Eddie Lee Movies

In this penultimate episode of The Drew Carey Show, NeverEndingstore.com is about to go under, prompting Drew (Drew Carey) to start up his own business--or rather, restart the old Winfred-Louder operation as a 1940s-style thrift store. Drew hopes to line up his former boss Mr. Wick (Craig Ferguson)--now fabulously wealthy thanks to his new father-in-law Jonathan (J. Patrick McCormack), owner of a major Christian TV network--as his partner. Unfortunately, this requires Drew to cover up the fact that Wick is cheating on his wife, and also compels him to risk great bodily injury at the hands of Wick's mistress Lorna (Colleen Flynn)! This episode was originally telecast in tandem with the series' finale. ~ Hal Erickson, All Movie Guide

Mimi (Kathy Kinney) contacts matchmaker Larry (Ian Gomez) to find a new man in her life--and winds up with Larry himself. Meanwhile, Kellie (Cynthia Watros) tries to mend the rift between her perfectionist father Don (Michael Gross) and her slovenly soulmate Drew (Drew Carey) by arranging for the two men to work together on fixing up an old house for sale. Unfortunately, it doesn't take long for Don to drive Drew crazy--and off the project entirely. This episode originally aired in tandem with "Arrivederci, Italy". ~ Hal Erickson, All Movie Guide

Drew (Drew Carey) is offered $5000 to do a live commercial for NeverendingStore.com during the Super Bowl. Unfortunately, Drew has suffered from camera fright ever since he fainted on a TV show as a kid. When it is revealed that he is not so much frightened as hungry, Drew stuffs himself with shrimp and crabcake just before the crucial Super Bowl ad--and the resulting "technicolor yawn" is witnessed by a worldwide audience in the billions! This was the last Drew Carey Show episode to air on ABC before the series went on a six-month hiatus. ~ Hal Erickson, All Movie Guide

Feeling ignored by his friends, Drew (Drew Carey) fakes an emergency in order to get the old gang back into his house. Alas, once everyone is gathered together under one roof, the house is surrounded by a pack of wild, revenge-crazed dogs (who have apparently also cut the phone lines!) Forced to spend the night in Drew's basement, the gang learns more than they bargained for as they page through their host's super-secret high school journal. In the end, it's Mimi (Kathy Kinney) to the rescue--but not in the way that anyone could have imagined. Appropriately enough, tonight's prerecorded musical number was originally performed by Three Dog Night. ~ Hal Erickson, All Movie Guide

Peking Express was the second remake of Josef vonSternberg's Shanghai Express. In the original film, a group of railroad passengers escaping war-torn China are overtaken by Chinese; in the first remake, Night Plane to Chungking, a plane is forced down in a jungle surrounded by Japanese troops. In Peking Express, the chief villains are Chinese again, but the passengers are now refugees of the Communists. Joseph Cotten (as a doctor) and Corinne Calvet (as a "woman of the world") are among the pilgrims threatened by Oriental outlaw Marvin Miller and his gang. The elements of social and religious hypocrisy in the original Shanghai Express are downplayed in the 1951 version, as is the shady past of leading lady Calvet (who inadequately fills the role originated by Marlene Dietrich). Peking Express is not the classic that the vonSternberg film had been, but on its own is a snappy little melodrama. ~ Hal Erickson, All Movie Guide

Bells of Coronado was another of Roy Rogers' always-entertaining Republic "specials," blessed with script and production values that would have done any "A" picture proud. Roy plays an undercover insurance investigator who hopes to ascertain the whereabouts of a vein of gold ore--and to solve the murder of the vein's owner. It follows, as night follows day, that the least-likely suspect is the criminal mastermind. Before Roy finds this out, though, he must contend with the villain's principal henchmen, played by former Our Gang kid Clifton Young. Dale Evans, Pat Brady, and Foy Willing and the Riders of the Purple Sage all do their usual, which is all anyone could ask. Given second billing, just below Roy and just above Dale, is Trigger, "The Smartest Horse in the Movies." ~ Hal Erickson, All Movie Guide

The relatively relaxed movie censorship in the postwar years enabled Columbia to produce To the Ends of the Earth, a film which dealt with the previously taboo subject of drug smuggling. T-man Dick Powell is sent to several foreign locales to track down an Opium ring. The villains are subversives (Red? Fascist?) who plan to take over the world by hooking everyone on the "hard stuff." The film is chock full of mysterious European and Oriental types like Vladimir Sokoloff, Ludwig Donath and Fritz Leiber; even leading lady Signe Hasso speaks with an accent, which in 1948 was enough to immediately put her under suspicion. Lending credence to this sprawling adventure yarn is the presence of several actual treasury agents in bit parts, including commissioner Harry J. Anslinger. ~ Hal Erickson, All Movie Guide

Johnny Hart (Rod Cameron) is on the run from the law after killing one of the men who shot his partner. He passes through a town and stops at a saloon owned by singer Lorena Dumont (Yvonne de Carlo). The two seem a good, albeit tempestuous match, although Johnny has no plans to marry -- Lorena has other ideas and a shotgun wedding ensues. Blackie (Sheldon Leonard), an outlaw who is jealous of the marriage, informs Lorena of Johnny's wanted status, and he ends up getting caught by the law after their wedding night. He serves six years and returns to find that he and Lorena don't get along any better than they did before, and that he's also the father of a five-year-old girl (Beverly Simmons). Also lurking about is Blackie, whom he recognizes as one of the men who killed his partner, and Blackie wants Johnny out of the way so he can marry Lorena. Johnny and Lorena fight over custody of their daughter and Blackie nearly gets them each killed at one point or another. He kidnaps their daughter before Johnny dispatches him. He finally realizes that the only way he can win Lorena is to meet her cup for cup and blow for blow, until she understands that he loves her. The film, a sort of Western Taming of the Shrew, ends on a note of romance and reconciliation. ~ Bruce Eder, All Movie Guide

In this western, a cowboy and his pals must stop outlaws from stealing a cache of gold ore. Action ensues, and they succeed. ~ Sandra Brennan, All Movie Guide

Better known as Reunion in France, this women's-magazine-style romantic melodrama was the first major production for director Jules Dassin -- who was promptly demoted back to the MGM "B" department when the picture tanked at the box office. Joan Crawford stars as Frenchwoman Michele de la Becque, who comes to believe that her fiancé, wealthy munitions manufacturer Robert Cortot (Philip Dorn) is a Nazi collaborator. When her suspicions are apparently corroborated, Michelle falls in love with Pat Talbot (John Wayne), a downed American aviator stranded in occupied Paris. Only then does Michelle discover that she's been all wrong about Cortot -- but what to do about Talbot, who has been marked for death by the Gestapo? Ava Gardner has a tiny role as a Parisian shopgirl. ~ Hal Erickson, All Movie Guide

A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide

When Our Gang member Mickey (Robert Blake) reads an article stating that one out of every four children born is Chinese, he begins to worry that his new baby brother will be Chinese as well. Spanky McFarland and the rest of the Gang put Mickey at ease by introducing him to the family of Spanky's new friend Lee Wong. Once he's learned that people are people no matter what their ethnic background, Mickey is mollified -- until he discovers that his much-anticipated "kid brother" is not only a girl, but twins to boot. Originally released on February 15, 1941, the one-reel Our Gang comedy Baby Blues might be regarded as patronizing and even offensive by contemporary viewers. ~ Hal Erickson, All Movie Guide

In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide