Cloris Leachman Movies

Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart. ~ All Movie Guide
1955  
 
Famed pianist Kim Stanger (John Forsythe) returns to his home town after a four-year absence, acting upon a premonition that something terrible has happened. Upon his arrival, Kim is disturbed by the mysterious and secretive behavior of his friends and family members. Insisting upon seeing his father, from whom he has been long estranged, Kim is eventually informed of the old man's violent death. Obsessively, Kim seeks out the truth about his father's demise -- but he may not like what he finds. ~ Hal Erickson, All Movie Guide

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1955  
NR  
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Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph MeekerAlbert Dekker, (more)
1956  
NR  
The Korean conflict of the early '50s saw widespread use of psychological torture by the North Korean communists on enemy prisoners of war. That young American GIs cracked under this brainwashing at higher rates than the troops of our allies led to much soul searching within the military and the nation during that era. In Hollywood, this was most famously reflected in The Manchurian Candidate (1962), and lesser-known films like Time Limit (1955) and The Rack. The failure of all three films at the box office suggests that the public didn't care to be reminded of this painful issue. Paul Newman stars as Captain Edward W. Hall Jr., a career soldier being tried by a military court for collaborating with the enemy. As the son of a highly distinguished career officer (Walter Pidgeon), and with a brother who had been killed in the war, he is especially tormented by the accusations which have been brought against him. Although reluctant to take the case, Major Sam Moulton (Wendell Corey) elicits incriminating testimony from Hall, comparing him unfavorably with soldiers like Captain John Miller (Lee Marvin), who were able to withstand similar punishment. But defending attorney Lt. Colonel Frank Wasnick (Edmond O'Brien), makes the case that this new type of torture is a new and barely understood weapon, to which some will be more innately immune than others. ~ Michael Costello, All Movie Guide

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Starring:
Paul NewmanWendell Corey, (more)
1956  
 
Doc (Milburn Stone) comes upon a remote prairie cabin occupied by a hostile, reclusive woman named Florie (Cloris Leachman) and a bedridden man (Philip Bourneauf) whom Doc presumes is Florie's husband. It soon develops that the invalid is holding a gun on Florie, intending to kill her--or is he trying to prevent her from killing him? Matt (James Arness) doesn't figure out the truth of the situation until one of the two strangers ends up dead. This starkly dramatic episode is based on the Gunsmoke radio broadcast of February 5, 1956. ~ Hal Erickson, All Movie Guide

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1958  
 
While the train he is riding on is temporarily stalled by a blizzard, effusive old rancher Mr. Kilmer (Chill Wills) regales the other passengers with one of his tall tales. Throughout Kilmer's monologue, he is constantly interrupted by an obnoxious eight-year-old boy named Johnny (Peter Lazer). Finally, Kilmer offers Johnny a silver dollar if he can remain quiet for ten minutes. Dutifully, Johnny shuts up -- while outside, the blizzard rages on, and the search for an escaped mental patient continues. ~ Hal Erickson, All Movie Guide

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1959  
 
In one of the series' eeriest episodes, American photographer Rita Wallace (Cloris Leachman) sets up shop in Paris, hoping to capture the "soul of France" in her pictures. Advertising for a model, Rita ends up using a strange, reclusive little man (Marcel Dalio) with a haunted look in his eyes. Not long afterward, A few nights later, Rita is attacked and nearly strangled to death by a mysterious intruder--and only after she carefully scrutinizes her recent photographs does she even begin to grasp the significance of this inexplicable assault. If "The Dark Room" seems to have a Hitchcock flavor, it may be because the episode was written by "Hitch"'s frequent collaborator Francis Cockrell. ~ Hal Erickson, All Movie Guide

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Starring:
Cloris LeachmanAnn Codee, (more)
1960  
 
Taken from the popular television series, this video follows the adventures of bounty hunter Josh Randall in the episode "The Medicine Man." ~ Iotis Erlewine, All Movie Guide

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1961  
 
Following the example of his sworn enemy Elliot Ness (Robert Stack), Frank Nitti sets up his own team of "Untouchables" to root out informers within his criminal organization. The man brought in to head this unit is Walter Traeger (James Gregory), former "counteresponiage" agent for Al Capone. With ruthless efficiency, Traeger fulfills his assignment--only to set himself up for a fall by trying to take over the Nitti mob himself. Don't miss the climactic scene in which the treacherous Traeger sacrifices his own sister Billie (Cloris Leachman) to save his hide. ~ Hal Erickson, All Movie Guide

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1961  
 
Adapted by Rod Serling from a story by Jerome Bixby, "It's a Good Life" stands the test of time as one of the best-ever Twilight Zone episodes -- not to mention one of the series' most frightening efforts. The terrified citizens of Peaksville, Ohio, are held in thrall by a "monster" in the form of angelic-looking youngster Anthony Fremont (Billy Mumy). Possessed with the ability to read minds, coupled with mysterious destructive powers, Anthony bristles whenever he senses that someone is thinking bad thoughts -- and whenever he bristles, something really bad happens (yes, this is the one with the cornfield and the jack-in-the-box). Understandably, this episode has always been a favorite of youngsters, who would give anything to wield Anthony Fremont's awesome powers over their own parents. First telecast November 3, 1961, "It's a Good Life" was later reworked in the 1983 theatrical film Twilight Zone: The Movie -- and a few years after that, it was delightfully lampooned on one of The Simpsons' "Treehouse of Horror" episodes. ~ Hal Erickson, All Movie Guide

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Starring:
Cloris LeachmanJohn Larch, (more)
1962  
 
Handsome actor Paul Ross (Charles S. Carlson) breaks up a romance between his housekeeper, Caroline Hardy (Cloris Leachman), and another man, simply because he doesn't want Caroline to leave his employ. What Paul doesn't know is that Caroline is madly in love with him -- and that she has a distinct taste for revenge. Later on, Paul is horribly scarred in an explosion, whereupon Caroline calmly informs him that he is too disfigured ever to appeal to women again...except, of course, Caroline. A perverse twist caps this final episode of Alfred Hitchcock Presents' seventh season. ~ Hal Erickson, All Movie Guide

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1962  
 
George Cukor directed this sanitized version of Irving Wallace's tawdry best-seller concerning a survey of the sexual habits of American women. Psychologist George C. Chapman (Andrew Duggan) arrives in a Los Angeles suburb with his assistant Paul Radford (Efrem Zimbalist Jr.) in tow. They are looking for volunteers for their sex survey, and four women raise their hands: Sarah Garnell (Shelley Winters) is a middle-aged woman who is having an affair with young theater director Fred Linden (Ray Danton); Teresa Harnish (Glynis Johns) is a happily married woman who becomes attracted to brawny football player Ed Kraski (Ty Hardin); Naomi Shields (Claire Bloom) is an alcoholic nymphomaniac who takes up with an unsavory jazz musician; and Kathleen Barclay (Jane Fonda) is a young widow who thinks she is frigid -- that is, until Radford makes her his personal project. ~ Paul Brenner, All Movie Guide

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Starring:
Efrem Zimbalist, Jr.Shelley Winters, (more)
1962  
 
Martin Balsam essays the title role in this episode as nightclub owner Benjy Leemer. Caught in the middle of a turf war between slot-machine "czar" Joe Bohman (Tom Drake) and gambler Porker Davis (Gavin MacLeod), Leemer ends up with his business burned to the ground and his songstress wife Julie (Cloris Leachman) out of a job. Amidst several symbolic scenes with a pair of "tame" rats, Benjy quietly plots vengeance against both Bohman and Davis--while Julie appears to cross over to the enemy by becoming Bohman's main squeeze. Fans of The Mary Tyler Moore Show will be impressed by the noncomic performances of that series' "Murray" and "Phyllis"...even though Gavin MacLeod and Cloris Leachman never appear together in the same scene.. ~ Hal Erickson, All Movie Guide

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1966  
 
Nasty gossip columnist Danny Shine (John Lasell) has been murdered, and Greg Stanley (Douglas Henderson) is charged with the crime. The only person who can provide an alibi for Stanley is Alex Tanner (Gary Collins)--but Tanner insists that he must remain silent, or else his kidnapped baby will be killed. Agreeing to defend Stanley in court, Perry Mason (Raymond Burr) unearths a shocking secret concerning Tanner's neurotic wife Patricia (Anne Whitfield). Cloris Leachman delivers a bravura performance as the murder victim's vengeful spouse...and wait until you hear Gary Collins' curtain speech! ~ Hal Erickson, All Movie Guide

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1968  
 
Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) are kept on the move with a number of emergency police calls. In one of the evening's tenser moments, the two cops come to the rescue of a pair of youngsters who have swallowed a potentially fatal dose of pep pills. And throughout their shift, Pete and Jim pursue an elusive burglar who specializes in stealing color TVs. Former F Troop leading lady Melody Patterson and future Oscar winner Cloris Leachman head the episode's guest cast. ~ Hal Erickson, All Movie Guide

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1969  
PG  
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Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide

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Starring:
Paul NewmanRobert Redford, (more)
1969  
 
In the conclusion of a two-part story (originally telecast as a single two-hour episode), Ironside steps up his efforts to locate the kidnapped daughter of his former sweetheart Barbara Richards (Barbara Rush). Complicating the Chief's investigation is Barbara's husband Vic (Philip Carey), who can't get over the fact that his wife was in love with Ironside during a period of amnesia. Meanwhile, an ill-tempered rural lawman (Slim Pickens) also does his best to thwart Ironside's efforts to rescue the kidnap victim, lest all the credit for cracking the case go to an "out-of-towner". Featured in the supporting cast are such impressive talents as Dane Clark and Cloris Leachman. ~ Hal Erickson, All Movie Guide

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1969  
 
In this made-for-TV movie, a New England hotel is the meeting place for two lonely, unhappy people (Lloyd Bridges and Shirley Jones), as they spend Christmas Eve together and find comfort in one another. ~ Iotis Erlewine, All Movie Guide

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1969  
 
In this first half of the two-part sequel to the Season One episode "Barbara Who?" (originally telecast as a single two-hour "special"), Ironside (Raymond Burr) is reunited with Barbara Richards (Barbara Rush), a former amnesiac with whom he had once been in love. Barbara implores the Chief to help her recover her teenage daughter Leslie (Melody Scott Thomas), who has been kidnapped. The fact that Barbara has a bitterly jealous husband (Philip Carey) is only one of the obstacles facing Ironside in his efforts to save Leslie's life. ~ Hal Erickson, All Movie Guide

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1970  
 
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Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide

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Starring:
Bea ArthurBonnie Bedelia, (more)
1970  
PG  
Paul Newman served as co-producer of this allegorical drama and stars as Rheinhardt, a opportunistic drifter who ends up in New Orleans and hits up his old friend Farley (Laurence Harvey), a con man-turned-phony preacher, for a job. Farley is able to get Rheinhardt hired on as an announcer at a local radio station, WUSA, but the station is a right-wing propaganda mill that devotes its air time to venomous tirades against political and social progress. Rheinhardt is happy to be making decent money, and he makes the friendly acquaintance of a local working girl, Geraldine (Joanne Woodward), so he refuses to look his gift horse in the mouth. However, when he finds out that WUSA is actually involved in shadowy political actions, he is at a loss for what to do, especially after a naïve and troubled social worker (Anthony Perkins) is tricked into starting a race riot. Robert Stone wrote the screenplay, adapted from his novel A Hall of Mirrors. ~ Mark Deming, All Movie Guide

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Starring:
Paul NewmanJoanne Woodward, (more)
1970  
 
Parents worry about their daughter when she freaks out on drugs and is hospitalized. Arthur (Eli Wallach) and Gerri (Julie Harris) face the reality when Maxie (Deborah Winters) must remain at the facility or return home. Della (Rue McClanahan) is Arthur's straight shooting secretary and mistress who offers an objective opinion of the situation. Dr. Salazar (Nehemiah Persoff) is the concerned physician treating Maxie. David (Hal Holbrook) and Tina (Cloris Leachman) are the neighbors whose son Sandy (Don Scardino) turns out to be a juvenile drug dealer. The story was taken from an award winning 1968 television special but fails to live up to the promise of the initial production. ~ Dan Pavlides, All Movie Guide

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Starring:
Eli WallachDeborah Winters, (more)
1970  
 
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"How will you make it on your own?" These lyrics from the original version of the Mary Tyler Moore Show's theme song, "Love Is All Around" were the first words heard by the viewers as 30-year-old Mary Richards (Mary Tyler Moore) left her hometown and drove into Minneapolis in the opening episode of the series' inaugural season. Hoping to find new professional vistas -- and, incidentally, to get over a failed romance -- Mary moves into an attic apartment in the building managed by pretentious flibbertigibbet Phyllis Lindstrom (Cloris Leachman). Almost immediately, the sweet, insecure Mary finds herself embroiled in a war of words with her New York-born neighbor Rhoda Morganstern (Valerie Harper), who had wanted the attic room for herself. Despite this bad beginning, Mary and Rhoda would soon be the closest of friends. Answering a want ad posted by local TV station WJM-TV, Mary has an unforgettable interview with Lou Grant (Ed Asner), irascible, hard-drinking producer of the station's nightly news broadcast. "You know what?" Lou effuses to Mary. "You've got spunk." Pause. "I HATE spunk!" Even so, and despite her complete lack of experience in the TV world, Lou offers Mary the job of the newscast's associate producer. This allows her to become acquainted with the rest of the staff, including good-natured news writer Murray Slaughter (Gavin MacLeod), weatherman Gordy Howard (John Amos), and especially anchorman Ted Baxter (Ted Knight), whose monumental ego is matched only by his miniscule brain.

Most of The Mary Tyler Moore Show's first-season episodes deal with Mary's efforts to acclimate herself to her new surroundings, her new job, and her new friends, and also her ongoing search for "Mr. Right" in the dating field. Incidentally, when the series was in development, Mary was supposed to have been a divorcée, but this notion was squelched when CBS executives, acknowledging the popularity of Mary Tyler Moore's previous series The Dick Van Dyke Show, worried that audiences would conclude that "Rob and Laura Petrie" had broken up! In another bit of trivia, it should be noted that the original pilot of The Mary Tyler Moore Show had been filmed in the traditional one-camera "movie" style, minus a live studio audience. That the decision to shoot the series with three cameras in front of a crowd was a wise one can be determined by a peek from the existing clip of the first pilot's "Mary meets Lou" sequence: the characters are there, the lines are there, but the warmth, the heart, and the immediacy are not.

The Mary Tyler Moore Show ended its first season as the 22nd most popular series in America. It also took home its first Emmy awards, for Outstanding Supporting Actor (Ed Asner); Outstanding Supporting Actress (Valerie Harper); Outstanding Directorial Achievement (Jay Sandrich, for the episode "Toulouse-Latrec Is One of My Favorite Artists"); and Outstanding Writing Achievement (James L. Brooks and Allan Burns, for "Support Your Local Mother," in which Nancy Walker makes her first appearance as Rhoda Morganstern's obstreperous mom, Ida). ~ Hal Erickson, All Movie Guide

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Starring:
Mary Tyler MooreEd Asner, (more)
1971  
 
Suddenly Single is an assembly-line ABC Movie of the Week, given extra value by its attractive star lineup. The ball gets rolling when pharmacist Hal Holbrook is served divorce papers rather than dinner by his wife. Having been out of circulation since his marriage, the handsome but befuddled Holbrook plunges into the '70s singles scene. Comedy alternates with drama until the letdown finale, which may have been acceptable in October of 1971 but is most unsatisfying when seen today. The all-TV cast includes Harvey Korman and Cloris Leachman here seen at their least excessive in their pre-Mel Brooks days. ~ Hal Erickson, All Movie Guide

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1971  
 
Gene Wilder and Bob Newhart star as husbands who have some explaining to do in this made-for-television comedy. Wilder stars as Harry Evers and Newhart as Marvin Ellison, two friends who decide to keep up their Thursday night escapades after their weekly poker game breaks up. When their wives find out though (Ellen Burstyn and Cloris Leachman, respectively) they want to know just what their husbands have been doing. ~ Bernadette McCallion, All Movie Guide

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