Edward J. Le Saint Movies

In this romantic comedy, a chanteuse singing in a trashy Shanghai bar finds hope for escape when a rakish sailor comes to town and falls in love with her. They are happy during his brief layover, but then his ship departs and he must return Stateside. The sailor doesn't make a lot of money and fears that he could never adequately support his new love, and so writes her a letter explaining that they can never meet again. He sends the letter, but it is intercepted by two practical jokers who write a new letter telling the singer how much the sailor loves her. Upon receiving the love letter, the hapless lady sets sail for Los Angeles. Unfortunately, her lover refuses to acknowledge her. Now the two jokers try to do everything they can to bring the two back together. Songs include: "Here's the Key to My Heart" (Richard Whiting, Sidney Clare), "She Learned About Sailors" (Clare, Whiting) and "If I Were Adam and You Were Eve" (James J. Hanley). ~ Sandra Brennan, All Movie Guide

A wealthy, but sad young woman falls in love with an impoverished fellow in this bittersweet romance. While her father is only concerned with her happiness, her uncle strongly objects to the match as he wants her to marry into royalty. When the father's bank is on the verge of collapsing, he asks his brother for help, but he only will if his niece will marry a prince. The dutiful daughter agrees to it. Before she does, her parents arrange for her to meet her true love again. Her father then flies back to meet his brother, but instead ends up crashing his plane so his daughter can receive his insurance policy and marry the man she really loves. ~ Sandra Brennan, All Movie Guide

Hopscotching between westerns and modern-dress actioners in 1933, Tim McCoy once more finds himself at large in the Big City in Hold The Press. The bane of the police department, crime reporter McCoy insists upon conducting his own investigation when a baffling murder occurs. At one point, he is knocked out while snooping where he doesn't belong; at another, he feigns drunkenness (even unto smearing his lips with booze) to throw the bad guys off the track. It goes without saying that not only does our hero gather enough evidence to convict the villains, but also wins the heroine (Shirley Grey). Real-life journalists tended to treat films like Hold The Press derisively, though one suspects they secretly enjoyed them. ~ Hal Erickson, All Movie Guide

Columbia's The Thrill Hunter is more of straight action film than a western, though leading man Buck Jones still wears his traditional cowboy garb. Jones plays a small-town spinner of tall tales who claims to be a top-notch stuntman. He's forced to put up or shut up when a movie company, filming an adventure flick, shows up in town. Offering his services as a stunt double, Jones passes muster as a racecar driver, but he loses his job when he cracks up an airplane. Our hero redeems himself by catching a bunch of criminals who aren't play-acting. Dorothy Revier, allegedly the girlfriend of Columbia Pictures chieftain Harry Cohn, is the incongruously glamorous heroine. ~ Hal Erickson, All Movie Guide

An immigrant and his wife arrive in America hoping to make it big in the world of music. Shortly thereafter, though, the husband finds out his wife is having an affair with a local lowlife; when he turns up dead, the husband is jailed for his murder, even though he protests his innocence. ~ Brian Gusse, All Movie Guide

The Wrecker is a flinty-eyed demolition engineer named Regan (Jack Holt). While he's off on another assignment, Regan's wife Mary (Genevieve Tobin) and supposed best friend Cummings (Sidney Blackmer) engage in some heavy petting. About to wash his hands of his faithless wife and his back-stabbing chum, our hero is compelled to save both their lives when they're pinned under the wreckage of a collapsed schoolhouse. George E. Stones supplies some good-natured ethnic humor as Regan's junk-dealer pal Shapiro. A plot-resolving earthquake caps this typically virile Jack Holt vehicle. ~ Hal Erickson, All Movie Guide

Baby Face is a good example of the kind of spitfire lead female characters that appeared in the cinema of pre-code Hollywood. Lily Powers (Barbara Stanwyck) works as a barmaid in her father's factory-town saloon where she learns to deal with the unwanted advances of male customers. When her father dies, she moves to New York City with her maid, Chico (Theresa Harris), to become a ruthless gold digger. First she meets office boy Jimmy McCoy (a young John Wayne in an uncharacteristically clean-cut role) who helps her get a job at the Gotham Trust Company. From there, she seduces and discards various men (George Brent, Donald Cook, Henry Kolker) as she sleeps her way to the top of the company. Jealously between the men causes a murder scene, so Lily takes her furs and jewels and moves to Paris with Chico. The production code censors tacked on an ending that featured Lily giving away her money and returning to her home town with Brent. ~ Andrea LeVasseur, All Movie Guide

In this western a falsely accused convict is paroled. He goes home and finds himself ostracized by his neighbors who believe he killed a detective. The detective had been looking for a rustler. Only two people, a little boy, and his ex-girlfriend, believe the parolee is telling the truth. The ex-con goes looking for and finds the real killer. ~ Sandra Brennan, All Movie Guide

Warner Bros.' hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Flat broke, Allen is forced to pawn his war medals, which have become a glut on the market. When Allen is innocently involved in a restaurant holdup, the police don't buy his story that the robber (Preston S. Foster) had forced him to clean out the cash register, and Allen is sentenced to ten years on a chain gang. The brutal scenes that follow make the later chain-gang movie Cool Hand Luke (1967) look like a picnic in the country. Unable to stand any more, Allen escapes and heads to Chicago. Using an alias, he builds a new life for himself and within five years is the respected president of a bridge-building firm. His landlady (Glenda Farrell), learning about his past, forces Allen to marry her. When he falls in love with another girl (Helen Vinson) and asks for a divorce, his wife turns him over to the authorities. The real-life Robert Elliot Burns was still a fugitive when he wrote his exposé of the chain-gang system; the publication of Burns' book led to the abolishment of that system and an erasure of Burns' sentence. ~ Hal Erickson, All Movie Guide

Buck Jones took a break from his cowboy duties to play a speedway driver in this highly implausible but fast-paced action melodrama from Columbia Pictures. Jones plays Bill Toomey, a mechanic promising a fatally injured driver (Pat O'Malley) to care for his crippled son Buddy (Mickey Rooney). Through his girlfriend, automobile manufacturing heiress Peggy Preston (Loretta Sayers, Bill becomes a driver himself and is the favorite to win a $5000 purse, enough money to pay for an operation that will enable Buddy to walk. But the race is sabotaged by Tom Carlis (Wallace MacDonald), Old Man Preston's (William Walling) crooked business manager, who is secretly working for the competition. Bill is framed for the accident but nevertheless manages to secure a job as a policeman. In that capacity, he is able to track down the real culprits behind the fix, win the Big Race and help restore Buddy to perfect health. ~ Hans J. Wollstein, All Movie Guide

In this mystery, a detective is called in to investigate the fate of a derelict ship that was found floating off the coast of Port Said. But for a madman and a woman, the ship is empty. The investigator soon reveals a plot involving the destruction of the vessel and insurance money. When the crew found out about it, they mutinied. ~ Sandra Brennan, All Movie Guide

If ever there was an archetypal Marx Brothers comedy, it was the team's 1932 offering Horse Feathers. Groucho Marx is cast as Professor Quincy Adams Wagstaff, the newest president of Huxley College. As he delivers his introductory speech before the assembled student body ("As I look out among your smiling, eager faces, I can readily understand why this college is flat on its back"), he maps out his plans for the future by singing those deathless hits Whatever It Is, I'm Against It and I Always Get My Man. He then has a powwow with his son Frank (Zeppo Marx), who has been a Huxley student for 12 years. Frank tells his old man that Huxley has had a new president every year since 1888, the year the college won its last football game. The only way to save the establishment is to hire a couple of good football players, Mullen and McHardie (Jim Pierce and Nat Pendleton), who hang out at the local speakeasy. With his usual efficiency, Professor Wagstaff signs up the wrong men for the Huxley team: Baravelli (Chico Marx), the ice man/bootlegger, and Pinky (Harpo Marx) the dog catcher. Meanwhile, gambler Jennings (David Landau), who has all his money bet on Darwin College in the upcoming Thanksgiving Day football game, instructs his girlfriend Connie Bailey (Thelma Todd), the college widow, to get her hands on Huxley's secret football signals. This leads to a frenetic four-way courtship in Connie's apartment, as Wagstaff, Baravelli, Pinky and Frank duck in and out of doors and windows to romance the heroine. Later on, Baravelli and Pinky try to kidnap Mullen and McHardie to keep them out of the Big Game, only to end up kidnapped themselves. Miraculously, all four of our heroes show up at the Huxley-Darwin game in time, achieving victory through some of the most creative cheating in gridiron history. Written by such renowned wits as S. J. Perelman, Will B. Johnstone, Bert Kalmar and Harry Ruby, Horse Feathers is a comedy smorgasbord, offering generous doses of all four Marx Brothers performing some of their best-ever material. Who could not love a film in which, just before Chico Marx launches into his obligatory piano solo, Groucho saunters up to the camera and growls "I've got to stay here, but that's no reason why you folks can't go into the lobby until this thing blows over"? In addition, this is the film that introduced the semi-satirical romantic ballad Everyone Says I Love You, which was used over six decades later as the title of a Woody Allen picture. Unfortunately, current prints of Horse Feathers are incomplete, with nearly five minutes of comedy material missing; the search goes on for a pristine, uncut negative. ~ Hal Erickson, All Movie Guide

Although based on a story by William Colt McDonald, the creator of The Three Mesqueteers, this Tim McCoy effort from Columbia was a conventional Western at best. McCoy played Tim Madigan, a cowpoke coming to the aid of Jerry Norris (Alberta Vaughn), whose father (Murdock MacQuarrie) is in trouble with a gang of cattle rustlers. The leaders of the rustlers, Hugo Distang (Robert Ellis) and Bull Bagley (Richard Alexander), prove to be the very same villains Madigan was trailing. Aided by a new friend, Jughandle (Wallace MacDonald), Madigan manages to catch the rustlers red-handed. The bandits are carted off to jail and Jughandle proves to be an agent for the Cattlemen's Association. McCoy offered a competent and believable performance but this time the material was not quite up to his usual high standard. Future Three Stooges menace Vernon Dent appeared as an ill-fated bartender. ~ Hans J. Wollstein, All Movie Guide