Gabrielle Lazure Movies

French filmmaker Olivier Dahan directs the crime thriller sequel The Crimson Rivers II: The Angels of the Apocalypse, with a script by Luc Besson inspired by the novel Les Rivières Pourpres by Jean-Christophe Grange. Jean Reno returns as veteran police detective Pierre Niemans. He is sent to the Lorraine region of France to investigate a creepy monastery, where his team discovers a dead body hidden in the walls. Meanwhile, police captain Reda (Benoît Magimel) accidentally hits Jésus (Augustin Legrand) with his car, leading to another encounter with a killer monk. Niemans and Reda get together with religious expert Marie (Camille Natta) for the supernatural investigation. Christopher Lee appears in a cameo role. ~ Andrea LeVasseur, Rovi

Jan Michael Vincent is the hero-by-default in Final Heist. As indicated by the title, Vincent is David King, a master thief on the verge of retirement. Feeling unfulfilled until he can pull off one last job, King discovers that his partners in crime have their own agendae. Gabrielle Lazure is the woman in the case. When first telecast on Canadian TV, Final Heist was titled L'Etrange rancon. ~ Hal Erickson, Rovi

Molinat (Phillippe Noiret) and Leroyer (Guy Marchand) are two cops who hate each others guts but are called on to solve the gunshot deaths of victims found on an Atlantic beach resort. The two focus on some females who have a psychological problem with men who are breathing. Molinat sends Leroyer to investigate some sultry suspects, knowing his hated colleague may never come back alive. ~ Dan Pavlides, Rovi

This well-articulated, engaging story about the differing fortunes of two brothers just after Algeria's war for independence is conventional in its outlines, and may have several more characters than can be developed in a short time, but its subtle handling by director Ariel Zeitoun helps to counteract those flaws. Rego (Christophe Malavoy) has just returned from a tour of duty in Algeria where he escaped the demands of his budding musical career. Now that he is back, his former agent does not welcome him with open arms because he is still mad over Rego's sudden departure, just when things were going well. The delinquent, wild teenager Antoine (Pierre-Loup Rajot) is Rego's younger brother, now in love with his new music teacher (Gabrielle Lazure), and his persistence in going after the reserved young woman ends in a brief and forbidden fling -- and trouble for her. As events continue on their course, the fate of the two brothers is vastly divergent, even though they continue to have a strong bond between them. ~ Eleanor Mannikka, Rovi

Violent scenes, such as a woman doused with gasoline and set on fire, do nothing to help this melodramatic crime-drama rise above others in its genre. When a police commissioner is determined to track down sources of corruption that reach up to the higher echelons of government he has no idea who he can trust and who not. Without the support of his love interest, a dedicated journalist, he would not stand a chance. ~ Eleanor Mannikka, Rovi

This self-conscious film with acting that is not quite up to par, is about an insurance investigator who meets an attractive woman in a hotel on his way to check out the causes of a fire that destroyed a movie set. The woman is still on his mind when he reaches the set, where contacts with the irritating, emotionally impaired movie crew leave him in a confused state himself -- all the more confused when he learns that his mystery woman had been working on this set as an actress when she suddenly left. ~ Eleanor Mannikka, Rovi

Despite a fast-paced story that slams the broadcast industry and lotto mentality, this sci-fi action thriller emphasizes action over anxiety, and so its hunt-and-kill premise is less exciting than it sounds. Based on a Robert Sheckley tale, the action is brought about by a television show invented by money-motivated executives with ratings on the brain. The idea is to choose someone from the vast sea of the unemployed and cast them as the "hunted," while five others are the "hunters." The prey receives a million dollars if he or she can outsmart the five hunters, and a hunter gets $100,000 for finding and killing their human target. François Jacquemard (Gerard Lanvin) is chosen to be the man who has to outsmart the five hitmen, and when he proves to be too good at it, the TV executives have to find a way to outsmart him. All the drama, from beginning to end, is played out under the watchful eyes of multiple TV cameras, on the ground and in the air, while blood-thirsty viewers stay glued to their sets like Romans watching the gladiators -- but unlike the Romans, they are regularly interrupted by those annoying commercial breaks. ~ Eleanor Mannikka, Rovi