Jean-Marc Barr Movies

With Breaking The Waves, director Lars von Trier fashions an often disturbing tale of the singular power of love. Bess (the Oscar-nominated Emily Watson) is a naïve, borderline simple young woman who lives in a Scottish coastal town ruled by the religious doctrine of its council of elders. Recovering from a mental breakdown caused by the death of her brother, Bess marries a rough yet compassionate and attentive oil rig worker named Jan (Stellan Skarsgård). For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. Bess' emotional trauma over Jan's injury turns into obsession as she prays to God for his recovery and offers to do anything to have her husband back whole. Jan, constantly medicated and profoundly depressed, asks Bess to have sex with other men and tell him about it, thinking this will allow her to return to a normal life. Bess, on the other hand, sees it as an expression of her devotion to Jan that even God won't be able to ignore. Bess' resultant downward spiral leads to a finale of both tragedy and spirituality. Breaking the Waves is widely regarded as one of the most distinctive European movies of the 1990s, marking von Trier's movement toward his influential Dogma 95 school of filmmaking, which emphasizes realistic situations of contemporary life, filmed without background music and with a hand-held, restlessly moving camera. ~ Don Kaye, All Movie Guide

This comedy was shot in Tahiti. It focuses on the rocky relationship between Cohn, a local con man, and author Jack Baker who wants to profile Paul Gauguin in an upcoming book. Cohn, an obnoxious crook and pathological liar originally from Paris, has been the bane of the local population for years, yet despite his annoyances they will not arrest him. Hearing that Cohn owns an authentic Gauguin, Jack Baker makes his acquaintance. They do not get off to a great start, but eventually become friends after Cohn's secret is discovered. ~ Sandra Brennan, All Movie Guide

This European film, shot entirely in rural Finland, parodies American biker movies from the 1960's. It tells the strange and convoluted story of acid-head, biker Bad Trip who belonged to a motorcycle gang known as the Cannibals. Trip is on the run from his former gang after he is caught stealing gang leader Candy's bike. As he tries to escape from the vicious gang he encounters many strange characters who either help or hinder him. When Trip takes LSD, he is visited by the Silver Rider, who helps him get away by creating a decapitation trap. ~ Sandra Brennan, All Movie Guide

Europa (retitled Zentropa for the American release) is an hallucinatory Danish film set in postwar Germany. Jean-Marc Barr plays a young German who aspires for a job as a street conductor. But this is no mere "Joe Job;" Barr's adventures on the line are designed as a metaphor for the emergence of the "New Europe" following the war. Barbara Sukowa costars as the daughter of a railroad magnate--and possible Nazi sympathizer. Many of the special-effects sequences are computer enhanced, but even the "live" scenes have an unsettling, surreal quality to them (colors changing abruptly, backgrounds shifting without warning, etc.) This experimental film left some viewers confused, which may be why English-language prints of Zentropa are narrated by Max Von Sydow. ~ Hal Erickson, All Movie Guide

Two men answer the call of the ocean in this romantic fantasy adventure. Jacques (Jean-Marc Barr) and Enzo (Jean Reno) are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men (he even considers a school of dolphins as his extended family). As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johanna (Rosanna Arquette), a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea. Le Grand Bleu ran 132 minutes in its original French version, but it was trimmed to 118 for American release, with the original score by Eric Serra replaced by music from Bill Conti. While the film did middling business in the U.S., it was a huge success in Europe, and director Luc Besson released an expanded 168 minute version in 1998. ~ Mark Deming, All Movie Guide

This made-for-TV adaptation of Anita Brookner's novel is an account of a novelist, still smarting from a failed relationship, who finds refuge at a Swiss lakefront resort. ~ Jason Ankeny, All Movie Guide

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, All Movie Guide