Paul Lazar Movies

A haunted New York City detective must delve into his dark past in order to stop a serial killer whose highly artistic modus operandi seems uncannily similar to that of a madman who stalked the city streets five years prior. When reclusive detective Stan Aubray (Willem Dafoe) gunned down the man suspected of being the "Uncle Eddie" murderer, he thought his nightmare had come to an end. But now a new crop of victims has begun to turn up, each bearing the distinctive mark of the maniac whom everyone had presumed to be dead. Much like the unfortunate victims of "Uncle Eddie," the bodies in this latest batch have been carefully arranged in a manner that reflects the artistic style known as anamorphosis -- where hidden meanings can be revealed by viewing the crime scenes from different perspectives. Could this be the work of a copycat killer, or is it possible that Detective Aubray and his men killed the wrong man on that fateful day five years ago? All signs indicate that the latest killings were carried out with Detective Aubray specifically in mind, prompting him to reexamine the painful questions that he had struggled all these years to suppress. On one side, Detective Aubray faces the scrutiny of a bright young detective (Scott Speedman) who has his own unique ideas about the killings, and on the other, a disturbed young woman (Clea Duvall) who proves a dangerous link to Detective Aubray's mystery-shrouded past. Only by confronting the possibility that he fears most will Detective Aubray finally be able to overcome his own stifling sense of guilt and finally uncover the truth about the most gruesome crimes ever committed in New York City. ~ Jason Buchanan, All Movie Guide

Beauty meets the Beast, and neither is sure just what to make of the other, in a modern-dress comic variation on the ancient folk tale, written and directed by the eternally offbeat Hal Hartley. Beatrice (Sarah Polley) works with the office staff of a sleazy tabloid TV news show, run by a harridan producer (Helen Mirren) eager for something other than the usual spate of violent crimes and natural disasters that are her show's bread and butter. The producer sends her camera crew to Iceland in search of something new and unusual, and they certainly find it when they run across a village that has its own monster (Robert John Burke), a large part-mammal and part-lizard with a short temper and habit of killing people who get on his nerves. The show's camera crew (including Beatrice's boyfriend) doesn't survive their first encounter with the monster, and Beatrice is sent to find out what happened to them. En route to Iceland, Beatrice's plane crashes into the waters off the coast, and while she survives the accident, a group of unsympathetic locals decide (after a few drinks too many) to take her to the monster's lair, where a grim fate doubtless awaits her. Except that the monster is a bit depressed and Beatrice isn't in the mood to take any guff from anyone; after the monster wonders aloud why folks aren't as frightened of him as they once were, he asks Beatrice to help him find Dr. Artaud (Baltasar Kormakur), a mad scientist who might be able to cure him of the curse of eternal life. No Such Thing received its world premiere at the 2001 Cannes Film Festival, where it was screened as part of the Un Certain Regard series. ~ Mark Deming, All Movie Guide

Would you believe Hugh Grant as a violent Mafioso from Kansas City? Don't worry if you can't: that's part of the joke in this romantic comedy. Michael Felgate (Hugh Grant) is a British expatriate living in Manhattan who runs a successful auction house dealing in rare and valuable art. When Michael meets Gina (Jeanne Tripplehorn), he's immediately smitten, and three months later he asks for her hand in marriage. Gina, however, tells Michael that she could never marry him because of her family. Crestfallen, Michael wants to find out what the trouble could be; and when he tracks down Gina's father Frank (James Caan), he discovers the nature of Gina's family problems: Frank is a Mafia kingpin, and several of Gina's previous boyfriends have met an ill fate trying to fit in with his criminal lifestyle. Frank, however, takes an immediate liking to Michael and asks him for a few small favors. Before long, Michael has inadvertently laundered mob money through his auction house and has to pass himself off to rival gangsters as Mickey Blue Eyes, a wiseguy from Kansas City. Mickey Blue Eyes was co-produced by Hugh Grant's significant other, Elizabeth Hurley, and directed by Kelly Makin, whose previous credits include the Kids in the Hall movie Brain Candy. ~ Mark Deming, All Movie Guide

Gena (Aesha Waks) is a 16-year-old girl whose mother has fallen into a coma; with her immediate family unable to watch over her, it's decided that she'll spend the summer with her Uncle John (Paul Lazar). Gena takes a part-time job at a beauty parlor and makes friends with a girl named Jane (Summer Phoenix). Jane, however, is not an especially good influence; she's a recent runaway from a halfway house and is looking for her missing brother Sonny (Sam Rockwell), a convicted felon. When Jane disappears, Gena searches for her and is led into a netherworld of drugs, crime, gang violence, and sexual initiation. This independent drama was screened at the 1997 Sundance Film Festival; Heather Matarazzo of Welcome to the Dollhouse appears in a supporting role. ~ Mark Deming, All Movie Guide

This character drama follows the exploits of an aged oil seeker, known only as Mr. Cox, as he roams across Texas in search of black gold. He has a special gift for it and has helped many wildcatters strike it rich. Unfortunately, he has yet to find his own gusher. In 1935, Cox has only a suitcase and a cat to his name. During a tremendous windstorm, he is forced to seek shelter in a farmhouse, owned by Don and Cora Day. The Days have three daughters and must scramble to eke out a meager existence on their dusty farm, located near the town of Henrietta. While there, Mr. Cox begins getting that old feeling that tells him that there is a lot of oil on the Day's farm. They think he is plumb loco and ask him to leave, but Cox wants to find out if it is true. He goes to an old friend, Big Dave, who thanks to Cox, has become an oil tycoon, to help him do some test drilling, but Big Dave has a short memory and brushes Cox off as a "hopeless loser." The determined Cox then devises a scheme to force Big Dave to provide him with financial backing. ~ Sandra Brennan, All Movie Guide

A mix of political satire and a modern take on 1930's-style screwball comedy, this romance from director Ron Underwood was assumed by many to be based on the real-life relationship between liberal political consultant James Carville and conservative commentator Mary Matalin. Michael Keaton stars as Kevin, an insomniac who meets Julia (Geena Davis) in a store late one night as they haggle over the last bottle of sleeping pills. After spending a romantic evening together, Kevin and Julia each discover to their chagrin that the other is a rival speechwriter in a nasty New Mexico senatorial campaign. As the senate race heats up, the bickering pair tries to keep the relationship alive, but then Julia's ex-fiance Baghdad Bob Freed (Christopher Reeve), a network news foreign correspondent, shows up with the intention of renewing their relationship. ~ Karl Williams, All Movie Guide

At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew's partner, Joanne Woodward as Andrew's mother, and Stephanie Roth as Joe's wife. ~ Paul Brenner, All Movie Guide

A hybrid cross-pollination of a Martin Scorsese and Frank Capra film, this feel-good comic fantasy is loosely based on the real-life story of a New York lottery winner. Anthony LaPaglia stars as Frank Pesce Jr., a New Yorker with a good-luck streak that is unmatched in his Little Italy neighborhood. When Frank throws a pair of dice in a game of chance, he doesn't just toss a winning hand, the dice land on top of each other. When he's stabbed in the chest by a girlfriend's brother, his doctors find a pre-cancerous tumor. Although he tries again and again to get rid of a vehicle he no longer wants, it is retrieved every single time by the authorities. So when New York announces its first statewide lottery in 1976, Frank buys one ticket and immediately becomes everybody's best friend. Unfortunately, Frank's good luck is matched by the equally bad luck of his hard-working father, Frank Sr. (Danny Aiello), who has run up a gambling debt to a local mobster. The wise guy is willing to forgive the note if Frank Jr. will just hand over his sure-to-be lucky ticket, leaving the city's luckiest Italian-American in a bit of a moral quandary. The real Frank Pesce Jr. executive produces and co-stars in 29th Street as his own police officer brother, Vito. ~ Karl Williams, All Movie Guide

Women and Men 2 is the second installment of HBO's short-story anthology series. In the first episode, Carson McCuller's "A Domestic Dilemma," Ray Liotta plays a husband who has to cut back on his work in order to care for his children, since his alcoholic wife (Andie MacDowell) cannot be trusted. In Irwin Shaw's "Return to Kansas City," a boxer (Matt Dillon) is unwilling to take risks in order to win love. In Henry Miller's "Mara," Scott Glenn plays Miller in a story about his love for a Parisian prostitute. ~ Stephen Thomas Erlewine, All Movie Guide

Michelle Pfeiffer is Married to the Mob in this comedy. The wife of Mafia hitman Alec Baldwin, Pfeiffer regularly chastizes her husband for his underhanded line of work. Baldwin refuses to entertain any thoughts of quitting the mob-and besides, he's got a good thing going with Nancy Travis, the promiscuous girl friend of gang boss Dean Stockwell. When Stockwell catches on to Travis' peccadilloes, he murders both his mistress and the unlucky Baldwin. At Baldwin's funeral, Stockwell is overwhelmed by Pfeiffer's beauty, and immediately begins plying her with expensive gifts. But Pfeiffer is through with this sort of thing, and with her young son in tow, she leaves town, hoping to start life anew. Upon making the acquaintance of bumbling, seemingly sincere Matthew Modine, Pfeiffer is convinced that Modine is just another mob flunkey. But it's even worse: Modine is an FBI agent, ordered to get to Stockwell by using Pfeiffer as bait. Reluctantly (he's grown quite fond of her himself), Modine blackmails Pfeiffer into setting up a rendezvous with Stockwell. ~ Hal Erickson, All Movie Guide