Cloris Leachman Movies

Cloris Leachman and Martin Balsam star in this TV movie as an over-forty married couple, both of whom maintain busy outside careers. Content with their peaceful, childless existence, the couple is thrown for a loop when, after 18 years of marriage, Leachman becomes pregnant. Beyond the understandable concerns over the health of her baby, she is not keen on the prospect of giving up her job--nor is she particularly responsive to the misguided advice of her friends and family. A Brand New Life premiered on February 20, 1973. ~ Hal Erickson, All Movie Guide

This Christmas-oriented TV-movie centers upon two teenaged orphans, Will (Kirk Cameron) and Violet Jenny Robertson. Both would like a family of their own, so Will abducts neglected or abused children in the dark of night. When they awaken, Will tells them they've died and gone to heaven. ~ Iotis Erlewine, All Movie Guide

Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) are kept on the move with a number of emergency police calls. In one of the evening's tenser moments, the two cops come to the rescue of a pair of youngsters who have swallowed a potentially fatal dose of pep pills. And throughout their shift, Pete and Jim pursue an elusive burglar who specializes in stealing color TVs. Former F Troop leading lady Melody Patterson and future Oscar winner Cloris Leachman head the episode's guest cast. ~ Hal Erickson, All Movie Guide

Rob Reiner directs Luke Wilson and Kate Hudson in Alex & Emma, a romantic comedy about an author and his secretary. Gangsters will kill Alex (Wilson) in 30 days if he doesn't pay back his gambling debts. The only way he can do that is to finish his new novel. He hires sassy court stenographer Emma (Hudson) to transcribe his dictation. The film intercuts between the two of them writing the story, and the story within the story. Hudson plays three roles in the film, and Wilson plays two. Sophie Marceau and David Paymer round out the cast. The premise is (very) loosely based on a series of events that befell Russian novelist Fyodor Dostoyevsky. ~ Perry Seibert, All Movie Guide

Famed pianist Kim Stanger (John Forsythe) returns to his home town after a four-year absence, acting upon a premonition that something terrible has happened. Upon his arrival, Kim is disturbed by the mysterious and secretive behavior of his friends and family members. Insisting upon seeing his father, from whom he has been long estranged, Kim is eventually informed of the old man's violent death. Obsessively, Kim seeks out the truth about his father's demise -- but he may not like what he finds. ~ Hal Erickson, All Movie Guide

An agoraphobic heroin addict seeks redemption by growing the rare and beautiful flower that will help him win the town's Garden of the Year contest in this off-beat black comedy featuring Rip Torn, Val Kilmer, Bruce Dern, and Cloris Leachman. Ethan Inglebrink (Ronnie Gene Blevins) lives in a homogeneous California town where nothing ever happens. A misfit clad in a powder-blue tux, he's convinced his poker buddies and surrogate moms Roe (Diane Ladd), Sandy (Leachman), and Lou Anne (Lin Shaye) that he's a diabetic, and his needles are for insulin rather than heroin. His next-door neighbor is his landlord and former high school football coach Trevor O'Hart (Torn), who wants nothing more than to kick Ethan out on the street. Complicating matters even further is that fact that Ethan's older brother Todd (Kilmer), the local sheriff, is convinced that his brother can only be saved by an act of God, and recruits the family priest (Peter Falk) to get the job done. Meanwhile, as the Garden of the Year competition draws near, Ethan becomes convinced that he can take the 10,000-dollar top prize and pay off his delinquent rent if he can just grow the perfect American Cowslip. Little does Ethan realize that salvation may lie not in the money he could win for growing a rare flower, but with the kind companionship and understanding offered by his 17-year-old neighbor Georgia (Hanna Hall), who longs to escape her abusive father (Dern). ~ Jason Buchanan, All Movie Guide

Based on the best-selling memoirs of Lillian Rogers Parks, the NBC miniseries Backstairs at the White House traces over five decades of American political history as witnessed from the vantage point of the servants' quarters. Played by Tania Johnson as a teenager and by Leslie Uggams as an adult, Lillian Rogers Parks served for 52 years as a maidservant at the White House. Though crippled early on with polio, Lillian diligently and loyally stuck to her duties -- and her own rock-solid set of principles and ideals -- through eight highly different Presidential administrations, often (and occasionally reluctantly) acting as friend and confidante to the First Lady of the moment. The large and stellar cast included a number of top-rank film and TV actors, obviously having the time of their lives impersonating such presidents as William Howard Taft, Woodrow Wilson, Warren G. Harding, Calvin Coolidge, Herbert Hoover, Franklin Roosevelt, Harry S. Truman, and Dwight D. Eisenhower, and their respective wives. Also in the cast were several African-American veterans from the landmark TV miniseries Roots. Earning 11 Emmy Award nominations, the nine-hour Backstairs at the White House was seen in five installments from January 29 to February 19, 1979. ~ Hal Erickson, All Movie Guide

This is a full-length cartoon movie featuring the dim-witted obnoxious loser teens, Beavis and Butt-head. They are obsessed with sex, TV, heavy-metal rock 'n roll, sex, coolness and sex, in that order. The trouble begins when the couch-potato duo's beloved television disappears (they assume it was stolen). In the course of trying to get another TV, they get involved in a major arms-smuggling scheme and are chased all over the U.S. by mobsters and lawmen alike. In one of the movie's highlights, Butt-head tries to get Chelsea Clinton to go to bed with him. Apparently he believes that since they both wear braces, she will naturally want to have sex with him. ~ Clarke Fountain, All Movie Guide

As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide

Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide

Hayao Miyazaki's fantasy adventure Castle in the Sky begins with a chase scene through a flying ship, where all the passengers are after the young girl, Sheeta (voice of Anna Paquin). Going overboard to avoid capture, Sheeta is rescued by her powerful crystal necklace which floats her down to safety. She's recovered by Pazu (voice of James Van Der Beek), a young resourceful boy who works in a small mining town. Sharing a common desire to see Laputa, the castle in the sky, Pazu and Sheeta team up to outrun the pirates and the military. Led by hard-bitten matriarch Dola (voice of Cloris Leachman), the pirates are a rowdy yet dimwitted group of brothers who are after Laputa's treasure. Led by the greedy yet civilized Muska (voice of Mark Hamill), the military is after Laputa's secret powers. Everyone races to get to the abandoned castle of Laputa, which has been overgrown with vines and plant life. Its only inhabitants are the animals and robots who protect a magical garden. As the different parties fight over who gets to control Laputa, it's up to Sheeta to use her ancient knowledge to save it from ultimate destruction. The English-language version also includes the voices of Mandy Patinkin and Andy Dick. ~ Andrea LeVasseur, All Movie Guide

Cloris Leachman stars as Melba, a woman with whom violence is a way of life, in Jonathan Demme's high-pitched "B"-movie Crazy Mama. The film spans three decades in the violent life of Melba, beginning in Jerusalem, Arkansas in 1932, when law enforcers kill her father (Clint Kimbrough), turning her mother Sheba (Ann Sothern) into a bitter widow. Mother and daughter take off to Long Beach, California, and the time jumps to 1958, when the two are thrown out of their beauty salon for non-payment of back rent. Melba now has an attractive (and pregnant) teenage daughter Cheryl (Linda Purl). The three generations take to the road, stealing cars and creating general mayhem across the United States, robbing a motorcycle racetrack box office and a bank. But in 1959, Melba and Cheryl are picked up again, running a Miami Beach snack bar, their lives wasted in free-living terror. ~ Paul Brenner, All Movie Guide

Continuing his 1970s recreations of classical Hollywood genres and styles, Peter Bogdanovich turned to the literary costume drama with an adaptation of the Henry James novella Daisy Miller. At a Swiss spa, upper-class expatriate American Frederick Winterbourne (Barry Brown) meets pretty, nouveau riche flirt Daisy Miller (Cybill Shepherd); her bratty, xenophobic little brother Randolph (James McMurtry); and her tremulous, nattering mother (Cloris Leachman). Despite warnings from his dowager aunt (Mildred Natwick) about Daisy's recklessness with men, Winterbourne finds himself drawn to her. When he encounters her again in Rome, he tries to convince her that her liberated behavior with an Italian admirer (Duilio Del Prete) may sully her reputation in aristocratic circles. But Winterbourne cannot reconcile his own feelings for Daisy with the manners that he is used to following, nor can he fathom how she may feel about him beneath her veneer of willful coquetry. After society matron Mrs. Walker (Eileen Brennan) ostracizes her, Daisy's final rash action reveals to Winterbourne how his old-fashioned mores may have sealed her fate. With a screenplay by Frederic Raphael and location shooting in Rome and Switzerland, Bogdanovich carefully recreated the rich surroundings and stultifying social strictures of James' story. Despite this well-executed atmosphere, Daisy Miller suffered critically, as Bogdanovich was especially taken to task for casting the amateurish Shepherd in the complex and pivotal role of Daisy. After three consecutive hits with The Last Picture Show (1971), What's Up, Doc? (1972), and Paper Moon (1973), Daisy Miller flopped, beginning Bogdanovich's mid-'70s slide into box-office and critical ignominy. ~ Lucia Bozzola, All Movie Guide