Pete Lee-Wilson Movies

Anthony Perkins, in one of his last roles, is the sole highlight of this mundane, German-made psychological thriller, based on a novel by Ruth Rendell. Perkins plays Arthur, an obsessive-compulsive English bachelor with a history of far more destructive habits -- the worst of which include his reign of terror as the "Kenbourne Killer," who is responsible for the strangulation murders of several prostitutes. Like a certain legendary Perkins character of yore, Arthur has some Oedipal issues that need working out and fixates his mother fixation on the department-store mannequin he keeps in the secluded boarding house where he spends his "retirement." When this decidedly one-sided relationship is disrupted by the sudden loss of the dummy, poor Arthur goes 'round the bend again... but the blame for the new string of murders falls on one of his neighbors instead. Bogged down by pedestrian direction and a romantic subplot that serves little purpose, this attempt at a detailed portrayal of madness is kept aloft (barely) on the basis of Perkins' brooding, restrained performance. ~ Cavett Binion, Rovi

In this amusing comedy, Sharon (Sharon Fryer) is upset when her unemployed boyfriend Anthony (Gary Webster) announces his intention to join the police force. She ends up insulting the chief of police at a local dinner, following him into the men's room to finish her train of thought. When her friend Billy (Pete Lee-Wilson) lands in jail for using the phone at work to make a request to a disc jockey, she decides to help him get out. Cameos from popular British television stars are added effectively throughout the feature. ~ Dan Pavlides, Rovi

Punk rock's first great embodiment of the motto "live fast and die young," Sid Vicious joined The Sex Pistols when they were already established as the most controversial rock band in British history; and it soon became apparent that he couldn't play his instrument, had a magnetic attraction to chaos, and possessed a dangerous thirst for booze, drugs, and violence. Sid & Nancy opens shortly after Sid (Gary Oldman) joined the band, when he meets an obnoxious American punk groupie named Nancy Spungen (Chloe Webb). Nancy claims that she can get drugs, and Sid naively gives her his money. Nancy doesn't show up with the goods, but when Sid runs into her a few days later, she has a tall tale about getting ripped off - and Sid sympathizes with her. Before long, Sid and Nancy have fallen in love, and while they argue with uncommon vehemence, they also depend completely on each other. When The Sex Pistols break up, Sid has few prospects and an increasingly voracious appetite for heroin, and Nancy's attempts to "manage" his career only hasten his downhill slide. Former Clash leader Joe Strummer wrote the film's theme song, "Love Kills," and The Pogues, The Circle Jerks, and Pray for Rain contributed to the soundtrack. ~ Mark Deming, Rovi

In this slice-of-life film shot in 1981 for British television, a wide-ranging group of Royal Navy men -- very young men -- try to have one last reprieve on land before they take off for NATO duty. Each sailor is confronted with a unique challenge: Mark (David John) tries to help out a victim of a severe beating, Malcolm (Martin Barrass) is enjoying more than a nip or two from the bottle as he barrels toward the embarkation point on a passenger train, and a few other recruits have their love lives high on a list of priorities. Steve (John Altman) has some personal adventures as he tries to advance a romantic liaison, and Douglas (Timothy Spall) worries over leaving his pregnant wife behind, knowing she will give birth while he is gone. At times a bit slow, this drama won first prize at the 1983 Taormina Film Festival. ~ Eleanor Mannikka, Rovi