Kristina Adolphson Movies

Brink of Life (original Swedish title: Nara Livet) can be described as an Ingmar Bergman potboiler--keeping in mind that a potboiler from Bergman is better than a major production from almost anyone else. Eva Dahlbeck, Ingrid Thulin and Bibi Andersson portray three mothers in a maternity ward. In the course of a few days, each woman reveals to the others their life stories and intimate thoughts. And each wrestles with the decision whether or not to keep their babies or give them up for adoption. Brink of Life was adapted by Bergman from an original story by Ulla Isaakson. ~ Hal Erickson, All Movie Guide

Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While hovering between life and death, she imagines she sees all the people who've been influential in her life, and rails against them for causing her neuroses. Only while recovering does she learn who the spectral old woman is and why she is undergoing so harrowing an emotional experience. Like his later Scenes From a Marriage, Bergman's Face to Face (Ansikte mot ansikte) originated as a multipart TV series, which was then pared down into a two-hour-plus feature film. ~ Hal Erickson, All Movie Guide

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, All Movie Guide

Originally made for television and directed by distinguished Swedish actress-turned-director Liv Ullman, this provocative drama is a sequel to director-turned-screenwriter Ingmar Bergman's autobiographical Bille August-directed drama Best Intentions (1992). Returning to their roles of Bergman's parents are actors Pernilla August and Samuel Froler; their discussions are divided into five sections that take place over several years beginning on a Sunday in July, 1925 when young Anna Bergman runs into her old friend and mentor Jacob (Max von Sydow) an aged priest. She is obviously distraught about something and soon confesses to him that she has been cheating on her husband Henrik, also a priest, with yet another man of the cloth named Tomas Egerman (Thomas Hanzon). Jacob suggests she immediately end the affair and inform her husband. Several weeks pass and Anna finally heeds Jacob's advice. When her words finally sink in, Henrik becomes angry and begins grilling her for details. Her further confessions make matters worse. The tale then flashes back to Anna's seduction of Tomas, a situation which reveals truths unspoken by Anna in her confessions. The fourth segment of the story is set several years later. Anna visits the now elderly and frail Jacob. The final discussion jumps back to 1907 when the adolescent Anna first met Jacob and this segment reveals a few more truths about the nature of her friendship with Jacob. ~ Sandra Brennan, All Movie Guide