Denis Leary Movies

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

This film opens with a big fat close-up of a sweaty prisoner with a fly (on a string) crawling on his face. The prisoner quickly pops the fly in his mouth and spits it out. Then he leeringly laughs about it to the prisoner next door. Nope. This is not a bad undiscovered Sergio Leone spaghetti western. Rather it is the opening shot Deran Sarafin's Gunmen -- a brainless action film without an original thought in its head. Christopher Lambert is the fly-eater, a man named Dani Servigo, the brother of a dead smuggler and a prisoner in a South American jail, who holds the secret to the whereabouts of $400,000 in stolen drug money. The walls of the prison explode, and Cole Parker (Mario Van Pebbles) makes his entrance. Cole is a mercenary working with the DEA who is in this South American hellhole to mop up the drug traders and to avenge his father's death at the hands of the drug traders. He wants Dani to lead him to the gold. In this love-hate buddy film, the two thrown-together friends/enemies race through the Amazon jungle with ruthless assassins in pursuit, as they all gravitate towards the secret stash of money. ~ Paul Brenner, All Movie Guide

The Sandlot is sparsely narrated by the main character (now an adult) who occasionally drops in on the action to comment on events or help move the story along. Tom Guiry plays Scotty Smalls, the shy new kid on the block who wants to join the rowdy pickup baseball team that plays every day in the neighborhood sandlot. But he doesn't know how to catch a baseball, and his stepfather (Dennis Leary) is too busy to teach him. He tries out for the sandlot gang anyway, and though he isn't very good, it turns out he's lucky: there happen to be only eight of them, and nine makes a team. The summer passes blissfully as Scotty learns to play ball under the wing of Benny Rodriguez (Mike Vitar), the oldest and best player, as well as Ham, Squints, Repeat, and the rest of the kid-eccentrics. The skies darken, however, when Benny literally knocks the stuffing out of the team's only baseball, a sign of impending doom, or worse, bad luck. Wanting to set things right, Scotty returns home and "borrows" his stepfather's ball, which he promptly uses to hit his first home run, knocking the ball clear out of the sandlot into mean old Mr. Mertle (James Earl Jones)'s junkyard, home to Mertle's legendary guard dog The Beast. Scotty admits that he took the ball without asking, and he naively explains that his stepfather will want it back since it had a woman's name written on it: some lady named Babe Ruth. Horror-stricken, the sandlot gang mobilizes to fetch the autographed ball from the clutches of The Beast, building a series of mechanical ball-retrieval machines which get progressively more complicated and preposterous as The Beast's size grows in their imaginations. ~ Anthony Reed, All Movie Guide

In this comedy, bumbling Harlem barbers Dr. Dre and Ed Lover are shipped off to the police academy by their frustrated boss, Nick (Jim Moody). However, when a crooked land developer threatens to forcibly take over their ex-boss' land, it is up to Dr. Dre and Ed to use their new-found police powers to stop him. A number of well-known rap artists make appearances in this film, including Queen Latifah, Humpty Hump, Kriss Kross, B-Real, and Ice-T. ~ Iotis Erlewine, All Movie Guide

In this lively comedy, an African American yuppie rethinks life on the corporate fast-track after he falls in love with an ultra hip club promoter. Knowing that she finds him a total square, he seeks the advice of a swinging young mail boy. ~ Sandra Brennan, All Movie Guide