William Le Maire Movies

Adapted from a "drawn from life" novel by Sir Phillip Gibbs, Captured is the story of the men in a German POW camp during World War I. Amongst the allied prisoners are Leslie Howard and Douglas Fairbanks Jr. (British), and Paul Lukas (French). Adding to the dramatic intensity is the fact that both Howard and Fairbanks had been in love with the same aristocratic young woman before the war. Instead of serving up slam-bang action sequences, the film is more concerned with detailing the Hell of war and the despair of those who fight it. Not quite in the same league as La Grande Illusion or Stalag 17, Captured is nonetheless worth a second glance. ~ Hal Erickson, All Movie Guide

Warner Bros.' hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Flat broke, Allen is forced to pawn his war medals, which have become a glut on the market. When Allen is innocently involved in a restaurant holdup, the police don't buy his story that the robber (Preston S. Foster) had forced him to clean out the cash register, and Allen is sentenced to ten years on a chain gang. The brutal scenes that follow make the later chain-gang movie Cool Hand Luke (1967) look like a picnic in the country. Unable to stand any more, Allen escapes and heads to Chicago. Using an alias, he builds a new life for himself and within five years is the respected president of a bridge-building firm. His landlady (Glenda Farrell), learning about his past, forces Allen to marry her. When he falls in love with another girl (Helen Vinson) and asks for a divorce, his wife turns him over to the authorities. The real-life Robert Elliot Burns was still a fugitive when he wrote his exposé of the chain-gang system; the publication of Burns' book led to the abolishment of that system and an erasure of Burns' sentence. ~ Hal Erickson, All Movie Guide

Henry Harrison Kroll's novel Cabin in the Cotton was an attack on wealthy southern landowners who exploited their sharecroppers. While the landowners still don't come off too well in Warner Bros.' film version of Kroll's novel, the film tries to avoid stepping on powerful toes, even composing an opening-title disclaimer pointing out that both sides of the issue had arguments in their favor. Richard Barthelmess, 23 going on 45, plays a sharecropper's son who wants to improve his lot with a college education. Land baron Berton Churchill advises Barthelmess' father to get those "silly ideas" out of our hero's head, lest he forget his place. Bette Davis plays Churchill's seductive daughter, whose influence with daddy enables Barthelmess to rise to the position of Churchill's bookkeeper. When Barthelmess discovers that Churchill is cooking the books, Churchill counters that Barthelmess wouldn't have any chance to advance himself without the largess of the landowners. He even tries to get Barthelmess to inform on those field workers who plan to organize a union. A potentially bloody confrontation between the workers and management is quelled by Barthelmess, who manages to wangle compromises from both sides. The only thing Barthelmess loses is Davis, but he is compensated by the affections of longtime sweetheart Dorothy Jordan. Nobody really remembers the plot complications in Cabin in the Cotton; to most viewers, the film is memorable only for Bette Davis' classic line "Ah'd love to kiss ya, but ah jest washed ma hair." ~ Hal Erickson, All Movie Guide

In this western, an orphan who is discovered alone in the desert is raised by a kindly family. The only dark spot in their lives comes from a long-standing feud with another family, something that eventually comes to an end when the orphan grows up and falls in love with the enemy family's daughter. ~ Sandra Brennan, All Movie Guide

The Light of Western Stars goes a long way towards using Paramount's fledgling sound system creatively; some scenes are filmed in complete darkness, allowing voices and sound effects to carry the day. Otherwise, this is a pleasantly familiar western concerning the relationship between drunken-cowpuncher Richard Arlen and new ranch-owner Mary Brian. Arlen's best friend was Brian's brother, who was killed under suspicious circumstances. Fred Kohler is the villain, but he's not as easily subdued as Arlen would prefer. Light of Western Stars was co-directed by Otto Brower and Edwin H. Knopf, but there seems to have been no dissension between these two journeymen; it was based on a novel by Zane Grey, which had previously been filmed twice and was good for another go-round in 1940. ~ Hal Erickson, All Movie Guide