John Le Mesurier Movies

In this drama of romantic intrigue and infidelity, Sam and Christine Bonner (Arthur Hill and Jane Fonda) are a married couple whose relationship has hit a rough spot. While Sam loves Christina very much and would do anything for her, she feels unsatisfied and suffocated by him; she wants more space for herself and would like to have a baby. Sam is more than willing to help, but matters become more complicated when he introduces Christine to Murray Logan (Peter Finch), a friend from work, and his wife Sybil (Angela Lansbury). Murray and Sybil are not at all happy together; ever since an auto wreck claimed the life of their son, Sybil has been emotionally on edge and blames her husband for the death of her child. When Murray meets Christine, he finds himself attracted to her; she is also interested in him, but neither are in a position to do anything about it. Sam arranges for the two couples to take a vacation to Greece together, hoping a change of scenery will bring a spark back into their lives. However, Sam's father Frederick (Alexander Knox) falls ill just as the couples are about to leave, and he's forced to stay behind. While in Greece, Murray and Christine finally succumb to their desires and begin an affair; an angry Sybil retaliates by both having a fling with a local man and spilling the beans to Sam about Murray and his wife. John Houseman, later to become famous as an actor, served as a producer on this film. ~ Mark Deming, All Movie Guide

This comedy features a commissionaire who hates shaving and establishes a strike at a razor manufacturing company to get his point across. ~ All Movie Guide

Welsh librarian John Lewis (Peter Sellers), unhappily married to Jean Lewis (Virginia Maskell), falls in love with the glamorous Elizabeth Gruffydd Williams (Mai Zetterling). Zetterling is likewise saddled with a dull spouse, wealthy Vernon Gruffyd-Williams (Raymond Huntley). Finding themselves to be kindred spirits, Sellers and Zetterling plan an illicit affair. Alas, none of their carefully calculated schemes for a romantic tryst come to fruition thanks to a series of comic (but utterly credible) complications.
John ultimately concludes that adultery simply isn't worth the bother. ~ Hal Erickson, All Movie Guide

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, All Movie Guide

An innocent architect stands accused of killing a professional gambler in this crime drama. Now only his lawyer can save him. Unfortunately, he soon discovers that he may be better off defending himself. ~ Sandra Brennan, All Movie Guide

It's probably no surprise that Invasion Quartet has four leading actors; what might be surprising, especially to the unwary war-film fan, is that film is a comedy. British funster Spike Milligan joins the sobersided Bill Travers, John LeMesurier and Gregoire Aslan; the foursome are undercover agents, travelling by train behind Nazi lines. It's all part of a plan to disarm a huge German gun that is aimed at the port of Dover. Just so the audience knows it's supposed to be laughing, the creators of Invasion Quartet pile joke upon joke by having the Nazis portrayed as bumbling buffoons. What works for Hogan's Heroes does not necessarily add to the effectiveness of Invasion Quartet. ~ Hal Erickson, All Movie Guide

Mr. Topaze was based on a play by Marcel Pagnol, previously filmed twice before with John Barrymore and Fernandel. Peter Sellers stars as a French college professor, known far and wide for his integrity. He refuses to improve a grade on the paper of one student, whose influential father sees to it that Sellers is fired. Cast adrift in the business world, Sellers is hired by a crooked liquor executive (Herbert Lom) to act as "front" for the benefit of the authorities. When Sellers catches on how much money there is in the business, his honesty evaporates and he becomes as underhanded as the next fellow. The love of Joan Sims enables Sellers to change his ways before his dishonesty can become disastrous. Mr. Topaze was rereleased in 1963 as I Like Money; once again, however, no one wanted to see a "straight" Peter Sellers in a role that called out for the broad comedy he did so well. ~ Hal Erickson, All Movie Guide

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide

A typical British slapstick farce, this comedy by Darcy Conyers based on Basil Thomas' play The Love Birds, involves reincarnation, huckstering, and jealousy. Cecil Gibson (Ronald Shiner) led a shady professional life as an antique furniture restorer, and after he dies his widow Julie (Dora Bryan) and her new husband Bertie (Brian Rix) pay the consequences. A gangster is after them because of a bogus antique bed that the late Cecil pawned off for a quick buck. Aside from this constant threat, Cecil has reincarnated as a talky parrot whose main ambition is to make life difficult for his wife and Bertie. Several hilarious slapstick scenes involving chases or sexual encounters, as well as the more reserved wit found in caricatures like an inept magistrate, are all hallmarks of a typically British sense of humor here (shared by many non-Brits). ~ Eleanor Mannikka, All Movie Guide

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, All Movie Guide

Released in the US in 1963, the British Let's Get Married was actually filmed three years earlier. Anthony Newley plays a medical student who buckles under pressure. Hoping to get accustomed to dealing with people, he takes a job as a delivery boy. While thus employed, he meets and marries model Anne Aubrey, who's been impregnated by her previous beau. When Aubrey goes into early labor, Newley's first impulse is to panic. Will this prove to be his emotional coming of age-or his Waterloo? Based on a novel by Ken Taylor, this lightweight effort allows both Newley and Aubrey to sing a few sprightly tunes. ~ Hal Erickson, All Movie Guide

This is the fourth in a series of "doctor" films that began in 1953 with Doctor in the House. Unlike its predecessors, the chief medico is now Dr. Richard Hare (Michael Craig) and he tends to share the spotlight with a few colleagues, making this more of an ensemble effort. Dr. Hare is in his own hospital as a patient when he falls for the nurse (Moira Redmond) assigned to his room. That romance does not linger for long because he eventually meets the charming Dr. Barrington (Virginia Maskell) and really gives his heart away, metaphorically speaking -- this is not a transplant movie. Interspersed throughout the story of Dr. Hare and his colleagues are several funny episodes that have the imminently respectable protagonists turning up by accident at the wrong place -- such as a strip joint instead of a medical conference, or else they encounter unexpected characters, such as ladies of the evening, or they are involved in incidents that just seem to go from awkward to hilarious -- all making this a light-hearted spoof that would entertain any audience ready for an amusing film. ~ Eleanor Mannikka, All Movie Guide

Adapted from the book Lake of Darkness, the story concerns an innocent young man who tries his hand at gambling. After winning a bag of loot, he finds himself mixed up with a sorry bunch of undesirables. ~ John Bush, All Movie Guide