming, Rovi
- Starring:
- Bernie Casey, Vonetta McGee, (more)
Adapted by Robert Getchell from Woody Guthrie's autobiography, Hal Ashby's biopic portrays a few pivotal years in the life of the celebrated folk singer and social activist. In the Depression 1930s, Midwesterner Guthrie (David Carradine) plays music locally but cannot make enough as a sign painter to support his wife (Melinda Dillon) and children. With only his paintbrushes, Woody joins the migration westward from the Dust Bowl to supposedly greener California pastures via boxcar and hitchhiking. When penniless Woody is turned back from the California border, he sneaks into the state alone and meets Luther (Randy Quaid), who takes Woody to a farm where hundreds of workers scrounge for a few ill-paid harvesting jobs. When singer Ozark Bole (Ronny Cox) arrives both to entertain and to urge the workers to unionize, Woody joins Ozark in song, fleeing with him after thugs break up the assembly. He lands a job singing with Ozark on the radio, and the two become partners in union agitation. Unable to commit in his personal life as he finds his political voice, Woody brings his family west, but his wife can't tolerate Woody's wandering ways. Reluctant to sell out his ideals for a lucrative career, Woody hits the road again, bringing his songs of freedom and protest to a nationwide audience on his own terms. Opting for atmospheric story-telling over strident polemic, the filmmakers present Guthrie as a complex individual with contradictory virtues and faults. Despite critical praise and nominations for several Oscars, including Best Picture, Bound for Glory proved less than glorious at the box office. ~ Lucia Bozzola, Rovi
- Starring:
- David Carradine, Ronny Cox, (more)
- 1976
In 1926, flamboyant evangelist Aimee Semple McPherson disappeared for six weeks. At first feared drowned (she'd been vacationing on a California beach at the time she vanished), Aimee finally showed up, wandering barefoot in the Mexican desert. For the benefit of the press, Aimee related a fantastic story of being kidnapped and held for ransom, a story given "credence" by a ransom note which popped up at her Four Square Gospel headquarters. Aimee's tale was full of holes; as more facts became known, it was apparent (to everyone but "true believers") that Aimee had spent those six weeks on a romantic idyll with Kenneth Ormiston, a married radio technician. This made-for-TV movie takes no sides in the controversy, offering generous space to both theories; still, Aimee does not come off as being particularly saint-like. Faye Dunaway stars as Aimee, Bette Davis co-stars as her domineering mother, and William Jordan is man-in-the-middle Ormiston. Written by John McGreevey, The Disappearance of Aimee was the November 17, 1976, presentation of NBC's Hallmark Hall of Fame. ~ Hal Erickson, Rovi
- 1976
In order to bring a vicious motorcycle gang to justice, undercover detective Tony Baretta (Robert Blake) needs the testimony of one of the gang members. Unfortunately, the intractable Assistant District Attorney (Alan Mandell) refuses to plea bargain with the witness. As a result, Baretta is forced to infiltrate the gang to save his inside informant. ~ Hal Erickson, Rovi
- Starring:
- Robert Blake, Edward Grover, (more)
The love affair between two of Hollywood's greatest stars of the 1930s and '40s is recounted in this biopic. Clark Gable (James Brolin), the tough but quick-witted leading man often called "the King of Hollywood," meets tart-tongued comic actress Carole Lombard (Jill Clayburgh) at a party, and while the attraction between them isn't immediate (in fact they hate each other at first), as fate keeps bringing them together, they fall deeply in love. Gable is married at the time, and studio chief Louis B. Mayer (Allen Garfield) is afraid that his affair with Lombard will lead to a scandal that will destroy the career of his most valuable star, but Gable and Lombard weather the storm of negative publicity, and after Gable's wife grants him a divorce, he marries Lombard. However, their happy marriage is cut short by Lombard's tragic death as she was selling defense bonds during World War II. ~ Mark Deming, Rovi
- Starring:
- James Brolin, Jill Clayburgh, (more)
- 1976
Jeff Griffin (Peter Falk) is dying of cancer. Sarah Phoenix (Jill Clayburgh) is suffering from terminal leukemia. Ignored or reviled by their respective families, Griffin and Phoenix turn to each other for emotional support. Deciding to live their last months to the fullest, they indulge in outrageous, childish public behavior and vent their anger at their conditions full-force, knowing full well that they won't have to answer for their silliness or rage. They also fall in love with each other. The only proviso to their relationship is that Griffin must promise not to visit Phoenix in her final days, and vice versa. Written by John Hill, Griffin and Phoenix: A Love Story was first telecast on February 27, 1976. ~ Hal Erickson, Rovi
- Starring:
- Peter Falk, Jill Clayburgh, (more)
Alfred Hitchcock's final film was adapted from Victor Canning's novel The Rainbird Pattern by Ernest Lehman, who previously wrote the screenplay for Hitchcock's North by Northwest. Barbara Harris plays Blanche, a phony psychic, hired by wealthy Julia Rainbird (Cathleen Nesbitt) to trace the whereabouts of her nephew, who'd been given up for adoption years earlier and who is now heir to a fortune. Blanche's cohort is "investigator" Lumley (Bruce Dern), who is fully prepared to milk the last dollar out of Julia before locating the long-lost nephew. Meanwhile, we are introduced to elegant kidnappers Adamson and Fran (William Devane and Karen Black). The fates of the two couples are inextricably intertwined by the search for the missing heir. ~ Hal Erickson, Rovi
- Starring:
- Karen Black, Bruce Dern, (more)
- 1975
- PG
In 1970, Elliot Gould was the hottest male star in Hollywood; by 1975, he was making do with indifferent projects like Who?. This interesting British/German sci-fier, also known as Man Without a Face, Prisoner of the Skull and The Man With the Steel Mask, and also under the title Robo Man. Gould's role as an American government official is secondary to the character played by Joseph Bova. While visiting the Soviet Union, scientist Bova is involved in a serious car accident. The Russian surgeons perform emergency life-saving surgery by replacing most of Bova's body parts with electronic devices. Thus when he returns home, Bova is to all intents and purposes a cyborg. It is up to Gould to find out if our reconstituted hero has been transformed into a Soviet spy. After several rondelay dialogue scenes and silly car chases, Who? ends on a quiet, pensive note-perhaps the most effective scene in the whole picture. Adapted from the well-regarded novel by Algis Budrys. ~ Hal Erickson, Rovi
- Starring:
- Elliott Gould, Trevor Howard, (more)
- 1975
This 72-minute pilot film of the Charlie's Angels series stars the three original "Angels": Sabrina (Kate Jackson), Jill (Farrah Fawcett-Majors), and Kelly (Jaclyn Smith). Police rookies stuck in go-nowhere jobs, Sabrina, Jill, and Kelly are hired by the never-seen Charlie (voiced by John Forsythe), who engages their services as private detectives. Their first assignment: finagle the owner of a vineyard (David Ogden Stiers) into confessing to the murder of his partner. David Doyle co-stars as Bosley, the affable liaison between Charlie and his Angels. A ratings powerhouse when it premiered on March 21, 1976, Charlie's Angels resulted in the long-running (and frequently recast) weekly series, which aired from September 22, 1976, through August 19, 1981. ~ Hal Erickson, Rovi
- 1975
William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, Rovi
- Starring:
- William Devane, George C. Scott, (more)
- 1975
Eminent Shakespearean actor Maurice Evans guest stars as Leopold Summer, a history teacher dismissed from his job because he is a firm proponent of corporal punishment. Upon learning that one of his former colleagues has been shot in a tough high school, the already disturbed Summer goes completely off the deep end. Setting up a "classroom" in a deserted warehouse, Summer kidnaps several indolent high schoolers, chains them to desks, and forces them to learn history at gunpoint! Bernie Kopell (The Love Boat) appears unbilled as Summers' ex-boss, while among the imperiled students is future Welcome Back, Kotter costar Robert Hegyes. ~ Hal Erickson, Rovi
- 1974
The made-for-TV Dr. Max is cut from the same cloth as The Last Angry Man. Lee J. Cobb stars as a taciturn elderly doctor who chooses to work in a dingy Baltimore neighborhood and minister to those far less fortunate than themselves. His refusal to succumb to the creature comforts of a more lucrative practice causes a great deal of friction between himself and his family. In traditional "movie of the week" fashion, however, the old medico proves to have a lot more sense than those around him. Dr. Max was first telecast April 4, 1974. ~ Hal Erickson, Rovi
- 1974
After one of his clients commits suicide, unscrupulous private eye Ray Coughlin (Martin Balsam hopes to cash in on the man's insurance policy. Conspiring with the victim's equally crooked business manager, Coughlin arranges the evidence to make suicide look like murder. In his efforts to foil this scheme, police lieutenant Kojak (Telly Savalas) makes little effort to hide his shame and disgust over the fact that Coughlin used to be a cop himself. ~ Hal Erickson, Rovi
Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, Rovi
- Starring:
- Al Pacino, Tony Roberts, (more)
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