Gypsy Rose Lee Movies

One of the better and more diverting of ABC's first full season of made-for-television movies, The Over-the-Hill Gang was a low-budget Western with a gimmick: Get a bunch of elderly actors, known either for their leading roles in the 1930s, or for playing comic sidekicks (and Walter Brennan was a lot of both categories) through the 1950s, and put them together in a plot. The result was this enjoyable oater about a quartet of retired Texas Rangers (Pat O'Brien, Walter Brennan, Chill Wills, Edgar Buchanan) who take on the corrupt mayor (Edward Andrews) of a small Nevada town where O'Brien's daughter (Kris Nelson) and newspaper editor son-in-law (Rick Nelson) live. Jack Elam represents the bad guys' muscle with his usual threatening aplomb, and Andy Devine gets a lot of mileage out of his role as a corrupt, inept judge. The other surprise in the cast is Gypsy Rose Lee, looking radiant as ever, portraying an admirer of the former rangers, in what was her final screen appearance, and such familiar old faces as Myron Healey, William Benedict, and Elmira Sessions in supporting roles. When O'Brien and company realize that they're no longer fast enough to do the job with guns, they decide to use their wits instead, outsmarting and outflanking the villains. The pacing by director Jean Yarbrough (whose own career went back to the 1920s, and whose last film this was) is a little leisurely, but the script is fairly clever and it's a lot of fun watching the veteran actors chewing up the scenery, with Devine having the most fun of all in an unusual role as a villain. ~ Bruce Eder, All Movie Guide

The Trouble With Angels opens on the first day of school for a new batch of students at St. Francis Academy, run by a very strong-willed Mother Superior (Rosalind Russell). She is used to having things her way, but she may have met her match in the headstrong and independent Mary Clancy (Hayley Mills) and her newfound friend, Rachel Devery (June Harding). Mary, easily bored and ready to rebel at the drop of a hat, comes up with an endless series of "scathingly brilliant" schemes designed either to amuse her and Rachel, torture insufferable schoolmate Marvel-Ann, or in some way help them get ahead. Rachel, who would never come up with such ideas on her own, is delighted to go along with them. The duo starts right away by convincing several of the girls to join them in giving fake names to the sisters that register them. Future escapades include guided tours of the nuns' living quarters, illicit cigarette smoking that brings about the fire brigade, replacing sugar with soap bubbles, and many others. Several times the Mother Superior is on the brink of expelling the girls, but she relents, knowing something of their home lives and that they will benefit from the more nurturing environment of the school. By the end of the film, the girls have indeed grown, and Mary, in particular, has developed a special love for the Academy. ~ Craig Butler, All Movie Guide

This Stephen Sondheim/Jules Styne/Arthur Laurents musical comedy Gypsy had been a Broadway smash with Ethel Merman in the lead. Based on the autobiography of striptease artist Gypsy Rose Lee, it centers on the antics of Mama Rose (here played by Rosalind Russell), the Stage Mother from Hell who prods and pushes her daughters June and Louise into a vaudeville career. Rose pins most of her hopes for fame on older daughter June (billed as "Dainty June"), while little Louise reluctantly goes along for the ride. Karl Malden plays the girls' agent, who falls in love with Rose but is ultimately turned off by her ruthless ambition. When June escapes the act to get married, Rose puts the unwilling Louise in the star spot, but vaudeville is dying and soon the only booking they can get is in a cheap burlesque house. The strippers take Louise under their wing and advise her that "You've gotta have a gimmick" to survive on the bump-and-grind circuit. The nervous Louise rises to stardom as stripper Gypsy Rose Lee, whose "gimmick" is to adopt a self-mocking attitude and to put on pseudo-sophisticated airs. Rose resents Gypsy's rise to the top, but a bravura eight-minute musical soliloquy reveals that Rose had forced her daughters on the stage because she wanted to live out her own dreams of stardom. Louise--aka Gypsy--is played by Diane Pace as a girl and by Natalie Wood as an adult; June (better known as June Havoc) is portrayal by Suzanne Cupito (later billed as Morgan Brittany) as a little girl and Ann Jillian as an adolescent. Most of the best songs, including "Let Me Entertain You," "Small World," and "Everything's Coming Up Roses," remain intact from the original Broadway production. Gypsy was remade for television in 1993, with Bette Midler as Rose. ~ Hal Erickson, All Movie Guide

Wind Across the Everglades represents the once-in-a-lifetime collaboration between director Nicholas Ray and screenwriter Budd Schulberg, and a strange little picture it is indeed. In his second film appearance, Christopher Plummer plays bibulous 19th-century Florida game warden Walt Murdock, who declares war on the poachers in his region. This brings him in direct conflict with the legendary Cottonmouth (Burl Ives), the spiritual leader of a group of illegal birdhunters. The highly eccentric supporting cast includes Gypsy Rose Lee as a sensuous farm wife, boxer "Two Ton" Tony Galento as a lout named Beef, circus clown Emmett Kelly as the much-married Bigamy Bob, novelist Mackinlay Kantor as the regional judge, and Peter Falk in his film debut, as an owlish writer. After Wind Across the Everglades, Nick Ray's Johnny Guitar will seem as antiseptic as Heidi. ~ Hal Erickson, All Movie Guide

Belle Of The Yukon is standard backstage musical fare, featuring Randolph Scott as a reformed con man who has fled north from the law and opened a successful dancehall/ gambling establishment in the upper reaches of Malamute. Meanwhile, his former lover Belle (Gypsy Rose Lee), who he deserted when he went on the lam, arrives as part of a new show troupe and finds her ex-boyfriend's new ways powerfully attractive. But Lettie Candless (Dinah Shore) also has designs on our hero. A thin plot and light characterizations are kept afloat by bouncy performances, glitzy production, and the usual clutch of sprightly musical numbers. ~ Don Kaye, All Movie Guide