Jean-Marc Barr Movies

Lars von Trier's black comedy The Boss of It All (Direktøren for Det Hele) concerns an IT company owner who -- in need of a figurehead to "hide behind" when confronted with employee problems -- invented the personage of a CEO during the startup period for his corporation. The scheme worked for a surprisingly long period, but when the time arrives to sell the business, massive problems arise -- for the prospective buyers insist on only negotiating with the CEO, in person. Thus, the owner further extends the ruse, by hiring a down-and-out actor to impersonate the chief officer. With Direktøren for Det Hele, von Trier uses a new means of filmmaking for this film: Automavision, whereby filming is done with an "automatic randomized camera" that selects the shots. It became a means for Von Trier to "clean up" his approach to directorial work and reconnect with his own love of filmmaking. ~ Nathan Southern, All Movie Guide

Andie MacDowell, Olivia Williams, and Stephen Rae star in this bittersweet tale of two grieving women connected by an accidental phone call. Connecticut mother Marilyn Vine (MacDowell) has always lived a charmed life, so when her adolescent son Dale suddenly dies while celebrating his fifteenth birthday the tragedy of her loss is almost too powerful to bear. 3000 miles away in Dublin, Ireland, Ria Lynch (Olivia Williams) finds her marriage to longtime husband Danny (Iain Glen) coming to an unexpected in when Danny reveals that he is divorcing her to set up home with his pregnant mistress Bernadette (Heike Makatsch). When fate delivers the telephone call that connects these two women, both at a crucial turning point in their lives, Marilyn and Ria both agree to a two-month house exchange that could provide them with the space and down time to move beyond the pain that threatens to consume them. As both women grow increasingly accustomed to their new environments, the kindness of strangers and opportunity for reflection provides them both with the courage to face their changed lives with a newfound sense of hope. ~ Jason Buchanan, All Movie Guide

It's Summer Rental meets Blame it on Rio when a French family heads off to the Mediterranean for a sultry summer vacation in the ensemble sex comedy Côte d'Azur, co-directed by Jacques Martineau and Olivier Ducastel (The Adventures of Felix). When the head of the clan, Marc (Gilbert Melki), decides to tote his wife, Béatrix (Valeria Bruni-Tedeschi), and his teenage children Laura (Sabrina Seyvecou) and Charly (Romain Torres) off to his childhood beach home on the Riviera, a number of sexy liasons ensue. Charly -- though straight -- must contend with the come-ons of his best friend, Martin, a closeted homosexual infatuated with him for years but too shy to say so. Meanwhile, as Laura takes up with a young biker, Béatrix re-encounters her old boyfriend Mathieu (Jacques Bonnaffé); Marc's ex-flame pops up, too, both former lovers expressing interest in rekindling affairs. Soon, the entire vacation becomes a surfeit of hilarious erotic complications. ~ Nathan Southern, All Movie Guide

French Canadian actress and singer Carole Laure makes her directorial debut with the comedy drama Les Fils de Marie (Marie's Sons). Assisting cinematographer Pascal Arnold with writing, directing, and producing, Laure also assumes the lead role as Marie, a woman dealing with the death of her husband and teenage son in a car accident. In order to cope with her grief, she places an ad in the paper in search of a surrogate son who is in need of a mother. She offers care to the four motherless men who respond to her ad: performance artist Alex (Danny Gilmore), abused teenager Martin (Felix Lajeunesse-Guy), overweight recluse Victor (Daniel Desjardins), and married father Paul (Jean-Marc Barr). A co-production of France and Canada, Les Fils de Marie was shot on digital video and premiered at the 2002 Cannes Film Festival. ~ Andrea LeVasseur, All Movie Guide

Jacques St. Ives (Jean Marc Barr) is a much-envied officer in Napoleon's army who requests a demotion in rank so as to avoid a number of duels from fellow officers, who may challenge only those of an equal rank. To his shock, Jacques is demoted to the rank of private by a furious commander and is sent to the front where, through a mishap, he is taken prisoner and sent to Scotland where the prison warden is a bored British officer, Major Farquar Chevening (Richard E. Grant). The major lusts for a local lovely, Flora (Anna Friel), but she lusts for Jacques; Flora's randy aunt Susan has eyes for the major, while Flora arranges an escape for Jacques with his long-lost grandfather, and the major takes lessons in womanizing from Jacques. In a nasty turn, St. Ives' bitter and violent brother (Jason Isaacs) plots to kill Jacques before he can assume their grandfather's inheritance. ~ Buzz McClain, All Movie Guide

In this erotic French-Italian-Spanish drama, Max (Georges Corraface), having spent a decade behind bars on a murder conviction, exits the prison a free man. Mysterious museum-worker Mila (Anna Galiena) is parked at the prison gate and speaks to him from her car. Mila is married to businessman Simon (Jean-Marc Barr), who doesn't satisfy her sexually. Later, when Max descends into a basement cafe to use the rest-room, he spots Mila at a pay phone, approaches her, and they have sex amid the rest-room urinals. Max gives her his phone number, and they rendezvous at an upscale hotel. When Max begins following Mila and spying on her, he makes a startling discovery -- her husband is his own brother. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Born in Dorsetshire, Thomas Hardy (1840-1928) fictionalized the region as Wessex in his short stories and novels. In 1973, stories from Thomas Hardy's collection Wessex Tales (1888) were adapted to television for a BBC-2 series (also titled Wessex Tales) that included a memorable contribution ("A Tragedy of Two Ambitions") scripted by acclaimed British dramatist Dennis Potter, who later adapted Hardy's The Mayor of Casterbridge for the BBC2 in 1978. The Scarlet Tunic is based on another story from Wessex Tales, "The Melancholy Hussar of the German Legion," a 20-page tale of thwarted love, structured as a recollection by Phyllis as told to Hardy shortly before she died. For this $800,000-budgeted British period film, set in the early 19th century, the name Phyllis was changed to Frances (Emma Fielding), daughter of retired doctor Edward Groves (Jack Shepherd). Frances is engaged to her father's friend, dull Humphrey Gould (John Sessions), away on business. A German cavalry regiment is encamped on Groves' land, and one day, Frances meets handsome hussar Matthaus (Jean-Marc Barr), who's ready for action. He would like to either fight the French or return to Germany. The two have an immediate attraction. When the bored soldiers, including Matthaus, make plans to desert, Frances decides to leave with Matthaus. Unfortunately, Gould visits the Groves home on that very night, with resulting confrontations and conflicts. Former second-unit director and stunt coordinator Stuart St. Paul makes his feature directorial debut, with the screenplay (St. Paul, Mark Jenkins, Colin Clements) expanding on both the events and characters as penned by Hardy. ~ Bhob Stewart, All Movie Guide

An aviation magnate takes desperate measures to regain custody of his kids after he is granted minimal visitation rights by a harsh female judge. It's true that Manu Barnes is free-spirited and for much of his twelve year marriage to Mathilde that he has been too centered on his career, but he does love his kids and believes he should see them more often than one weekend a month. The judge called him irresponsible and he decides to disprove her words by kidnapping Chloe, the judge's strong-willed adolescent daughter. He takes the girl to a remote, snow-bound mountain cabin. Unfortunately, she thinks Manu is sexually attracted to her. A disaster nearly occurs there, but Chloe manages to get back to Paris. Though he knows a private detective is trailing him, the determined Manu decides to abduct his kids and take them out of the country. ~ Sandra Brennan, All Movie Guide

Few people realize that the great movie-character archetypes over time have become real people and walk among us. At least that is the premise the filmmakers of this off-beat and comical parody of old films would have viewers believe. With a nod towards film noir, the story centers on a missing television western sheriff who inexplicably disappears mid-season. This greatly upsets Monica "Mo" Fitzgerald who is in charge of the huge entertainment conglomerate that invented the sheriff, so she hires hard-boiled detective "Same Follow" to find him. In true Raymond Chandler fashion he begins his search and even gets entangled with a blond femme fatale who explains to him how Mo' has brainwashed all the actors working for her into becoming their characters or "sprites" as she calls them. In looking more closely, Follow discovers that it is increasingly difficult to tell the sprites from real people. ~ Sandra Brennan, All Movie Guide

This comedy was shot in Tahiti. It focuses on the rocky relationship between Cohn, a local con man, and author Jack Baker who wants to profile Paul Gauguin in an upcoming book. Cohn, an obnoxious crook and pathological liar originally from Paris, has been the bane of the local population for years, yet despite his annoyances they will not arrest him. Hearing that Cohn owns an authentic Gauguin, Jack Baker makes his acquaintance. They do not get off to a great start, but eventually become friends after Cohn's secret is discovered. ~ Sandra Brennan, All Movie Guide

This European film, shot entirely in rural Finland, parodies American biker movies from the 1960's. It tells the strange and convoluted story of acid-head, biker Bad Trip who belonged to a motorcycle gang known as the Cannibals. Trip is on the run from his former gang after he is caught stealing gang leader Candy's bike. As he tries to escape from the vicious gang he encounters many strange characters who either help or hinder him. When Trip takes LSD, he is visited by the Silver Rider, who helps him get away by creating a decapitation trap. ~ Sandra Brennan, All Movie Guide