Bernard Le Coq Movies

The comedy Times Have Been Better concerns a married couple whose preconceptions about their own open-mindedness are shattered when their oldest son announces he is homosexual. The family dynamic is complicated because the son's younger brother has always known the truth, but resents his older brother's status as the family favorite. ~ Perry Seibert, All Movie Guide

A pair of reporters uncover a secret war that threatens the peace of two nations in this thriller based on actual events. In the 1980s, the Grupos Antiterroristas de Liberacion (or GAL) was an anti-terrorist organization sponsored by the Spanish government that was launched in response to attacks by a Basque revolutionary force, the Euskadi Ta Askatasuna (or ETA). However, the GAL developed a reputation for reckless violence and targeting the wrong people, and Spanish progressives regarded them as little more than a gang of hit men. When an innocent Frenchman is killed by GAL forces, the story attracts the attention of Pablo (Abel Folk), a newspaper editor, who assigns two of his best writers, Manuel (Jose Garcia) and Marta (Natalia Verbeke) to look into the GAL and its leadership. As Manuel and Marta learn more about GAL chief Ariza (Jordi Mollà), they unravel a web of violence and corruption that leads to the highest offices in the land. GAL was produced in part by Melchor Miralles, one of the real-life journalists who uncovered the GAL scandal, while the newspaper that carried his stories, El Mundo, provided financing for the picture. ~ Mark Deming, All Movie Guide

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, All Movie Guide

A middle-aged Frenchwoman is either experiencing delusions of grandeur or the full force of destiny in director Tonie Marshall's 2002 romantic drama Nearest to Heaven (Au Plus Pres Du Paradis). When single non-fiction book author Fanette (Catherine Deneuve) accidentally bumps into former schoolmate Bernard (Bernard Le Coq) -- who was smitten with Fanette in school but whose affection remained unrequited -- she is reminded of another man whom she loved intensely. This other man, Philippe, left a huge impression on Fanette as she begins to lose herself in reminiscences over the brief, intense relationship the two experienced. After catching a number of screenings for the 1957 film An Affair to Remember -- which was also Fanette and Philippe's favorite film during their fling -- Fanette gets the notion from what may or may not be a figment of her imagination to go to New York and visit the observation deck of the Empire State Building. Setting out under the pretense of putting the finishing touches on her latest book, she arrives in the States and discovers her usual photographer has been replaced by the single and somewhat attractive male photographer Matt (William Hurt) -- which further confuses Fanette when she eventually develops feelings for him. ~ Ryan Shriver, All Movie Guide

Two people on opposite sides of the law are brought together under unusual circumstances in this thriller. Lea (Elsa Zylberstein) is a young woman with a checkered past who has just finished a stretch in prison and is waiting for her teenaged brother, Sammy (Vincent Martinez), to pick her up. As it turns out, Sammy has been nurturing an impressive criminal career of his own, and he's killed in an ambush with plainclothes police officers within Lea's sight. Traumatized, Lea isn't sure where to turn, and finds solace in the arms of David (Richard Berry), a police detective who is dealing with a crisis of his own -- he confiscated two kilos of heroin during a drug bust, which ruthless criminal, Zak (Pascal Greggory), is demanding as ransom after kidnapping David's nine-month-old son. While their tragedies have brought them together, what Lea doesn't know is that David is the policeman who shot her brother, and soon they both find themselves at odds with one another's allies in the French criminal underworld. Un Ange was a rare foray into theatrical filmmaking for established television director Miguel Courtois. ~ Mark Deming, All Movie Guide

Fernando E. Solanas directed this Argentine-French-Italian-German drama with allegorical reflections of Argentina's past history. The film is divided into four chapters ("The Mirror," "The Waiting Men," "Oblivion," "Howls") with subchapters ("Punishments," "Rewards," "Obstinacy"). A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them. Shown in competition at the 1998 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

A successful prostitute attempts to fashion a homeless man into her ideal pimp in this unconventional, darkly humorous French drama. Marie (Anouk Grinberg) has no real need for a pimp, being a self-reliant, unabashed woman so fond of her job as a hooker that she is able to convince strangers to try it themselves. Indeed, her financial success allows her to take care of Jeannot (Gérard Lanvin), an impoverished vagrant whom she finds on the streets. She provides him with a bath and a place to sleep, and the two rapidly become lovers. Nevertheless, Marie is soon imploring Jeannot to act as her pimp, begging him to slap her around and take her money. He takes to his new role and soon decides to talk a manicurist (Valeria Bruni Tedeschi) into becoming the next member of his stable. The newcomer's inexperience proves to be his downfall, however, as the manicurist lands him in trouble with the law. Director Bertrand Blier attempts to create a controversial look at sexuality by combining black comedy with scenes of smoky sensuality, though many critics found the central premise and the presentation of Marie's contradictory, masochistic character too unconvincing for the film to be fully successful. ~ Judd Blaise, All Movie Guide

This fluffy French romantic comedy chronicles the love lives of several lovers and relatives. Margeau has just arrived in Paris from New York. Twenty years before, she left her husband, a painter and many years her senior and her daughter Jess, who now sells classic cars with her partner the clumsy Mario. Jess is recovering from an accidental overdose on sleeping pills. Her hospitalization brought Margeau home. Jess has a young boyfriend, a musician not terribly interested in sex, and a 17 year old son from her ex- husband Pierre. A restaurateur Pierre now lives with a very young African student. The hospital shrink helping Jess ends up having an affair with her son. Before the film ends and Margeau returns home, Jess comes close to death three more times. ~ Sandra Brennan, All Movie Guide

Whenever people are released from their society's constraints, there is the possibility that they will behave badly, at least according to the rules of the society they have left behind. This seems to have been particularly the case for Europeans living in colonial establishments in Africa and Asia. In this drama, based on a story by Stefan Zweig, Dr. Steiner (Andrzej Seweryn) was caught with his fingers in the till at a German hospital. Rather than prosecute him, they gave him the option of emigrating elsewhere. He chose to serve at a clinic in a remote part of Portuguese Goa. He has been on his best behavior for years, but when the beautiful wife (Fanny Ardant) of a diplomat comes to him asking for an abortion, he is tempted to ask for sexual favors in return, and his life swiftly goes out of control. ~ Clarke Fountain, All Movie Guide

During a celebration for the sale of his first book, a young writer is forcibly taken from his girlfriend's home by the special police and subjected to lengthy torture and interrogation. In the meantime, the girl tries to get him released, but no one is willing to tell her where he is, nor are they willing to help her. ~ Clarke Fountain, All Movie Guide