Dilys Laye Movies

Peter Warlock was a noted British composer during the 1930s. Philip Heseltine was his harshest critic. This strange-but-true, highly dramatized British biopic brings to light a little known fact about the two enemies: they were same man. Much of the story centers upon reviewer Heseltine, one of the most feared figures in music criticism, a man known by peers as "The Grim Reaper." In his columns about Warlock's work, Heseltine calls the composer a pirate who gets his ideas from other composers. Heseltine falls in love after seeing the performance of American singer Lily Buxton. He arrogantly trashes her work, but she sees something good about him and goes out with him. Meanwhile, Warlock keeps composing and Heseltine's attacks upon him become excessively vitriolic causing Lily to get curious. She begins investigating and finds the chaotic, ramshackle apartment where Warlock lives. It is there that she learns the strange truth.th. ~ Sandra Brennan, All Movie Guide

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel The Case of the Late Pig. The title character is Roland Isidore "Pig" Peters (Mike Charles), a lifelong bully who had been Campion's principal tormentor during his school days in the early 1900s. Although Campion would just as soon never see Peters again, he accepts a curiously poetic invitation to "Pig"'s funeral. Three months later, a former girlfriend of Campion asks him to solve a recent murder -- and the victim is none other than "Pig" Peters, who apparently has died twice! Ingredients essential to the story include the wrong body (and wrong species) in Peters' coffin, a shady information peddler (played by Michael Gough, better known as Alfred the butler in the Batman theatrical films), and a handful of ice cubes. In America, "The Case of the Late Pig" was telecast October 12 and 19, 1989, as the first "Campion" story to appear on the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

The "Carry On" gravy train continues in this entry that registers high on the randiness and vulgarity levels. Sid Boggle (Sidney James) and his best pal Bernie Lugg (Bernard Bresslaw) take off for the holidays with their girlfriends Joan Fussey (Joan Sims) and Anthea meeks (Dilys Laye). The gals know that the boys are taking them camping -- what they don't know it that it is also a nudist camp. Once there they are attracted to other campers -- particularly a group of gals from the Chayste Place Finishing School. Sexual innuendoes and double entendres become the order of the day. . . and night. ~ Paul Brenner, All Movie Guide

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, All Movie Guide

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, All Movie Guide

Any movie with a title like Petticoat Pirates would be hard to dislike--and equally hard to believe. Anticipating the "feminist" films of the 1970s, the plot concerns a group of female officers in the British Navy. Angered by the sexism inherent in the Admiralty, the uniformed ladies stage a mutiny, taking a timorous male stoker as a sort of hostage. Not terribly credible to begin with, the film ultimately veers off into fantasy. Petticoat Pirates is both innocuous and inconsequential; you may have seen it, but chances are you don't remember it. ~ Hal Erickson, All Movie Guide

Please Turn Over is an updated British variation on a theme put forth by the old Hollywood film Theodora Goes Wild. A bored young teenage girl (Julia Lockwood) causes a scandal when she pens a torrid bestseller. Those close to the girl recognize themselves as characters in the book; all they can hope for is that no one else does. But as the girl's fame escalates, her friends and family enter the realm of notoriety--which turns out not to be so bad after all. Clearly inspired by the Peyton Place brouhaha, Please Turn Over was based on the long-running West End stage farce Book of the Month by Basil Thomas. ~ Hal Erickson, All Movie Guide

The otherwise routine story and themes of this comedy are greatly balanced by talents of Anthony Newley as Jeep Jackson, a singing idol called up to serve in the British army and Lionel Jeffries as Bertie, a fussbudget adjutant. One of Jackson's superior officers is the brash Sgt. Lush (William Bendix) whose bark is much worse than his bite. Aside from the usual army types, Caroline (Anne Aubrey), the commander's daughter, adds a romantic nuance to the story when she falls for Jackson. And as in any story about a pop singer anywhere, Jackson manages to belt out a few songs. ~ Eleanor Mannikka, All Movie Guide

Writer/artist Roland Searle's diabolical "belles" of St. Trinian's Girls School return in this raucous British comedy. Because the girls cannot behave themselves, their headmistress (Alastair Sim in drag!) has been thrown in jail, and the school is surrounded by police and army troops. The students escape their durance vile by winning an all-expense-paid trip to Europe (by cheating, of course). While laying waste to the Continent (with Terry-Thomas driving the bus), the girls are enmeshed in a diamond theft instigated by the father (George Cole) of one of the students. The film ends with an elongated water polo game, played with the ladies' usual sense of sportsmanship and fair play. In the 1950s and 1960s, the "St. Trinians" series was as popular a British movie attraction as the "Carry On" films--but unlike "Carry On", they don't play quite as well with American audiences. ~ Hal Erickson, All Movie Guide

The Gay Lady is better known by its British title, Trottie True. Jean Kent stars as Trottie, a turn-of-the-century British music-hall performer who works her way up the ladder from chorus girl to headliner. As her fame increases, Trottie has no time for true love, preferring instead the attentions of men of nobility and wealth who can advance her career. But it's not enough, and at the end Trottie trots back to her husband. Based on the play by Caryl Brahms and S.J. Simon, The Gay Lady is best seen in its original Technicolor British release version, which unlike some American prints leaves most of the musical numbers intact. ~ Hal Erickson, All Movie Guide