Fredric Lehne Movies
Supporting actor, onscreen from 1980. ~ All Movie GuideFrederic Lehne stars as the real-life Tom Butterfield, a college student distressed by the plight of homeless children. He'd like to adopt a few of these kids, but Missouri law prohibits such a circumstance for an unmarried man. At great personal cost to himself both financially and emotionally, the 21-year-old Butterfield becomes the youngest single adult ever to be granted a foster-parent license, using this privilege to set up a Boy's Town-like home for unwanted youngsters. Lehne's costar is Michelle Pfeiffer, on the threshold of bigger things. Tom Butterfield, the subject of The Children Nobody Wanted, died less than a year after this TV movie's debut. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric Lehne
Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Curie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, All Movie Guide
- Starring:
- Jodie Foster, Scott Baio, (more)
The issue of forced school busing is explored with an unfortunately heavy hand in All God's Children. Richard Widmark plays a judge who is tortured with guilt after a school bus is stolen. The robbery was a prank, committed as a reaction to the judge's ruling that selected black students must be bused to white schools, and vice versa. The vehicle was appropriated by two high schoolers, one black, one white. The film's tension arises from the fact that a burned-beyond-recognition body was found in the wreckage; the families of both boys wait in anguish to discover the identity of a victim, while the rest of the community threatens to erupt into violence no matter what the outcome of the autopsy. All God's Children was first telecast April 20, 1980. ~ Hal Erickson, All Movie Guide
Seizure: The Story of Kathy Morris is a fact-based TV movie, inspired by a book by Charles L. Mee. Penelope Milford stars as Kathy Morris, a 22-year-old Manhattan-based songstress. Kathy undergoes brain surgery to halt her occasional seizures. Unfortunately, her brain begins swelling, resulting in severe neurological damage. In a surprisingly dispassionate fashion, the film chronicles how Ms. Morris overcomes her handicap with the help of a skilled but brusque doctor (Leonard Nimoy), whose solicitous attitude towards his patient results in a reconciliation with his estranged wife. The Felliniesque climax of Seizure: The Story of Kathy Morris finds the real Kathy Morris taking over from Penelope Milford during a singing engagement. ~ Hal Erickson, All Movie Guide
Robert Redford's directorial debut ended up the 1980 Oscar winner for Best Picture. It is a simple but painfully emotional story of the disintegration of a "perfect" family. Teenager Conrad (Timothy Hutton) lives under a cloud of guilt after his brother drowns after their boat capsizes in Lake Michigan. Despite intensive therapy sessions with his psychiatrist (Judd Hirsch), Conrad can't shake the belief that he should have died instead of his brother; nor do his preoccupied parents (Donald Sutherland and Mary Tyler Moore) offer much in the way of solace. The boy is brought out of his doldrums through his romance with Jeannine (Elizabeth McGovern). A winner in every respect, Ordinary People (adapted from the novel by Judith Guest) scores highest in the scenes with Mary Tyler Moore, who superbly and perceptively portrays a blinkered, ever-smiling suburban wife and mother for whom outward appearance is all that matters. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald Sutherland, Mary Tyler Moore, (more)
The sequel to the popular 1979 TV movie And Baby Makes Six, Baby Comes Home reteams Colleen Dewhurst and Warren Oates as middle-agers who find themselves the parents of a newborn child. The first film dealt with the impact of the 47-year-old mother's unexpected pregnancy on her three grown children, as well as on her own well-ordered lifestyle. The sequel concentrates on the alienating effect that Dewhurst's affection towards her baby has on the rest of her family. Both And Baby Makes Six and Baby Comes Home were intended as pilot films for a weekly series, though one wonders if the ever-busy Colleen Dewhurst would have found the time to star in such a project. The point is a moot one: The series never sold. ~ Hal Erickson, All Movie Guide
Adapted from the once-notorious trilogy of novels by James T. Farrell, the three-part miniseres Studs Lonigan isn't quite as earthy and explicit as its source, but is lot more faithful to the original than the 1960 film version. Set in Chicago and covering the years from 1916 to 1931, this is the story of a brawling, braggadocio young Irish-American lad named Studs Lonigan (played as a child by Dan Shor, and as an adult by Harry Hamlin in his first major TV role). Despite his rough veneer, Studs is sensitive and concerned about his future, though he doesn't want to follow the values set forth by his tradition-bound parents (Charles Durning, Colleen Dewhurst). Hanging around with his childhood buddies, Studs gets into all sorts of scrapes and becomes involved with a number of women, notably the decent, demure Catherine (Diana Scarwid) and the lusty, libidinous Lucy (Lisa Pelikan). Though he grows in age and size, Studs has trouble maturing emotionally, surrounded by the pressures of a rough, prejudice-ridden neighborhood and the increasing hooliganism of his cronies. As the Depression crashes heavily upon the scene, Studs finds himself "trapped" in the very sort of middle-class quagmire that he'd always hoped to avoid. Earning an Emmy Award for art/set direction, the 6-hour Studs Lonigan originally aired March 7, 14 and 21, 1979, as part of NBC's Novels for Television anthology. ~ Hal Erickson, All Movie Guide
Having lived his life as the gardener on a millionaire's estate, Chance (Peter Sellers) knows of the real world only what he has seen on TV. When his benefactor dies, Chance walks aimlessly into the streets of Washington D.C., where he is struck by a car owned by wealthy Eve Rand (Shirley MacLaine). Identifying himself, the confused man mutters "Chance...gardener," which Eve takes to be "Chauncey Gardiner." Eve takes him to her home to convalesce, and because Chance is so well-dressed and well-groomed, and because he speaks in such a cultured tone, everyone in her orbit assumes that "Chauncey Gardiner" must be a man of profound intelligence. No matter what he says, it is interpreted as a pearl of wisdom and insight. He rises to the top of Washington society, where his simplistic responses to the most difficult questions (responses usually related to his gardening experience) are highly prized by the town's movers and shakers. In fact, there is serious consideration given to running Chance as a presidential candidate. Both a modern fable and a political satire, Being There was based on the novel by Jerzy Kosinski and costars Melvyn Douglas, who won a Best Supporting Actor Oscar as Eve's aging power-broker husband. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Shirley MacLaine, (more)













