Philippe Leroy Movies

After beginning the witchy tale of the malevolent "Three Mothers" at a secretive ballet academy in Freiburg, Germany (Suspiria), and later tracking the supernatural goings-on to a doomed tenement building in New York City (Inferno), Italian horror icon Dario Argento draws his long-running trilogy to a close with this third and final installment, set in the Italian capital. Co-scripted by Toolbox Murders screenwriters Adam Gierasch and Jace Anderson, Mother of Tears stars Asia Argento as an American art student who unknowingly unleashes a demonic plague of witches on Rome by breaking the seal of an ancient urn. Udo Kier, Adam James, Philippe Leroy, and Daria Nicolodi also appear in the eagerly anticipated tale of Mater Lachrymarum -- the third and most powerful witch in the terrifying trilogy. ~ Jason Buchanan, All Movie Guide

This romantic historical drama is based on the diaries of Agnes Von Kurowsky, who while serving as a nurse during World War I had a love affair with a young man who would later become one of the great literary figures of the 20th century, Ernest Hemingway. In 1918, 18-year-old Hemingway has volunteered to fight in the great war; while he goes into battle imagining it to be a lark, he soon discovers that the realities of warfare are far more grim, and during a shelling attack in Italy, his leg is severely wounded. Hemingway has taken a great deal of shrapnel, and the doctors at the field hospital decide that amputation would be the quickest and most effective way to deal with the injury. However, the idea of losing a leg horrifies Hemingway, and he pleads with Agnes (Sandra Bullock), the Austrian nurse looking after him, not to let the doctors cut off his limb. Moved by Hemingway's concern, Agnes convinces the doctors to pursue other treatments, and she looks after him during his long and difficult convalescence. Love and passion bloom between the young and naive soldier and the 26-year-old nurse, but while he's eager for her to return home with him as he follows his muse as a writer, she regards him not as the love of her life but as a passing fling and thinks that he's too young to marry. Agnes eventually sends Hemingway a "Dear John" letter; later Hemingway would use her as the basis for several characters in his novels and short stories, not always flatteringly. In Love and War was directed by Richard Attenborough, previously an Academy Award winner for Gandhi. ~ Mark Deming, All Movie Guide

This comedy connects three unrelated stories of gamblers as they seek their fortunes in the casinos of Monte Carlo. When Furio (Christian De Sica) wins big but has his money stolen, he is forced to spend the night with an unappealing millionairess. Gino (Massimo Boldi) and his brother are fleeced by the fortune-hunting female Silvia (Florence Guerin). Oscar (Ezio Greggio) is a predatory gambler who find himself devoured by a French card shark. ~ Dan Pavlides, All Movie Guide

In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki. ~ Hal Erickson, All Movie Guide

A misguided attempt to dramatize the psychological triad formed by German philosopher Friedrich Nietzsche (Erland Josephson), his Jewish friend Paul Rees (Robert Powell), and a Russian girl named Lou Von Salome (Dominique Sanda), this overbearing drama fails mightily. Nietzsche is portrayed as a jealous sociopath who drives Rees to suicide, and director Liliana Cavani cannot resist including a drug-hallucination ballet about Good and Evil which approaches the excesses of her controversial Il Portiere di Notte in its melodramatic sexual hysteria. Cavani's film is feverish where it should have been calculating and lurid where it should have been provocative. The result may be the first exploitation film aimed at philosophy students, and even deft supporting turns by Virna Lisi and Philippe Leroy cannot make the dialogue -- drawn hamfistedly from Nietzsche's own writings -- any less ridiculous. ~ Robert Firsching, All Movie Guide

After her father (Adolfo Celi) is exiled to an island off the coast of Italy for his anti-Mussolini politics, Libera (Claudia Cardinale) is increasingly incensed by the fascist government of Italy and makes a number of bold and very personal gestures against it. At first, these only result in her husband's losing his jobs, but they are finally exiled to the same island that her father was sent to. There she develops a passion for Sandro (Bekim Fehmiu), another internee, but is restrained from having an affair by her strong sense of values. After World War II breaks out, the resistance to fascism becomes much more organized and more active. Libera joins them on a number of actions, usually when these coincide with her more personal vendetta against the Brown-shirts. ~ Clarke Fountain, All Movie Guide

In this French film, soldiers in the Algerian war not only fight against the rebelling natives of that country, but fight an equally brutal battle among themselves. Three young army misfits are assigned to a brutal "disciplinary company" during the conflict. When the "discipline" becomes too harsh for him to bear, one of the soldiers kills two of his tormentors. ~ Clarke Fountain, All Movie Guide

This voyeuristic story finds the wealthy philanthropist Sayer (Philippe Leroy) getting his weekend jollies as a sadist. When his usual street-walking female can't make the scene, he employs his willing secretary Mary (Dagmar Lassander) to take her place. After submitting to his demands, she takes over as the aggressive sexual predator, seemingly curing Sayer of his impotence. Mary dominates the rejuvenated Sayer until he has a massive heart attack in this erotically tinged thriller. This marks the directorial debut for Piero Schivazappa. ~ Dan Pavlides, All Movie Guide

When Paola (Daniele Gaubert) feels her husband Marco (Philippe Leroy) is neglecting her, she willingly falls for his best friend Alberto (Horst Buchholz). Marco allows the affair to proceed and Paola experiences feelings of love she never knew were possible. She returns to her marital commitments but allows her romantic fantasies of Alberto and a Lesbian lover to continue. Marco soon experiences the positive benefits of his wife's imagination as their romantic romps take a favorable turn for the better. Nude scenes could mark this film as an exploitation feature. ~ Dan Pavlides, All Movie Guide