Anna Lee Movies

In this comedy, a wealthy teen convinces a burglar to kidnap him so he can get his family's wayward attention. ~ Kristie Hassen, All Movie Guide

William Holden plays Boots Malone, a dishonest--and impoverished--jockey's agent. Malone sees a chance to crack the big time through the talents of young jockey John Stewart. Stewart's wealthy mother wants to remove the boy from the rarefied world of the race track, but it is Malone himself who destroys his friendship with Stewart by ordering the boy to throw the race, or else they'll be put on the spot by gangsters. Malone's last-minute regeneration restores Stewart's faith in him. Filmed on location, Boots Malone is a satisfying horse-race drama, though one might expect a little something extra from star William Holden and director William Dieterle. ~ Hal Erickson, All Movie Guide

Advancing into a tiny French village, Hanley and his men kill two Germans and capture their lieutenant, a demolitions expert named Karl (played by a pre-stardom Robert Duvall). Sharkishly, Karl informs the Americans that the entire town has been booby-trapped with mines--and that he will help locate the explosives under certain conditions. With the local villagers clamoring to be let back into town, Hanley may have no choice but to enter into a deal with the eminently untrustworthy Nazi. This episode was cowritten by Steve Fisher, a specialist in such "film noir" exercises as I Wake Up Screaming. ~ Hal Erickson, All Movie Guide

Sailor George Barraud and a shopgirl marry while the sailor's first girlfriend is in prison. When released, the girlfriend attempts to get her man back, but ends up saving the wife from suicide when the girlfriend realizes their true love. ~ All Movie Guide

First aired March 13, 1977, Eleanor and Franklin: The White House Years was the brilliant follow-up to the equally praiseworthy 1976 TV movie Eleanor and Franklin: The Early Years. The film is framed in a flashback experienced by first lady Eleanor Roosevelt (Jane Alexander) while accompanying the casket carrying the body of her husband Franklin Delano Roosevelt (Edward Herrmann) to its final resting place in Hyde Park. Elected in 1933, FDR endeavors to pull the country out of the Depression with the New Deal during his first term, while Eleanor emerges as a formidable public figure in her own right during the second term, tirelessly working on behalf of social change and reforms. Ever under the baleful eye of his mother Sara (Rosemary Murphy), Roosevelt tries to maintain family equilibrium in the White House as he seeks an unprecedented third term. Sara dies in December of 1941, two days before Roosevelt, in his "Day of Infamy" speech, declares war on Japan. Despite health problems, FDR successfully pursues a fourth term in 1944; he dies in office in April of 1945, a scant few months before the end of World War II. Despite her long-standing displeasure over her husband's long-ago affair with artist Lucy Mercer (Linda Kelsey), a stiff-lipped Eleanor puts on a brave front when Roosevelt dies in the company of Deakins at a health spa in Georgia. Based on Joseph P. Lash's Pulitzer prize-winning biography, Eleanor and Franklin: The White House Years earned Emmies for "Outstanding Special" and for director Daniel Petrie. ~ Hal Erickson, All Movie Guide

Mr. French (Sebastian Cabot) is approached with a job offer by his former employer, the Duke of Glenmore. Upon discovering that his former sweetheart Lorna Frasier (Anna Lee) is working as a nanny in the Duke's household, Mr. French is most interested in the offer, but is also reluctant to leave the service of Bill Davis (Brian Keith). Thinking only of Mr. French's future happiness, Bill and the kids employ the time-honored sitcom subterfuge of making it appear that French is no longer needed. ~ Hal Erickson, All Movie Guide

In the tradition of his earlier Carnival in Flanders and Tales of Manhattan, director Julien Duvivier's Flesh and Fantasy is a "pormanteau" film, consisting of several short stories. Linking the three tales unfolded herein are clubmen Doakes (Robert Benchley) and Davis (David Hoffman), who carry on a spirited debate about Destiny. In the first story, homely Henrietta (Betty Field) is made beautiful through the love of handsome Mardi Gras reveller Michael (Robert Cummings)-and the help of an enigmatic mask-maker (Edgar Barrier). The second story, based on Oscar Wilde's "Lord Arthur Saville's Crime", concerns a fortune teller named Septimus Podgers (Thomas Mitchell) who predicts that socialite Marshall Tyler (Edward G. Robinson) will commit a murder. In the final tale, psychic high wire artist Paul Gaspar (Charles Boyer) dreams that he will meet his doom during the performance of his act-and then falls in love with Joan Stanley (Barbara Stanwyck), who looks exactly like the girl who appeared in that dream. A fourth story, detailing the doomed romance between a fugitive from justice (Alan Curtis) and a blind girl (Gloria Jean), was cut from Flesh and Fantasy, then expanded and released separately as Destiny (1944). ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

Republic Pictures certainly didn't believe in obscure or misleading film titles, as G.I. War Brides amply proves. Ann Lee plays Linda Powell, a British lass who desires to enter the United States without dealing with the immigration authorities. To this end, Linda trades places with Joyce Giles (Carol Savage), a war bride whose American husband no longer loves her. Arriving at the home of Joyce's husband Steve (James Ellison), Linda convinces her "husband" and his family to maintain the artifice lest she be sent back to England. Complicating matters is a snoopy reporter (Robert Armstrong) and Linda's real boyfriend Capt. Roger Kirby (William Henry). A few isolated comic-relief scenes aside, GI War Brides is pretty slow going. ~ Hal Erickson, All Movie Guide

Hangmen Also Die is set in Czechoslovakia during the Nazi occupation. Czech loyalist Brian Donlevy assassinates the vicious Gestapo leader Heydrich, then goes into hiding. The wounded patriot is sheltered by history professor Walter Brennan, who is already under surveillance by the Nazis thanks to his veiled classroom attacks on the Third Reich. Fifth columnist Gene Lockhart arranges for the professor and 400 other Prague citizens to be rounded up as hostages, to be killed if Heydrich's assassin is not revealed. Ultimately Lockhart himself is framed by the citizenry, giving the actor full scope to cringe and cower as only he could. Persuasively directed by Fritz Lang, Hangmen Also Die was based on a story by Lang and expatriate German playwright Bertold Brecht. ~ Hal Erickson, All Movie Guide

High Conquest was a good example of the sort of "prestige" fare that lowly Monogram Pictures hoped to turn out on a regular basis in the postwar years. Adapted from a novel by James Ramsey Ullman, the story centers on Hugo Lannier (Warren Douglas), an American youth who makes it his mission in life to conquer the Matterhorn in Switzerland. Hugo's father had been killed years earlier in a similar attempt, and our hero hopes to honor his father's memory by completing the task. But first, Hugo must overcome his intense dislike of the Alps and his fear of heights-not to mention his fear of fear itself. Top-billed Anna Lee plays Marie, a Swiss girl who believes in Hugo even when he doesn't. Genuine location footage of the Matterhorn is deftly blended with some surprisingly convincing studio mockups. ~ Hal Erickson, All Movie Guide

Derek Flint (James Coburn) is back in this James Bond-styled spy spoof sequel to Our Man Flint. Flint's boss Cramden (Lee J. Cobb) assigns him to stop a group of felonious females on the Virgin Islands who hope to take over the world; the bad femmes are kidnapping astronauts and replacing them with doubles to gain access to the world's missile sites. Andrew Duggan plays the U.S. President and his nefarious double. The feature was typical of the spoofs that followed in the wake of the successful James Bond spy films of the 1960s. ~ Dan Pavlides, All Movie Guide