Belinda Lee Movies

One of the many Italian sword-and-sandal adventure stories roughly depicting historical events -- sometimes too graphically -- this drama by director Lionello de Felice has its merits. The action moves along at a good clip, as Constantine's (Cornel Wilde) rise to power is depicted, amidst battling armies and political intrigue. All the well-publicized, old Roman entertainments such as feeding Christians to the lions are shown in more detail than might be necessary, leading to one of the main points of featuring Constantine at all -- he was the emperor who gave Christians the freedom to worship as they pleased. His cronies and his enemies, his loves and his successes all have their moment in the sun. ~ Eleanor Mannikka, Rovi

An impressive cast graces the 105 minutes of Ghosts of Rome. Don't let the title mislead you: the "ghosts" are not genuine wraiths, but instead a group of disenfranchised tenants in a contemporary Roman rooming house. When the house is condemned, the various residents seek out new lodgings, resulting in a rambling series of comic, tragic and even surrealistic vignettes. Among the star names in this omnibus feature are Marcello Mastroianni, Vittorio Gassman, and Belinda Lee, who died shortly after the film was completed. Ghosts of Rome was originally released in Italy as Fantasmi a Roma. ~ Hal Erickson, Rovi

Based on an actual post-war murder in Frankfurt, this standard docudrama by Rudolf Jugert is a serious treatment of the story as compared to the earlier, satirical film The Girl Rosemarie. The history of the case of Rosemarie, a hooker, and how she came to be strangled in her apartment is not completely clear. One of the suspects in the case was first charged, later acquitted, but never really free of an aura of culpability. British actress Belinda Lee plays the title role with her voice dubbed over in German. ~ Eleanor Mannikka, Rovi

The Nights of Lucretia Borgia and not her days in history are the openly seductive draw in this standard Italian costume drama with a rather weak storyline. Lucretia of the poisonous vial (Belinda Lee) lusts after the handsome swordsman (Jacques Sernas) who works for her nefarious brother Cesare. Lucretia's main problem, after her murderous inclinations, is how to snare the swordsman away from a gorgeous rival (Michele Mercier). This challenge is something that could promote a little sibling cooperation, since Cesare wants Lucretia's bewitching rival for himself. One of the more impressive aspects of this film is the music of Alexander Derevitsky played by the Rome Philharmonic Orchestra. ~ Eleanor Mannikka, Rovi

This is a dramatic, wartime story about the internecine fighting between Italians who opposed Mussolini during the war and those who supported fascism, even after 1945. Anna (Belinda Lee) is married to an invalid who spends his war years in their home in the Po Valley looking out the window and watching the changes. Anna begins an adulterous affair with her former lover, and one night the two of them meet to spend some time together. Their meeting was ill-advised in more than one respect because they and others, including her lover's father, are rounded up and accused of being traitors to the Mussolini government. None of the group of one dozen people are, in fact, resistance fighters but that is not the point. Now Anna and her lover are confronted with an urgent need to escape at all costs since only death awaits them if they remain captives. ~ Eleanor Mannikka, Rovi

This is the first film directed by the well-known Jean-Pierre Mocky who at this stage in his young life had something in common with the age group in question -- two youths out on the night circuit, looking for women. Freddy (Jacques Charrier) and Joseph (Charles Aznavour) have high hopes as they set out one evening in search of, if not the perfect woman, at least someone in the ballpark. Alas, most of the women they meet fall short of their minimal expectations, except in one case. It looks as if one of the pair will miss the brass ring again. Mocky has created a great Parisian night scene, adding some sharp nuances in the mating habits of young French men. ~ Eleanor Mannikka, Rovi

British actress Belinda Lee stars in this her third film within several months, once again for a company outside of her native England. This time around the setting is the 17th century, somewhere on a group of tropical islands, and she plays Marie, a damsel in distress. The upright governor of the islands is kidnapped by pirates on the orders of an ambitious and villainous nobleman. Knowing full well that Marie is likely to fall prey to the villains and fearing for the lives of his friends, the governor escapes. He manages to return and begins to dismantle the defenses of the usurpers. ~ Eleanor Mannikka, Rovi

A prostitute is courted by two half-brothers. She marries one, and then must deal with the fallout of domestic friction. ~ Dan Pavlides, Rovi

A young David McCallum heads the cast of the British melodrama The Secret Place. Set amongst the bombed-out buildings of London's East Side, the film concerns the misdeeds of a two-bit criminal gang headed by Gerry Carter (Ronald Lewis). In a fit of inspiration, Carter masterminds a meticulously planned diamond robbery, actually succeeding in swiping the precious gems. Unfortunately for the crooks, the diamonds accidentally come into the the possession of Freddie Haywood (Michael Brooke), a policeman's son. McCallum plays Mike Wilson, the sullen teddy-boy brother of Carter's girlfriend Molly (Belinda Lee), who tries to inveigle Freddie into giving up the diamonds. ~ Hal Erickson, Rovi

London's colorful but rundown Soho district is the setting for this thinnish romantic comedy. John Gregson plays a Soho roadworker who has little hopes of finding happiness in life. Belinda Lee is a like-minded barmaid in a tiny pub. Gregson and Lee discover each other, and the "miracle" happens. The script was written by Emeric Pressburger, who apparently was so accustomed to "big" projects like The Red Shoes (47) that he couldn't scale himself down to the genuine emotions of normal people. Too, Miracle in Soho cries out for location filming, but the producers insisted upon lensing the story in the most unconvincing of studio sets. ~ Hal Erickson, Rovi

Ian Carmichael plays the "white sheep" in a family of successful thieves. Everyone in the clan has made a healthy career out of crime except poor Ian, so he decides to redeem himself with a single spectacular caper. Somehow this involves a passel of Arabs and an unctuous TV news team, all of whom converge in a slapstick free-for-all. Jailed, Carmichael realizes that he's doomed to honesty, and vows to pursue the straight and narrow with leading lady Belinda Lee. Though a British film, The Big Money seems geared exclusively for American audiences with its garish Technicolor, hyperactive musical score and sledgehammer humor. Made in 1956, the film wasn't widely shown in the US until it was released to television in 1962. ~ Hal Erickson, Rovi

Already a popular TV comedian in 1956, Benny Hill heads the cast of the zany comedy-mystery Who Done It? Eschewing his usual double entendres in favor of pure-and-simple slapstick, Hill plays a would-be private eye named Hugo. Before he quite knows what's happening, Hugo is up to his neck in espionage intrigue. Belinda Lee plays Hugo's dewey-eyed blonde assistant, George Relph is cast as a flustered Scotland Yard inspector, and David Kossof and George Margo portray a couple of sinister Iron Curtain spies. Who Done It? was scripted by T. E. B. Clarke, a mainstay of the droll Ealing comedies of the early 1950s. The film remained unreleased in the US until the late 1970s, when it was put on the market to cash in on the international success of The Benny Hill Show. ~ Hal Erickson, Rovi