Francis Lederer Movies

This documentary explores the mystery of an inexplicable episode in the life of the otherwise highly esteemed Austrian film director G.W. Pabst (1885-1967). He was well known as a supporter of worker's causes and leftist movements up until 1939 and had directed any number of socially responsible films such as the 1931 Kameradschaft about the hard lot of mine workers. In 1933, at the beginning of the Nazi era in Germany, he left Germany and Austria and spent the next six years in France, the U.S., and Switzerland. In 1939, after announcing that he was on the verge of seeking American citizenship, he returned to Austria and made films under the Nazi regime for reasons which are unclear even to this day. The confusion prompted by this move was amplified by his 1948 film The Trial, which denounced anti-Semitism and won that year's Venice Film Festival "Best Director" honors. Among those interviewed in this attempt to unravel this mystery are film scholars, the director's son Michael, and various wartime actors and directors. ~ Clarke Fountain, All Movie Guide

Under the guise of an LSD addict, US secret agent Vincent Deane (Jacques Denbeaux) has managed to hide some top-secret information in one of his "doped" sugar cubes. Unfortunately, Deane is arrested and placed in a Communist-controlled rehabilitation clinic. Posing as Deane's wife, Cinnamon infiltrates the clinic, hoping to retrieve the cube, while Rollin, impersonating Deane's contact, has himself arrested and placed in the selfsame clinic. Veteran Czech character actor Francis Lederer appears as Brobin. Written by William Read Woodfield and Allan Balter, "A Cube of Sugar" first aired on April 1 1967. ~ Hal Erickson, All Movie Guide

A man who was the lone survivor of a shipwreck is rescued, only to discover that he's in greater danger than ever before in this horror story inspired by H.G. Wells' The Island of Dr. Moreau. After his ship sinks in the midst of an ocean crossing, William Fitzgerald (Richard Derr) is near death when he finds his way to a remote island off the shore of Peru. Fitzgerald is discovered and given shelter by Dr. Girard (Francis Lederer), a scientist who has set up a lab on the island with his wife Frances (Greta Thyssen). It seems that most of the natives have fled the island in fear of what Girard is doing, and Fitzgerald soon discovers why -- the doctor has unusual theories about the links between humans and animals, and he has performed bizarre experiments on a panther that has transformed the feline into a man. The creature has gotten loose from Girard and now prowls the island with a thirst for blood; Fitzgerald's danger is only increased when he discovers that Frances has fallen in love with him. Terror Is a Man was also distributed under the titles Blood Creature, Creature from Blood Island, and The Gory Creatures. ~ Mark Deming, All Movie Guide

Originally released as The Return of Dracula (and also known by the irrelevant title The Fantastic Disappearing Man), this interesting vampire variant on Shadow of a Doubt finds the infamous Count (Francis Lederer) leaving his castle digs in Transylvania and departing for the United States after killing an artist and assuming his identity. Passing himself off as a distant relative, he settles in with the Mayberry family in California, where he begins seeking fresh victims. The suspicions of young Rachel Mayberry (Norma Eberhardt) regarding her pale visitor's eerie nocturnal habits prove well-founded after the mysterious death of her best friend, and she soon discovers her own ghastly role in the Count's master plan; her only hope lies with an expatriate police inspector, who may be familiar with the ways of the undead. Played refreshingly straight, this modest Universal production benefits from Lederer's compelling performance as the seductive Count and several unique plot twists (including a blind girl who becomes sighted on turning into a vampire). ~ Cavett Binion, All Movie Guide

Filmed on location, Lisbon was the second directorial endeavor of actor Ray Milland. The story revolves around a Portugal-based American smuggler, Capt. Robert John Evans (Milland). Hired by attractive Sylvia Merrill (Maureen O'Hara), Evans agrees to sneak behind the Iron Curtain to locate Sylvia's husband Lloyd Merrill (Percy Marmont). It is understood that Evans is to bring Merrill back dead so that Sylvia can collect her husband's vast fortune, but the tables are turned on Sylvia and her wily co-conspirator, Aristide Mavros (Claude Rains). Put simply, the film is Casablanca and To Have and Have Not in reverse. Other participants in the film's various and sundry intrigues are Francis Lederer as the last-reel dispenser of justice, and Yvonne Furneaux as Rains' buxom mistress. ~ Hal Erickson, All Movie Guide

Of the many attempts by Republic Pictures' CEO Herbert J. Yates to turn his lady friend Vera Ralston into a star, Surrender is one of the better efforts. Ralston plays a conscienceless "femme fatale" who works out a complex scheme to secure her financial comfort. The plan, enacted in a western border town, involves bigamy, betrayal, and ultimately murder. She plays one man against another all too well; in the end Vera's perfidy backfires, and she falls victim to her own machinations. Vera Ralston tries hard indeed but the audience can sense that she is basically too nice to be making such mean faces. ~ Hal Erickson, All Movie Guide

Alan Ladd plays the title role in Captain Carey USA. A former OSS operative, Captain Carey returns to Italy after the war to avenge the death of resistance worker Giulia (Wanda Hendrix). Much to his surprise, Carey finds that his "deceased" lover is not only still alive, but also the wife of a powerful Italian nobleman (Francis Lederer). He also discovers to his sorrow that the far-from-grateful Italian villagers hold the Americans responsible for their current financial travails. Still, Carey sticks around, hoping to flush out the traitor who'd caused the wartime deaths of several of his OSS colleagues. The box-office success of Captain Carey USA was enhanced by the incidental musical number "Mona Lisa," which subsequently won an Academy Award. ~ Hal Erickson, All Movie Guide

This drama is an updated version of Ulmer's 1944 film Bluebeard. It is set in New York and follows the exploits of an eccentric Parisian painter who has come to New York to escape a controversy surrounding his work. The trouble stems when the model he has used in all his work is found floating dead in the Seine. Later, his New York model is also found dead. When a second model is also found dead, her sister impersonates a model to prove his guilt. Instead she falls in love with him and helps to clear his name. (Interestingly, in the original, he was the killer.) ~ Sandra Brennan, All Movie Guide

First filmed in 1928, Thornton Wilder's Pulitzer-winning novel The Bridge of San Luis Rey is given a ponderous treatment in this 1944 remake. Like the novel, the film begins at the end, with the collapse of a rope bridge in 18th century Peru. The story then flashes back to the lives of the five unfortunates killed in the collapse. Among the five are singer-turned-couresan Michaela (Lynn Bari), her obsequious Uncle Pio (Akim Tamiroff), feuding twin brothers Manuel and Estaban (both played by Francis Lederer) and the envious Marquesa (Nazimova). Trying to make sense of the lives and deaths of the five is sensitive young priest Brother Juniper (Donald Woods). ~ Hal Erickson, All Movie Guide

In this cornball musical comedy, a hillbilly gal and her uncle struggle to keep sly city slickers from getting their land. It is an uphill battle as their farm is located on Fifth Avenue, New York City. The slickers then resort to trickery by offering the girl a phony singing gig on the radio. Unfortunately for them, something goes wrong and the girl's heartfelt singing is heard all over the town. Of course she is a big hit. Songs include: "Hey Junior", "You're Telling I", "Manhattan Holiday", and "Puddin' Head" (all by Eddie Cherkose, Sol Meyer, Jule Styne). ~ Sandra Brennan, All Movie Guide

Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication. American Eve Peabody (Claudette Colbert), a wily ex-showgirl, must impersonate Hungarian royalty in order to infiltrate the Parisian jet set. Midnight begins during a midnight rainstorm as Eve arrives penniless at Paris' Gare de L'Est, owning only the gold lamé gown on her back. She attracts the attention of Hungarian cab driver, Tibor Czerny (Don Ameche), but walks out on their budding romance; Eve will no longer make the mistake of dating for love rather than money. Instead, she finds shelter from the downpour by crashing a socialite's late-night soirée using a pawnticket and a pseudonym, the Baroness Czerny (the cab driver's surname). There, Eve meets aristocrat Georges Flammarion (John Barrymore), who entices her with a place in society if she agrees to remain disguised as the Baroness and seduce his wife's playboy lover. Meanwhile, Tibor Czerny has not given up his search for Eve. When he locates her whereabouts and discovers the fact that she is using his name, Tibor also travels to the Flammarion estate -- to win back Eve, and to pose as her husband, the Baron. What ensues is quintessential screwball comedy, full of deception, love, quadruple entendre, and outright farce. Midnight remains Leisen's most heralded directorial effort, as well as one of Brackett and Wilder's earliest successes. ~ Aubry Anne D'Arminio, All Movie Guide

After a three-year absence, Columbia's "Lone Wolf" series resumed with the uneven The Lone Wolf in Paris. Francis Lederer stars as Louis Joseph Vance's thief-turned-detective Michael Lanyard, alias The Lone Wolf. While vacationing in Paris, Lanyard finds the gorgeous Princess Thania (Frances Drake) hiding in his hotel bedroom. The Princess is trying to retrieve her country's crown jewels from the treacherous Grand Duke Gregor (Walter Kingsford) and his minions. Before our hero can recover the gems and expose Gregor for the power-hungry rat that he really is, he and Thania are kidnapped by Gregor's men, nearly meeting their doom at the hands of an expert knife-thrower. An unconvincing exercise in international intrigue, The Lone Wolf in Paris was an inauspicious jump-start for the Columbia series: far better was the next entry, the delightful Lone Wolf Spy Hunt, in which Warren William replaced the charming but somewhat hollow Francis Lederer. ~ Hal Erickson, All Movie Guide

A remake of the French comedy Monsieur Sans-Gene, One Rainy Afternoon gets under way when film-actor Phillippe Martin (Francis Lederer) heads to a darkened Parisian movie theater for a romantic rendezvous with his married sweetheart Yvonne (Countess Live de Margaret). But our hero sits in the wrong seat and kisses the wrong young lady: Monique Pelerin (Ida Lupino), the daughter of a powerful publisher Joseph Cawthorn. This innocent mistake snowballs into a national scandal, fomented by the hatchet-faced president (Eily Malyon) of the Purity League, with Phillippe earning the onus of "The Kissing Monster." It all culminates in one of those zany courtroom trails which proliferated in screwball comedies of the 1930s, wherein Phillippe defends himself by insisting that it is in a Frenchman's nature to be romantic, even with perfect strangers -- and as a result he becomes an international hero! One Rainy Afternoon was the first of a handful of United Artists talkies personally produced by studio vice-president Mary Pickford. ~ Hal Erickson, All Movie Guide