Stephen Lee Movies

Christina Aguilera makes her dramatic feature debut as Ali, a small-town singer who takes her shot at stardom performing at a neo-burlesque nightclub in Los Angeles. Situated in a regal old theater that's still dazzling despite having fallen into disrepair, The Burlesque Lounge is the kind of club where legends are born. When club owner Tess (Cher) hires charismatic Ali as a cocktail waitress, the ambitious big-city newcomer goes to great lengths to make a good impression. Taken under the wing of a friendly featured dancer (Julianne Hough), Ali quickly realizes that not everyone is quite as nice when she forms a friendship with bartender/aspiring musician Jack (Cam Gigandet) and incurs the wrath of the club's cattiest showgirl (Kristen Bell). After making her leap to the stage with a little help from a sympathetic stage manager (Stanley Tucci) and the club's playfully androgynous host (Alan Cumming), Ali becomes the star attraction at The Burlesque Lounge, and the crowds start packing in. Later, a wealthy businessman (Eric Dane) makes a bid for the club while trying to charm the talented young performer straight into his arms. ~ Jason Buchanan, Rovi

This 200th episode of ER (actually the 201st in the syndicated package) occurs during a solar eclipse, with the action alternating between the day and night shifts at County General. Holding down the day shift is a bone-weary Carter (Noah Wyle), who must contend with the victims of a cult mass suicide, among many other trying cases. And during the night shift, Pratt (Mekhi Phifer), ostensibly making his final round as a resident, is "redeemed" as he treats a woman whose unborn child was viciously cut from her womb. In other developments, Corday (Alex Kingston) tries to ease the mind of Romano (Paul McCrane) as he prepares to have his injured hand and forearm amputated; and the ER receives an urgent phone call from Kovac (Goran Visnjic) in Africa. ~ Hal Erickson, Rovi

Dark Angel begins its two-season run with a feature-length episode establishing both characters and premise. Back in the year 2009, young Max Guevara (Geneva Locke) escaped from Manticore, a sinister laboratory creating human prototypes with heavy doses of animal DNA. A lab creation herself, Max managed to get away with several of her "siblings" from Manticore's X-5 program. Now it is 2019: The world is in turmoil in the wake of "The Pulse," a seismic phenomenon which destroyed all computer technology. The 19-year-old Max (Jessica Alba) lives in a crime-ridden ghetto with a group of alienated teens and dopers, working as a bicycle messenger by day and a cat burglar by night. (And why not? Max's cat DNA has endowed her with superhuman strength and agility.) She pulls this "double shift" in order to finance an ongoing search for the secrets of her past, and for her genetically engineered brothers and sisters. Enter scruffy cyberjournalist Logan Cale (Michael Weatherly), a crusader against the corruption that has engulfed the government and its police. Persuading Max to join his cause, Logan gives her her first assignment: to guard a federal witness and her daughter. But Max may not be around to help -- not if she is tracked down and captured by Manticore minion Donald Lydecker (John Savage), the obsessed scientist who "created" her. ~ Hal Erickson, Rovi

Kendra (Jennifer Blanc) and Original Cindy (Valarie Rae Miller) unwittingly dispose of Max's supply of Tryptophan, the drug which calms her seizures. In desperation, Max (Jessica Alba) tries to steal more of the drug, landing herself in prison, minus her superpowers and at the mercy of a corrupt warden (Alan C. Peterson). After a failed escape attempt, Max is billeted in the lecherous warden's house -- where her salvation may be in the hands of her tormentor's sexually abused maidservant. ~ Hal Erickson, Rovi

In this TV series, Boston police detective Sean McGrail (Jason Beghe) and public defender Annie Cornell (Moira Kelly) are an odd couple caught in a passionate love affair, and they're just as passionate when they clash. In their close-knit Irish neighborhood, they get plenty of advice, including caustic comments from Sean's mom Fiona (Fionnula Flanagan), his firefighter brother (Stephen Lee), and his other brothers (Jason Wiles, Stephen Largay), also cops. The opening episode sets up an improbable situation that has Annie in the courtroom grilling her hubby-to-be about thong underwear and strippers. Filmed in L.A., this romantic comedy-drama premiered September 30, 1998 on CBS. ~ Bhob Stewart, Rovi

Jonathan Charles Kaplan portrays an ailing alien youngster who desperately needs an operation. But the boys' parents (Tricia O'Neil and Stephen Lee) refuse to give Dr. Franklin permission to operate, citing their religious beliefs. Elsewhere on B5, Ivanova prepares to undertake a dangerous escort mission. "Believers" was written by science-fiction maestro David Gerrold, who manages to make brief but significant references to his own novels Under the Eye of God and Covenant of Justice. The episode first aired on April 27, 1994. ~ Hal Erickson, Rovi

Unique among the many made-for-TV dramas about spousal abuse--most of which are about women victimized by men--Men Don't Tell dramatizes the true story of a loving husband who is terrorized by the violent behavior of his wife. Ed MacAffrey (Peter Strauss) has long endured the physical and emotional abuse heaped upon him by his neurotic wife Laura (Judith Light), not only because he loves her and is concerned over the welfare of his daughter, but also because men are traditionally regarded as weaklings if they allow themselves to be battered by their wives. Even worse, after one of Laura's destructive tantrums brings the attention of the police, Ed is suspected of being the aggressor! Finally, Laura goes too far and Ed tries to defend himself--whereupon Laura crashes through the front window of her home and is rendered comatose, and Ed is arrested for attempted murder. Although the ending of the story could be considered positive and upbeat, it is painfully clear that there are many issues that will never be resolved. First telecast by CBS on May 14, 1993, Men Don't Tell was never rebroadcast on over-the-air television, reportedly because it incurred the wrath of several women's groups. However, the film has since been shown a number of times on cable's Lifetime channel. ~ Hal Erickson, Rovi

Jimmy Corona (James Lorinz) is related to a bunch of mafia types, sure, but he has always earned his living writing potboiler exposés on the killing of John F. Kennedy. Now his publisher insists that he write something gritty about society's underside instead. This makes the youngish man suicidal, but none of his amateurish attempts to end his own life succeeds. Eventually he decides to seek out his mobster uncle (Tony Darrow), who takes him under his wing. He is just getting into the swing of this new life when he is snared by the cops to get the goods on his uncle's second in command. However, Jimmy's competence and luck in this, as in everything else, soon turns sour, when his body mike starts playing that day's ball game. ~ Clarke Fountain, Rovi

Detectives Logan (Chris Noth) and Cerella (Paul Sorvino) swing into action when a Chinese-American honors student is killed. At first, it seems as though an Asian street gang was responsible for the killing. Then, more evidence comes to surface, leading to an intense scholarship competition and a dangerously ambitious family. ~ Hal Erickson, Rovi

Though representing a slight step upward in budget from the previous two Ghoulies installments, this is still a rather silly exercise in childish fart jokes and rubbery monster effects. The title critters are mini-demons summoned forth from a demonic chamber pot (seriously!) by the occult-obsessed Dean of Glazier University. However, the ancient vessel is currently being used by the Beta Theta Zeta fraternity for a more (ahem) practical purpose. The ghoulies eventually cut loose on campus, and the surrounding frat-boy bacchanalia seems to have made them even more obnoxious than usual. The creatures' Satanic antics are first thought to be creative Hell Week pranks, but they are eventually discovered and defeated by the nominal hero and heroine. One of Vestron's last productions before the company went belly-up, this languished in distribution limbo for several years. ~ Cavett Binion, Rovi

Suburban housewife Barbara Eden is the prime suspect when her husband is murdered. Shortly afterward, Eden's best friend turns up dead-and this time she's arrested. Now someone is trying to bump off Eden's daughter. It's all the handiwork of an old college rival, who believes that Eden stole her boyfriend. The homicidally inclined woman scorned is played by none other than Loretta Swit, cast spectacularly against type. The made-for-TV Hell Hath No Fury was first telecast March 4, 1991. ~ Hal Erickson, Rovi

Debra Sweaney is a woman who strays into the sordid world of a drug syndicate and is beaten and left for dead. She survives and comes back to get revenge. ~ Rovi

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, Rovi