Bernard Lee Movies

In this adaptation of Ian Fleming's 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The film's Bond girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. "Jaws," the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as "M" in what was up til this point, the most costly of James Bond's 1970s escapades. ~ Hal Erickson, Rovi

Though not Ian Fleming's most famous James Bond novel, 1962's The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine's point of view; in fact, Bond doesn't make an appearance until the book is two-thirds over. This would hardly work in the film world's Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a "hard-luck kid" in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film's best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum. ~ Hal Erickson, Rovi

The Man With the Golden Gun, Roger Moore's second outing as James Bond (Live and Let Die was the first), whisks our hero off to Hong Kong, Macau, Thailand, and then the South China Sea in search of a solar energy weapon. His opponent is Scaramanga (Christopher Lee), who rules the roost on a well-fortified island. Scaramanga's aide-de-camp is Nick Nack, played by future Fantasy Island co-star Herve Villechaize. Britt Ekland plays the bikinied Mary Goodnight, whose clumsy efforts to help Bond thwart Scaramanga are almost as destructive as the elusive solar device. The Man With the Golden Gun was adapted by Richard Maibaum and Tom Mankiewicz from Ian Fleming's last James Bond novel, which had to be published posthumously in "rough draft" form. ~ Hal Erickson, Rovi

The sixth entry in Hammer Films' Frankenstein series, this film finds Baron Frankenstein (Peter Cushing) in charge of a lunatic asylum. When young doctor Simon Helder (Shane Bryant) is institutionalized for attempting to create synthetic life, Frankenstein is delighted: now he'll have an assistant for his own diabolical experiments. This time out, the monster is played by David Prowse, who later went on to international fame as Darth Vader in Star Wars (though of course Vader's voice was provided by James Earl Jones). A new wrinkle to the old story is the Monster's cannibalistic tendencies, allowing for a number of gruesome, gore-encrusted horror highlights. ~ Hal Erickson, Rovi

Filmed in Spain, this TV movie stars Stuart Whitman as a painter who drops out of sight for seven years. Upon resurfacing, he discovers that his name has been affixed to high-priced forgeries. What's more, a crooked art dealer is capitalizing on Whitman's supposed death. While mulling through all these plot developments, Whitman falls in love with Brigitte Fossey, whose previous lover is the duplicitous dealer who is benefitting from reports of the artist's demise. Originally titled A Spanish Portrait, this film was shot in 1970, then lay unseen on the shelf for nearly three years. ~ Hal Erickson, Rovi

10 Rillington Place is the true story of British mass murderer John Reginald Christie, played with chilling "normality" by Richard Attenborough. Throughout the late '40s, Christie lures middle-aged women to his London flat promising to cure their ailments with nitrous oxide, then kills them, assaults their dead bodies, and buries them. One of his victims is Beryl Evans (Judy Geeson), who misguidedly comes to Christie seeking an abortion -- and in the process, not only loses her own life, but sets in motion a horrid sequence of events that threatens to endanger her husband as well. ~ Hal Erickson, Rovi

In this melodrama, a runaway flees a bad home life and ends up working on an aging widower's farm. Time passes, and the man gradually begins falling in love with his young employee. He is just about to pop the question when she suddenly breaks his heart by running away with a handsome young gamekeeper. ~ Sandra Brennan, Rovi

It wasn't as well received at the box office as the pictures that preceded it or followed it, but Peter Hunt's On Her Majesty's Secret Service is one of the finest of the James Bond movies. James Bond, portrayed here by George Lazenby (in his only performance in the role) has spent nearly two years trying to track down Ernst Stavro Blofeld (Telly Savalas), the head of SPECTRE. He has been taken off the case by his chief (Bernard Lee), an action the pushes him to the point of considering resigning from Her Majesty's Secret Service, just as he opens a possible new avenue of attack on his quarry. Whilst in the field, Bond has chanced to cross paths with the Contessa Teresa Di Vicenzo (Diana Rigg), a beautiful but desperately unhappy woman, whom he rescues from one apparent suicide attempt and an embarrassing moment at a casino gaming table -- the Contessa, who prefers to be called Tracy ("Teresa was a saint"), is the daughter of Marc Ange Draco (Gabriele Ferzetti), an industrial and construction magnate and also a crime boss, who is impressed with Bond personally as well as professionally, and would like to see him marry his daughter. Bond is, at first, unwilling to involve himself with a woman -- any woman -- on that level, but Draco's underworld contacts give Bond a vital clue to Blofeld's whereabouts that get him back on the case and hot on the man's trail. Journeying incognito to Blofeld's mountaintop retreat in the Swiss Alps, Bond finds the criminal mastermind posing as a would-be nobleman and also as a philanthropist, running a clinic devoted to the treatment and eradication of allergies. It's all a front for a surprisingly sinister (and scientifically valid) plot for international blackmail that would make any previous Bond villain quake in fear. And in the process of staying alive long enough to have a chance of stopping Blofeld, Bond discovers the Tracy is truly like no woman he's ever known before -- one special enough that he finds himself willing to give up his life as a free-living, free-loving bachelor. ~ Bruce Eder, Rovi

James Bond heads East to save the world (and to learn how to serve saki properly) in this action-packed espionage adventure. When an American spacecraft disappears during a mission, it's widely believed to have been intercepted by the Soviet Union, and after a Russian space capsule similarly goes missing, most consider it to be an act of American retaliation. Soon the two nations are at the brink of war, but British intelligence discovers that some sort of UFO has crashed into the Sea of Japan. Agent 007, James Bond (Sean Connery) is sent in to investigate. After staging his own death to avoid being followed, Bond, disguised as a Japanese civilian, teams up with agent Tiger Tanaka (Tetsuro Tamba) and his beautiful associate Aki (Akiko Wakabayashi). With their help, Bond learns that both the American and Russian space missions were actually scuttled by supercriminal Ernst Blofeld (Donald Pleasance) in yet another bid by his evil empire SPECTRE to take over the world. As he battles the bad guys, Bond finds time to romance both Kissy Suziki (Mie Hama) and Helga Brandt (Karin Dor). You Only Live Twice was one of Sean Connery's last outings as James Bond. The next Bond film, On Her Majesty's Secret Service, would star George Lazenby as 007, and while Connery would return for Diamonds Are Forever, in 1973, Roger Moore took over the role. (Connery would play Bond one last time, in 1983's Never Say Never Again, which was produced outside the official series.) ~ Mark Deming, Rovi

A farmer turns to highway robbery because of the greed of the people around him. ~ Rovi

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, Rovi

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, Rovi