Bernard Lee Movies

In this adaptation of Dickens' classic, Scrooge and company are animated. ~ Sandra Brennan, All Movie Guide

The sixth entry in Hammer Films' Frankenstein series, this film finds Baron Frankenstein (Peter Cushing) in charge of a lunatic asylum. When young doctor Simon Helder (Shane Bryant) is institutionalized for attempting to create synthetic life, Frankenstein is delighted: now he'll have an assistant for his own diabolical experiments. This time out, the monster is played by David Prowse, who later went on to international fame as Darth Vader in Star Wars (though of course Vader's voice was provided by James Earl Jones). A new wrinkle to the old story is the Monster's cannibalistic tendencies, allowing for a number of gruesome, gore-encrusted horror highlights. ~ Hal Erickson, All Movie Guide

Malcom McDowell, who went on to play a chillingly heartless young man in A Clockwork Orange, here plays Bruce, a cheerful young athlete and aspiring writer whose injuries get the better of him on the evening of his colorless brother's wedding. He loses the use of his legs and is sent to a home for the handicapped. As a result of his disability, his attitude undergoes a profound change, and he becomes a surly, resentful and difficult young man. At the home, he meets a young woman (Nanette Newman) whose disability has lasted much longer than his, and they fall in love. They become engaged, but she dies before they can get married. While this sounds relentlessly melancholy, the heart of the movie is the way in which each of the two has enriched the life of the other, and the movie is a good deal more upbeat than it sounds. ~ Clarke Fountain, All Movie Guide

In this melodrama, a runaway flees a bad home life and ends up working on an aging widower's farm. Time passes, and the man gradually begins falling in love with his young employee. He is just about to pop the question when she suddenly breaks his heart by running away with a handsome young gamekeeper. ~ Sandra Brennan, All Movie Guide

James Bond heads East to save the world (and to learn how to serve saki properly) in this action-packed espionage adventure. When an American spacecraft disappears during a mission, it's widely believed to have been intercepted by the Soviet Union, and after a Russian space capsule similarly goes missing, most consider it to be an act of American retaliation. Soon the two nations are at the brink of war, but British intelligence discovers that some sort of UFO has crashed into the Sea of Japan. Agent 007, James Bond (Sean Connery) is sent in to investigate. After staging his own death to avoid being followed, Bond, disguised as a Japanese civilian, teams up with agent Tiger Tanaka (Tetsuro Tamba) and his beautiful associate Aki (Akiko Wakabayashi). With their help, Bond learns that both the American and Russian space missions were actually scuttled by supercriminal Ernst Blofeld (Donald Pleasance) in yet another bid by his evil empire SPECTRE to take over the world. As he battles the bad guys, Bond finds time to romance both Kissy Suziki (Mie Hama) and Helga Brandt (Karin Dor). You Only Live Twice was one of Sean Connery's last outings as James Bond. The next Bond film, On Her Majesty's Secret Service, would star George Lazenby as 007, and while Connery would return for Diamonds Are Forever, in 1973, Roger Moore took over the role. (Connery would play Bond one last time, in 1983's Never Say Never Again, which was produced outside the official series.) ~ Mark Deming, All Movie Guide

A farmer turns to highway robbery because of the greed of the people around him. ~ All Movie Guide

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, All Movie Guide

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide

A British sex farce, this movie stars Nyree Dawn Porter as a flirtatious young waitress, Eileen. Her seductive ways so arouse a young customer, Alan Crabbe (Michael Crawford), that he tries to seduce her. But he is so inept that she becomes bored and ditches him. Eileen goes off to a nightclub to find more experienced men. Alan hooks up with a shop clerk named Beth Crowley (Julia Foster). At a wedding of another friend, Alan sees Eileen and is again smitten with her, so much so that he gets into a fight with her boyfriend. The film is based on a coming-of-age novel, In My Solitude, by David Stuart Leslie. ~ Michael Betzold, All Movie Guide

In this crime drama, a rivalry within a publishing house turns deadly when theft and blackmail get involved. ~ Sandra Brennan, All Movie Guide

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s. ~ Stephen Thomas Erlewine, All Movie Guide

Squire Trevenyan (Peter Cushing), magistrate of an 18th century coastal village where a little smuggling has always gone on (and been tolerated), learns that a group of wreckers have moved into the district, destroying ships and slaughtering their survivors in order to steal the cargo. The local populace, consisting mostly of tradesmen, honest fishermen and some part-time smugglers, all want the wreckers stopped, and appeal to the squire; but Trevenyan also learns that his son Christopher (John Fraser) is involved with the daughter of a tradesman who receives stolen goods. He intends to act on wreckers and smugglers alike, and gets the support of the local nobility (Miles Malleson). But then Christopher Trevenyan is caught up in a killing -- in self-defense -- of one of the wreckers, and the squire is so certain of the corruption of the village, that he declines to use his son as a witness against the wreckers. Rather, he brings in soldiers and starts a campaign against the smugglers and fishermen, the wreckers' leader, Black John (Bernard Lee), standing with him and diverting attention from himself. The citizenry appeals to a local highwayman known as the Captain (William Franklyn), who proceeds to kidnap Christopher, with a vow to kill him if two convicted men are transported to a colony. The squire is now trapped -- Black John, who is eager for the sentences to be carried out so that the troops can be withdrawn and his wreckers return to work, threatens to denounce him if he delays deporting the men; and Trevenyan rationalizes his decision as being in keeping with the law, even though it will cost his son's life. The only way out for the innocent parties on all sides can come from Christopher's bravery and the Captain's sense of honor, and the slim chance that they find a common goal that will spare young Trevenyan's life. ~ Bruce Eder, All Movie Guide