Anna Lee Movies
Born Joanna Winnifrith, Anna Lee was a petite, charming, blond British actress. At age 14 she ran away from home to join a circus. After brief stage experience she began appearing in British films in 1932, playing leads and supporting roles; in 1940 she moved to Hollywood and began making films there. She is best remembered as Bronwyn Morgan, Roddy McDowall's sister-in-law, in How Green was My Valley (1941). Rarely onscreen after the late '60s, she had a regular role as Lila Quartermaine on the TV soap opera General Hospital. She married and divorced director Robert Stevenson. She was the widow of novelist/playwright/poet Robert Nathan and the mother of actors Jeffrey Byron and Venetia Stevenson. ~ All Movie Guide- 1932
In this musical drama, an amnesiac composer is comforted by a helpful bandleader who uses music and reminiscences to help his friend remember his past. ~ Sandra Brennan, All Movie Guide
- 1933
This British musical comedy is based on a German play and tells the story of Nicholas Baumann, an ambitious representative of a US company who plies his trade in his native Vienna. When he learns that his American employer, Mr. Brown, is coming to Vienna, Baumann hopes that he will become a partner in the successful company. Just before he comes, Baumann and his wife have a big fight and she leaves him. He then recruits his secretary, Anne Weber, to pose as his wife. Naturally, that is a big mistake and mayhem ensues. In the end, the secretary ends up in the arms of the American while Baumann becomes the new partner. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Buchanan, Hartley Power, (more)
- 1933
In this actioner, a married pair of stunt pilots encounter turbulence when the husband becomes afraid of flying after a crash. When his wife cannot fly during an important race, the husband overcomes his fear and races in her stead. ~ Sandra Brennan, All Movie Guide
- 1934
A winning lottery ticket is left in an antique desk which was recently sold and the rightful owner spends the remainder of the film chasing after the desk. ~ All Movie Guide
- 1934
No relation to the 1968 John Cassavetes film of the same name, the 1934 Faces is a compact British romantic melodrama. Anna Lee plays a beautician who harbors dreams of wealth and luxury. She becomes the mistress of a millionaire, leaving her poor-but-true boyfriend Harold French in the lurch. Lee quickly changes her ways when she befriends the amiable wife of her wealthy "protector". Faces was adapted from a play by Patrick Ludlow and Walter Soames; the latter appears in the film as the philandering millionaire. ~ Hal Erickson, All Movie Guide
- 1934
In this British comedy an officer in the Camel Corps pretends to be an Egyptian sheik so he can catch drug smugglers in action. ~ Sandra Brennan, All Movie Guide
- 1935
Venerable stage favorite Cyril Maude is pretty much the whole show in the British comedy-melodrama Heat Wave. Maude plays a cranky old vegetable trader who pulls into port at a mythical banana republic. Loudly announcing that he has potatoes, onions and cabbage for sale, the old man unwittingly spouts out the code words for a gun-running operation. He is hired by a revolutionary group to supply guns for an impending insurrection, but of course he thinks he's merely making another produce run. When Maude shows up at his appointed destination with vegetables instead of rifles, it looks like he's a goner, but through a series of logic-defying complications, our hero not only saves his own skin, but also those of the Presidente and his pretty daughter. Director Maurice Elvey manages to find a spot or two to showcase the talents of British radio singer Les Allen, here cast as the heroine's sweetheart. ~ Hal Erickson, All Movie Guide
- Starring:
- Albert Burdon, Cyril Maude, (more)
- 1935
British musical star Jessie Matthews tops the bill in this song-studded comedy. Elizabeth (Matthews) is a delivery girl for a seamstress who is dispatched to drop off some costumes at a theater where a noted female impersonator is about to open a new show. The star is suddenly stricken with laryngitis, and Elizabeth is drafted to take over in his place, posing as a man who dresses like a woman. Elizabeth is a hit, and with Victor (Sonnie Hale) as her manager, she sets forth on a concert tour of Europe; she continues to perform as a man and draws packed houses and enthusiastic reviews. However, a mysterious Princess (Anna Lee) and her significant other get the strange feeling there's something odd about this new singing star, and they're determined to find out what it is. First a Girl was adapted from the German film Viktor und Viktoria, which would be remade into the American musical comedy Victor/Victoria. ~ Mark Deming, All Movie Guide
- Starring:
- Jessie Matthews, Sonnie Hale, (more)
- 1936
The Passing of the Third Floor Back, Jerome K. Jerome's mystical 1908 stage play, was given perfunctory treatment in this 1935 film version. Conrad Veidt assumes the old J. Forbes Robertson role as the Mysterious Stranger who moves into a cheap boarding house run by despicable landlord Wright (Frank Cellier). The other tenants are selfish, lecherous, mercenary, envious and overall not very good company. One by one, the tenants are rechanneled into more positive pursuits by the Stranger -- but being mere mortals, they soon forget the lessons learned and revert to their old ways. That the Stranger is meant to be Jesus Christ is rather obvious from the outset, but such were the censorial restrictions of the era that the character's true identity is effectively clouded. ~ Hal Erickson, All Movie Guide
- Starring:
- Conrad Veidt, Renee Ray, (more)
Attractive scientist Dr. Clare Wyatt (Anna Lee) fondly declines the proposal of journalist Dick Haslewood (John Loder), who loves her, and she goes to work for the reclusive Dr. Laurience (Boris Karloff), whom the scientific world regards as a crackpot. At Laurience's remote estate, she's greeted at the door by bitter, wheelchair-bound Clayton (Donald Calthrop), one of the doctor's more hopeless cases. Dick hangs around the neighborhood, sending stories to his newspaper, which is owned by his tycoon father, Lord Haslewood (Frank Cellier). Laurience demonstrates the reality of his discredited theory to an astonished Claire. Using an array of electrical equipment, he switches the minds of a good-natured and a cranky chimpanzee, then suggests to Claire that this could be done with people, making immortality possible. Lord Haslewood turns up unexpectedly, and offers the skeptical scientist the full use of the prestigious Haslewood Institute in exchange for the right to run stories on Laurience's progress, and to own the resulting patents. But problems arise when Haslewood sets up a conference of prominent scientists to hear Laurience explain the intent of his research. They all scoff loudly, and walk out. Lord Haslewood is furious, feeling he's been humiliated; he tells the shocked Laurience that he, not the scientist, owns everything, and orders him out of the Institute. Laurience suffers a mental breakdown, and invites Haslewood to his lab, where he straps him into the chair of his apparatus, then switches the minds of Haslewood and the crippled Clayton. When Haslewood realizes he's now in Clayton's body, he bursts into laughter and drops dead, puzzling the other two. Clayton is delighted to be in a body that's not only capable of walking, but is that of a financially powerful man. When Laurience offers Claire "eternal youth, eternal loveliness," she is shocked, and he realizes she's in love with Dick, so he makes plans for Dick to come to the Institute.
Meanwhile, Clayton learns why Haslewood laughed: Clayton is trapped in the body of a dying man: Haslewood had a weak heart. With his own scheme in mind, Laurience murders Clayton. He switches his mind with Dick's, giving the perfect alibi for murder -- and Laurience, in Dick's body, will have Claire. After the transfer, Laurience, in Dick's body, places Dick, in Laurience's body, in a chamber with poison gas. But when Claire arrives, she immediately realizes what has happened. Dick, in Laurience's body, awakes and falls out a window, gravely injured. On the street below, Sue encounters scientist Dr. Gratton (Cecil Parker), and convinces him to help her switch back the minds of Dick and Laurience before Laurience's body dies. Afterward, Laurience, in his own body, admits he was wrong, and begs Claire to destroy his equipment, then he dies.
A few years after this film, Karloff would make a series of movies for Columbia Pictures with plots very similar to this, but British film is far livelier than those; it's to the point, intelligent and entertaining. This was partly due to the clever script by L. Du Garde Peach, Sidney Gilliat and John L. Balderston. Gilliat later wrote several films for Alfred Hitchcock, and Balderston had co-written Dracula, among other notable films. Director Robert Stevenson was busy making a name for himself as a kind of back-up Hitchcock, though Hitchcock was not likely to have tackled The Man Who Changed His Mind, King Solomon's Mines or Non-Stop New York. Later, Stevenson came to the United States and gradually evolved away from thrillers to more romantic films, such as the 1944 Jane Eyre. His career was then spotty until he signed with Walt Disney, where he helmed many of the more prestigious films, including Mary Poppins, a far cry from the brisk horror of The Man Who Changed His Mind. Also known as The Man Who Lived Again, the U.S. title of this film is Brainsnatcher, and the U.S. reissue title is Dr. Maniac. ~ Bill Warren, All Movie Guide
Meanwhile, Clayton learns why Haslewood laughed: Clayton is trapped in the body of a dying man: Haslewood had a weak heart. With his own scheme in mind, Laurience murders Clayton. He switches his mind with Dick's, giving the perfect alibi for murder -- and Laurience, in Dick's body, will have Claire. After the transfer, Laurience, in Dick's body, places Dick, in Laurience's body, in a chamber with poison gas. But when Claire arrives, she immediately realizes what has happened. Dick, in Laurience's body, awakes and falls out a window, gravely injured. On the street below, Sue encounters scientist Dr. Gratton (Cecil Parker), and convinces him to help her switch back the minds of Dick and Laurience before Laurience's body dies. Afterward, Laurience, in his own body, admits he was wrong, and begs Claire to destroy his equipment, then he dies.
A few years after this film, Karloff would make a series of movies for Columbia Pictures with plots very similar to this, but British film is far livelier than those; it's to the point, intelligent and entertaining. This was partly due to the clever script by L. Du Garde Peach, Sidney Gilliat and John L. Balderston. Gilliat later wrote several films for Alfred Hitchcock, and Balderston had co-written Dracula, among other notable films. Director Robert Stevenson was busy making a name for himself as a kind of back-up Hitchcock, though Hitchcock was not likely to have tackled The Man Who Changed His Mind, King Solomon's Mines or Non-Stop New York. Later, Stevenson came to the United States and gradually evolved away from thrillers to more romantic films, such as the 1944 Jane Eyre. His career was then spotty until he signed with Walt Disney, where he helmed many of the more prestigious films, including Mary Poppins, a far cry from the brisk horror of The Man Who Changed His Mind. Also known as The Man Who Lived Again, the U.S. title of this film is Brainsnatcher, and the U.S. reissue title is Dr. Maniac. ~ Bill Warren, All Movie Guide
- Starring:
- Boris Karloff, Anna Lee, (more)
The first of three talkie versions of H. Rider Haggard's adventure novel King Solomon's Mine was produced by British Gaumont. While Cedric Hardwicke plays the nominal leading role of explorer Alan Quartermaine, top billing goes to African-American singing-star Paul Robeson, who plays dauntless native- guide Umbopa. The plot gets under way when Anna Lee organizes an expedition to locate her father, who has disappeared in the wilds of Africa while searching for King Solomon's Mines, a legendary diamond repository. Umbopa's motivation for guiding the expedition is to reclaim the tribal throne wrested from him by treacherous witch-doctor Gagool (Sidney Fairbrother). At first treated as white gods by the natives, the explorers soon find their lives imperiled. Thanks to Umbopa's know-how, the whites are saved from a horrible death and the evil tribesmen are overthrown. As for King Solomon's Mines, Quartermaine and his party finally locate the fabled diamond cache--and then fate deals an ironic hand, as fate has a habit of doing. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Robeson, Cedric Hardwicke, (more)
- 1937
While W.C. Fields poked fun at the asinine notion of a high-speed airplane with an open observation deck in Never Give a Sucker an Even Break (1941), the producers of the futuristic British melodrama Non-Stop New York (1937) take this notion quite seriously. The film's setpiece is a streamlined luxury plane designed for transatlantic passenger flight (something that would not become a common occurrence until 1940). Anna Lee plays a chorus girl whose has been targeted for extermination by the London underworld because she can provide an alibi for a murder suspect. The police won't believe her, but that doesn't dissuade the syndicated hit men. Seeking escape, Lee stows away on a plane bound for New York; the gangsters follow, overpower the pilots, and parachute from the plane, leaving Lee and the passengers helplessly hurtling through the clouds. The day is saved by detective John Loder, who'd also boarded the plane in search of Lee. The climax involves an aerial fistfight on the wing of the speeding plane. If you believe this sequence, chances are you'll swallow whole the rest of Non-Stop New York: if not, you'll have a grand old time all the same. The script by (among others) Curt Siodmak and Roland Pertwee was based on Sky Steward, a novel by Ken Attiwill. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Lee, John Loder, (more)
- 1937
Raoul Walsh, best remembered for his rough-and-tumble action pictures, made this film on a rare loan-out to a British studio. Jim Tracey (Wallace Ford) is an American gangster who, while on the run from the law, flees to England, where he joins the British army by posing as a Canadian. Jim and his new friend Bert Dawson (John Mills) go through training together, and they both get to know Sally Briggs (Anna Lee), the daughter of their commanding officer. While Jim and Bert vie for Sally's attentions, Jim discovers that his girlfriend Jean Burdett (Grace Bradley) has followed him to England and is threatening to reveal his true identity. Jim ships out to China with his regiment before Jean's word can get too far; it turns out that Sally is also on board the ship, but that bit of good news turns sour when band of Chinese bandits attempt to seize the ship and take Sally with them. O.H.M.S. was also released under the more American-sounding title You're in the Army Now. ~ Mark Deming, All Movie Guide
- Starring:
- Wallace Ford, John Mills, (more)
- 1939
In this gentle comedy, an aristocratic English fellow is not happy to be betrothed to a brewery heiress. One day he goes to a circus and ends up with a lively human cannonball in his life. He immediately falls for the daring young performer and they end up eloping and going to Paris to live out the rest of their lives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Griffith Jones, Anna Lee, (more)
- 1939
The eponymous Four Just Men of this film are British World War I comrades, who reunite in peacetime to bring disaster to their country's enemies. The quartet is not above murder and sabotage to achieve their ends, but their patriotism is never in question. The goal of the heroes is to thwart a megalomaniac who plans to destroy the Suez Canal, then devastate the British empire in order to create his own world dictatorship. Francis L. Sullivan, Hugh Sinclair, Griffith Jones and Frank Lawton play the Four Just Men, though Lawton's early death reduces the ranks to three. The villainy is in the hands of Basil Sydney, who is every bit as ruthless and resourceful as the heroes. Four Just Men is based on a series of adventure novels by British "writing machine" Edgar Wallace--which also formed the basis of a 1959 TV series of the same name, starring Dan Dailey, Richard Conte, Jack Hawkins and Vittorio De Sica. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Sinclair, Griffith Jones, (more)
- 1940
Set in the South Seas, Seven Sinners stars Marlene Dietrich as a cabaret singer whose reputation as a troublemaker has gotten her kicked out of one port of call after another. Once more causing a riot, Dietrich takes refuge on the first ship out, together with her underhanded cohorts Broderick Crawford and Mischa Auer. During her next stopover at the Seven Sinners Cafe, Dietrich meets handsome Naval officer John Wayne. He falls in love with her, much to the consternation of island governor Samuel S. Hinds, who knows that any romantic entanglement with Dietrich invariably results in dissension, disarray and brawls. He tells her to lay off Wayne or she'll be deported. But Dietrich insists upon performing one last song for the Duke...and sure as shootin', a battle royal ensues. This time, however, Wayne works tirelessly behind the scenes to solve everyone's problems. Maintaining the fascination level of Seven Sinners is a limitless array of top character actors, including Oscar Homolka, Billy Gilbert, Albert Dekker and Reginald Denny. The film was remade in 1950 as South Sea Sinner, starring Shelley Winters and--are you holding on to something?--Liberace. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlene Dietrich, John Wayne, (more)
- 1940
A delightful film that begs to be rediscovered, Return to Yesterday was adapted from Goodness, How Sad, a play by Robert Morley. Clive Brook is ideally cast as Robert Maine, a famous movie star who longs for the simpler days before he became the idol of millions-and before he was trapped into a loveless marriage with his present wife. Maine takes a sentimental journey to the provincial repertory theatre where he got his first break, only to discover that the little troupe is teetering on the edge of bankruptcy. Without revealing his true identity, he joins the actors and helps to get them over their financial hump. He also happens to fall in love with ingenue Carol Sande (Anna Lee, the wife of director Robert Stevenson), but realizes eventually that she will be better off without him. Dame May Whitty heads the hand-picked supporting cast as Mrs. Truscott, the troupe's garrulous character woman, who is wise enough not to say anything when she overhears Maine letting Carol down gently by replaying a scene from one of his earlier stage triumphs. Long ignored by movie historians, Return to Yesterday was given an honored spot in William K. Everson's affectionate volume Love in the Film (1979). ~ Hal Erickson, All Movie Guide
- Starring:
- Clive Brook, Anna Lee, (more)
- 1941
In the wake of Abbott & Costello's Buck Privates, every studio in Hollywood began cranking out service comedies. Warner Bros.' contribution to this trend was You're in the Army Now, featuring the unlikely but undeniably chucklesome duo of Jimmy Durante and Phil Silvers. The stars are cast as Jeeper and Breezy, erstwhile vacuum-cleaner salesman who stage a demonstration at a local army camp, only to end up in uniform themselves. Thanks to their ineptitude and chronic inability to follow orders, our heroes spend most of their training period in the guardhouse. They try to atone for past misdeeds during maneuvers, only to end up trapped in a remote cabin which teeters perilously on a mountain ledge (the whole routine was borrowed-actually, stolen-from Chaplin's The Gold Rush). Not teamed in the traditional sense, Durante and Silvers are permitted to perform their solo specialties, with both comedians coming out fairly even in terms of laugh delivery. As a bonus, this is the film in which nominal romantic leads Regis Toomey and Jane Wyman performed the longest screen kiss in movie history (Leonard Maltin clocked it at three minutes, five seconds)-a feat that reportedly led Wyman's then-husband Ronald Reagan to wonder aloud why he couldn't keep his wife's interest that long! ~ Hal Erickson, All Movie Guide
- Starring:
- Jimmy Durante, Jane Wyman, (more)
Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide
- Starring:
- Walter Pidgeon, Maureen O'Hara, (more)
- 1941
My Life with Caroline is a dizzy boy-chases-girl affair with a twist: the girl being chased is the boy's own wife. Wealthy publisher Anthony (Ronald Colman) weds dizzy socialite Caroline (Anna Lee, in her first Hollywood film), who sees nothing wrong with seeking out new boyfriends even after her marriage. Caroline thoughtfully informs Anthony that she can't make up her mind between De Valle (Gilbert Roland) and Paul (Reginald Gardiner), obliging Anthony to work overtime to win his wife back. The film is cleverly framed in a flashback, with Anthony's voiceover narration providing the audience information on a "need to know" basis. Based on the French stage farce Train for Venice, My Life With Caroline was co-produced by Ronald Colman and William Hawks (Howard's brother). ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Anna Lee, (more)
