Adam Le Fevre Movies

College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. ~ Norm Schrager, All Movie Guide

Wills, an ex-cop (John Larroquette), and Bobby (Bronson Pinchot), who's a psychic, team up as sleuths in Wills's new "Second Sight Detective Agency." To add a little spice, there's a very pretty nun who catches the eye of the laughable detective. ~ All Movie Guide

The then-contemporary "Preppie Murder" case was the obvious inspiration for this 1990 episode of Law & Order. A wealthy and well-connected young man is charged with the murder of his girlfriend. The efforts of Stone (Michael Moriarty) and Robinette (Richard Brooks) to prosecute the case are stymied by a huge publicity blitz, and by the Defense's strategy of putting the dead woman's character on trial. "Kiss the Girls and Make Them Die" was originally telecast October 11, 1990, as a last-minute replacement for the scheduled episode "Poison Ivy" (which was moved up to November 20). ~ Hal Erickson, All Movie Guide

The renovation of a Manhattan brownstone yields the skeletal remains of a young boy. Further investigation indicates that the unfortunate youngster disappeared without a trace in 1960. The case causes the boy's childhood friend Julie Atkinson (Mary Joan Negro) to suffer the anguish of reliving some horrible, long-repressed memories. This episode marked a reunion between series co-star Michael Moriarty and director Ed Sherin, who'd previously collaborated on Moriarty's debut film, My Old Man's Place (1972). ~ Hal Erickson, All Movie Guide

Screenwriter Craig Bolotin takes a first stab at directing with That Night, a romantic reminiscence of teen love in 1960s Long Island based on a novel by Alice McDermott. Alice (Eliza Dushku) is a reserved, introspective 12-year-old girl who idealizes her neighbor, high-school student Sheryl (Juliette Lewis). Through Alice's point-of-view, we witness the deterioration of Sheryl's life after the death of her father. After becoming pregnant after a fling with the blunt Rick (C. Thomas Howell), Sheryl is whisked away to a home for unwed mothers. Observing Rick's torment, Alice crawls out of her shell to help him track down Sheryl and reunite the two lovers. ~ Paul Brenner, All Movie Guide

President Abraham Lincoln leads the Union in the fight to end the awful bloodshed of the Civil War. The year is 1863. The president had a continuous struggle with the commanders of his army, and the bloodshed from the fighting at Antietam and Fredericksburg distressed him greatly. 1863 was the year of his Emancipation Proclamation and Gettysburg Address. Listen to the story of the events that led to the amazing address at Gettysburg. Actor Jason Robards brings to life the voice of President Lincoln. PBS originally aired this program, the second of a four-volume set narrated by actor James Earl Jones. ~ Linda J. Shriver, All Movie Guide

This video is the fourth installment of the Lincoln series, originally aired on PBS. This volume focuses on the last days and hours of Abraham Lincoln's life. Viewers watch as Lincoln's enemies plot their final revenge on the man they believed had dishonored their heritage. The video also reveals how Lincoln's own dreams foreshadowed his murder and how the series of public funerals, following his death, helped fuel his legendary status that has only grown with time. ~ Karla Baker, All Movie Guide

A young man (Matt Dillon) is trying to go in with his friends on a bowling-alley investment, but finds that his finances are too strapped to attempt the venture. To curb his outlays, he begins arranging a marriage for his ex-wife (Annabella Sciorra) so he can end the alimony payments which keep him in debt. ~ John Bush, All Movie Guide

A woman throws caution to the wind in the pursuit of the man of her dreams -- whom she's never met -- in this romantic comedy. Eleven-year-old Faith (Tammy Minoff) and her cousin Kate (Jessica Hertel) are playing with a Ouiji Board when Faith asks who she will marry -- the magic oracle answers "DAMON BRADLEY," and Faith is convinced that she will one day meet this ideal love. Fifteen years later, Faith (Marisa Tomei) has yet to meet her perfect man and has settled for Dwayne (John Benjamin Hickey), a sweet but boring foot doctor whom she's engaged to marry, with Kate (Bonnie Hunt) helping her plan the festivities. The day before the ceremony, Faith gets a call from one of the groom's friends, who won't be able to attend because he's travelling to Italy instead -- and his name is Damon Bradley. Convinced that fate is trying to tell her something, Faith hops on the next flight to Venice, where she searches for the elusive Damon, and along the way meets the charming Peter Wright (Robert Downey, Jr.). This was Tomei and Downey's second romantic pairing, following their roles in the biopic Chaplin. ~ Mark Deming, All Movie Guide

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

Investigating the stabbing death of a psychologist, the detectives find themselves in the middle of a bitter domestic dispute between a man and wife, Catholics both. The key to the investigation is the fact that the victim worked closely with the Archdiocese to arrange annulments. Once all the evidence is in, the DA's office must fence with an extremely resourceful defense attorney. ~ Hal Erickson, All Movie Guide

One of the short stories in a best-selling collection by author Stephen King becomes this mystery adapted for director Scott Hicks by screenwriter William Goldman, who previously transformed a King story into a box-office hit (Misery, 1990). In the summer of 1960, young Bobby Garfield (Anton Yelchin) is sharing adventures with his best friends Carol (Mika Boorem) and Sully (Will Rothhaar) when an enigmatic lodger named Ted Brautigan (Anthony Hopkins) rents a room in his family's boarding house. Bobby's self-absorbed, widowed mother Liz (Hope Davis) couldn't care less about her son, so Bobby, who is being tormented by local bullies, quickly befriends the otherworldly Ted, becoming his confidante, and reading the paper to him to save the aging man's failing eyesight. Soon, Bobby learns that Ted possesses supernatural gifts, has a haunted past, and is being pursued by sinister men whose intentions are unclear. Hearts in Atlantis co-stars David Morse, who appeared in the previous King adaptation The Green Mile (1999), as the adult Bobby. ~ Karl Williams, All Movie Guide

A teenaged boy in desperate need of a father figure finds one in a place no one should ever have to look in this controversial drama. Howie (Paul Franklin Dano) is a 15-year-old who has been emotionally at sea ever since the death of his mother in an auto accident several years before. Howie's father Marty (Bruce Altman) is also having trouble dealing with the loss, and distracts himself with empty sex while avoiding authorities attempting to prosecute him for using unsafe materials in his building contracting business. Howie falls in with a group of homeless delinquents his own age, becoming especially close to streetwise Gary (Billy Kay). In time, Howie begins to wonder if his feelings for Gary go past ordinary friendship, but the issue of his sexuality is forced into a very different light after Gary persuades Howie to join him in robbing the home of middle-aged former Marine Big John Harrigan (Brian Cox). It doesn't take long for Big John to track down the culprits after Howie and Gary steal several guns from his house, but Howie learns that Big John and Gary have met before -- Gary sometimes works as a male prostitute, and Big John, whose tastes run to boys in their early teens, is a regular customer. When Gary runs away to California, Big John proposes that Howie work off their debt by having sex with him; while Howie is hardly comfortable with this arrangement, he has nowhere else to go after his father ends up in jail, and he finds an unexpected degree of emotional support in his relationship with the curiously compassionate pedophile, who comes to understand just how badly Howie needs help. L.I.E. (the title stands for "Long Island Expressway") premiered at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide