Chas Lawther Movies

Tall tales turn into chilling reality in this sequel to the 1998 horror hit Urban Legend. Amy Mayfield (Jenny Morrison) is a film student at Alpine University who for her thesis project (which will also be her entry to a prestigious competition for young directors) has decided to make a horror film about urban legends that suddenly and disturbingly come true. However, as Amy and her student cast and crew begin filming staged murders for the project, members of her team begin dying for real, and the survivors have to track down the killer before they become the next victims. And where do Travis (Matthew Davis), Graham (Joey Lawrence), and Toby (Anson Mount), three other students vying for the same prize as Amy, fit into this scenario? Urban Legends: The Final Cut marked the directorial debut for John Ottman, who previously distinguished himself as an editor and composer (he also performed both of those functions for this film). ~ Mark Deming, All Movie Guide

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

In this children's film, George Waters (Nathaniel Moreau) is a young boy happily living with his eccentric grandfather, retired sailor Captain Waters (Ian Bannen) who tells the boy exciting tales of buried treasure. An interfering schoolteacher (Sheila McCarthy) motivates the child welfare organization to place George in a foster home, much to his dismay. When his foster parents turn out to be nightmarish folks, George must find a way to escape and get back to his beloved grandfather. ~ Iotis Erlewine, All Movie Guide

In an uneasy blend of sci fi computer hokum and human miscreants at work, this story of suspicious deaths in a hospital is ominous on various counts but not likely to keep tension high-strung. Dr. Frank Holt (Joe Spano) has already had one malpractice suit that cost him a job, so when one of his patients dies under odd circumstances he is particularly interested in finding out why -- especially when that one case is followed by others. His former lover Anna (Diane Venora) is called in, along with the hospital's attorney (Don Francks) to help investigate the deaths and discover their cause. Meanwhile, it is slowly revealed that unethical staff are placing bets on the patients' diagnoses and how long they will live. When a good friend of Dr. Holt's becomes seriously ill, he is certain these deaths are not of natural causes, and the investigation heats up. ~ Eleanor Mannikka, All Movie Guide