Paul Le Mat Movies

It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, All Movie Guide

Actor Arliss Howard made his debut as a director with this emotional drama adapted from a handful of short stories by Larry Brown. Barlow (Arliss Howard) is a deeply troubled Vietnam veteran who has been chasing a career as a writer, with little success; when he isn't struggling with his typewriter, he's usually drinking, and his wild mood swings and alcoholic fits of rage have driven away his wife Marilyn (Debra Winger), who has taken their son Alan (Zach Moody) and daughter Alisha (Olivia Kersey) with her. Barlow would like to see his children, but Marilyn refuses to allow it until he catches up on his alimony and child support payments; one of Barlow's few loyal friends, Monroe (Paul LeMat), a buddy from his Army days, is able to get him work as a house painter. With steady paychecks, Barlow is finally able to clear his debts to Marilyn, but she refuses to acknowledge that he's made much progress in turning his life around, and he doesn't get much more emotional support from his ailing mother (Angie Dickinson) or his friend Velma (Rosanna Arquette). Big Bad Love marked the second screen pairing for husband-and-wife Arliss Howard and Debra Winger; it was also Winger's first screen appearance in six years. Acclaimed songwriter Tom Waits composed the film's original score. ~ Mark Deming, All Movie Guide

CB radios provide a human connection between the lives of a collection of varied characters in Jonathan Demme's energizing film that exploits the CB radio craze of the mid-'70s. Chrome Angel (Charles Napier) is a truck driver who has an accident and is laid up recuperating at the home of Hot Coffee (Alix Elias). A road-roaring philanderer, Chrome Angel is a bigamist with a wife, Dallas (Ann Wedgeworth), in Dallas and another wife, Portland (Marcia Rodd), in Portland. The two women converge in a small town where Spider (Paul Le Mat) and his embittered brother Blood (Bruce McGill) are both trying to date Electra (Candy Clark). The characters' CB monikers weave the characters into the same CB waveband, exemplifying the interconnectedness of an American subculture. ~ Paul Brenner, All Movie Guide

A homeless teenager in Los Angeles manages to wind up sharing an apartment in a ritzy complex. One night he sees a beautiful neighbor swimming nude in the pool, when she is suddenly attacked by her crazed, insanely jealous husband. As he is drawn into his neighbor's life, what he doesn't realize is that he is being set up. ~ Brian Gusse, All Movie Guide

Advertised as a parody of cheapo-sleazo biker flicks, Easy Wheels looks so much like the real thing that one wonders whether or not we were originally supposed to take the whole megillah seriously. Biker Bruce (Paul Le Mat) and She Wolf (Eileen Davidson) forget their mutual animosity long enough to plan a mass abduction of female babies. The idea is to create a race of super biker chicks, who will enslave mankind and set up a leather-jacketed matriarchy. Bruce isn't completely sold on this idea and bides his time until he gets a chance to undermine She Wolf. Filmed in glamorous Des Moines and Dubuque, Easy Wheels makes all those American-International flicks of the 1960s look like the collected works of Antonioni. ~ Hal Erickson, All Movie Guide

When a young woman believes that she is being controlled by spirits, she hires a parapsychologist to root out the source of her torment. ~ Iotis Erlewine, All Movie Guide

This made-for-cable thriller stars Powers Boothe as a former policeman whose son (C. Thomas Howell) has fallen prey to a band of white supremacists. ~ Jason Ankeny, All Movie Guide