Paul Le Mat Movies

Actor Arliss Howard made his debut as a director with this emotional drama adapted from a handful of short stories by Larry Brown. Barlow (Arliss Howard) is a deeply troubled Vietnam veteran who has been chasing a career as a writer, with little success; when he isn't struggling with his typewriter, he's usually drinking, and his wild mood swings and alcoholic fits of rage have driven away his wife Marilyn (Debra Winger), who has taken their son Alan (Zach Moody) and daughter Alisha (Olivia Kersey) with her. Barlow would like to see his children, but Marilyn refuses to allow it until he catches up on his alimony and child support payments; one of Barlow's few loyal friends, Monroe (Paul LeMat), a buddy from his Army days, is able to get him work as a house painter. With steady paychecks, Barlow is finally able to clear his debts to Marilyn, but she refuses to acknowledge that he's made much progress in turning his life around, and he doesn't get much more emotional support from his ailing mother (Angie Dickinson) or his friend Velma (Rosanna Arquette). Big Bad Love marked the second screen pairing for husband-and-wife Arliss Howard and Debra Winger; it was also Winger's first screen appearance in six years. Acclaimed songwriter Tom Waits composed the film's original score. ~ Mark Deming, Rovi

Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race hatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." ~ Bhob Stewart, Rovi

In this taut erotic chiller, a professor's pretty assistant has no idea that her involvement in his investigation of ESP will put her life in danger. The problem stems from her own natural psychic ability, one that it is so strong that she can pick up the distress and memories of others, even dead people. The assistant's troubles really begin when she begins identifying with a recently slain coed. ~ Sandra Brennan, Rovi

A homeless teenager in Los Angeles manages to wind up sharing an apartment in a ritzy complex. One night he sees a beautiful neighbor swimming nude in the pool, when she is suddenly attacked by her crazed, insanely jealous husband. As he is drawn into his neighbor's life, what he doesn't realize is that he is being set up. ~ Brian Gusse, Rovi

This 1970s true story features a fanatically religious woman and her son-in-law who hold her children prisoner while waiting for her late husband's resurrection in Utah. ~ Rovi