Richard Lawson Movies
Black supporting actor, onscreen from the '70s. ~ All Movie Guide
"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, All Movie Guide
- Starring:
- Clint Eastwood, Harry Guardino, (more)
- 1973
After a "hit" on mob boss Mike Tomasso (Art Metrano) fails, Kojak (Telly Savalas) begins receiving anonymous tips that Tomasso's chief rival Serafin (Anthony Charnota) ordered the killing. But as the case progresses, Kojak can't help suspecting that those tips are leading him down the proverbial garden path. Roger Robinson makes his first series appearance as versatile undercover cop Gil Weaver. ~ Hal Erickson, All Movie Guide
In this horror sequel from the director of Count Yorga, Vampire, a member of an American voodoo cult revives the fanged Prince Manuwalde (William Marshall), only to become his slave. Manuwalde then puts the bite on various victims, but finds himself fixating on pretty Lisa (Pam Grier), a voodoo princess whom he believes can finally put his soul to rest. Lynne Moody, Nicholas Worth, and Bernie Hamilton are among the familiar cast, but the various occult trappings seem somewhat out of place in the modern Los Angeles setting and the production values are pretty shabby. Blaxploitation and camp fans should still find it mildly amusing, however, and Shakespearean actor Marshall is a lot of fun as the obsessive vampire. ~ Robert Firsching, All Movie Guide
- Starring:
- William Marshall, Pam Grier, (more)
Willie Dynamite (Roscoe Orman) is a Manhattan pimp whose life and career are documented in this blaxploitation flick. Willie makes it to the top of his precarious profession, only to hit rock bottom again in record time. In her last movie role, Diana Sands plays an ex-hooker who becomes a social worker. She tries to get Willie to clean up his act before it's too late. Willie Dynamite was produced by Richard Zanuck and David Brown, who shortly afterward collaborated on a more upbeat project, The Sting. ~ Hal Erickson, All Movie Guide
- 1974
- PG
In this blaxploitation horror movie, a young woman enlists the aide of a voodoo priest to help her get revenge upon the gangsters who killed her lover. With a few incantations and magical spells, the priest raises an army of zombies. Later the film was cut and shown on TV as The Zombies of Sugar Hill. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marki Bey, Robert Quarry, (more)
- 1975
Crossfire stars James Franciscus as police officer Rossi, who is thrown off the force for possession of narcotics. Disgraced in the eyes of everyone, including his own partner, Rossi descends into a life of crime. But--and this will come as a shock to anyone who's never seen a Humphrey Bogart picture--the drug bust was fabricated to allow Rossi to function as an undercover operative. His job: Locate and arrest the syndicate Big Boy. Adding fuel to the fire is the fact that Rossi's late brother was a mob functionary. Crossfire was yet another TV pilot film for yet another unsold James Franciscus weekly. ~ Hal Erickson, All Movie Guide
- 1975
When Steve Keller (Michael Douglas) is seriously injured in a fight with a mobster, his partner Mike Stone (Karl Malden) is boiling mad. He gets madder still when it seems that the police investigation of the fight has been put on the back burner. Accordingly, Stone takes it upon himself to bring Keller's assailant to justice--and bends so many rules in the process that he loses his detective's badge and ends up pounding a beat! ~ Hal Erickson, All Movie Guide
- 1976
Black Fist, a tedious "blaxploitation" film made in 1976, concerns a young man -- Leroy Fist (Richard Lawson) -- who becomes involved in the mob. When he attempts to change his life, the mobsters kills his wife and Leroy goes out to seek his bloody revenge. The film contains much action but generates little real interest because the characters are lifeless and the plot trite. Black Fist was also released as Homeboy and Black Streetfighter. ~ Linda Rasmussen, All Movie Guide
Audrey Rose is a "thinking man's" horror film, which in a way is unfortunate, since it tended to be ignored amidst the many spell-it-all-out scarefests of the late '70s. Marsha Mason and John Beck play Janice and Bill Templeton, a happily married couple, the parents of well-adjusted preteen Ivy (Susan Swift). Their family security is disrupted by the arrival of a mysterious stranger, Elliot Hoover (Anthony Hopkins). At first mistaken for a potential child molester, Hoover explains that his obsessive interest in young Ivy is actually paternal. It is Hoover's contention that their daughter is the reincarnation of his own child, who died in a horrible accident. This information is dismissed out of hand-and then strange things begin happening. Directed by Robert Wise (who had previously helmed the psychological thriller The Haunting), Audrey Rose was adapted by co-producer Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Mason, Anthony Hopkins, (more)
- 1977
Much against his will, Mike accompanies Archie and Gloria on a subway ride. In the course of events, he is forced to slug a wife-abusing passenger (Wynn Irwin), who tried to assault Gloria. As the passenger threatens legal action, peace-loving Mike broods over the fact that he was pushed into violence -- while Archie, who's "seen it all" on previous subway excursions, smiles knowingly throughout the incident. Also in the cast is Nita Talbot as the obstreperous passenger's wife, William Pierson as a wino, Richard Lawson as a black passenger, and Gerry Black as the conductor. Written by Phil Doran and Douglas Aragno, "Mike the Pacifist" first aired on February 12, 1977. ~ Hal Erickson, All Movie Guide
- Starring:
- Carroll O'Connor, Rob Reiner, (more)
Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jane Fonda, Jon Voight, (more)
- 1978
Good Times moved from Wednesday to Monday evening with this episode, in which J.J. (Jimmy Carter) loses out on a job promotion. Another employee at the ad agency intimates that J.J. would have gotten the move-up had he been a different color. The result: J.J. has a dream in which he has turned white, whereupon series regular Jimmie Walker relinquishes his customary role to Caucasian comic actor Dennis Howard. ~ Hal Erickson, All Movie Guide
- 1979
Director Michael Mann co-wrote the teleplay for The Jericho Mile with Patrick J. Nolan. Peter Strauss stars as "Rain" Murphy, serving a life sentence in Folsom Prison for first-degree murder. To break up the boredom of prison life, Murphy begins running laps around the prison recreation track. Prison officials take notice when Murphy runs a mile in less than four minutes. They lobby to enter Murphy into the Olympics, an act of largesse that not only pulls Murphy out of his misanthropy but also helps to unify his racially divided fellow prisoners. Originally telecast March 18, 1979, The Jericho Mile was filmed on location at Folsom Prison, with several inmates playing small roles--and talking the talk of prisoners, never mind the TV censors. ~ Hal Erickson, All Movie Guide
Barbra Streisand and Ryan O'Neal attempt to recapture the screwball spark of What's Up, Doc? in the labored farce The Main Event. Streisand plays Hillary Kramer, a bankrupt perfume executive who discovers that one of her tax write-offs from more prosperous times was the ownership of prizefighter Kid Natural (Ryan O' Neal). Kid Natural is now a driving instructor who wants nothing to do with boxing, but Hillary is determined to resurrect the Kid's less-than-spectacular boxing career. She installs herself as the Kid's manager and tries to get him in shape to go the distance. Along the way, the two fall in love. ~ Paul Brenner, All Movie Guide
- Starring:
- Barbra Streisand, Ryan O'Neal, (more)
- 1979
Charleston is a brazen rip-off of Gone with the Wind which premiered over NBC on January 15, 1979--one month before CBS' planned telecast of Wind. Delta Burke, who was an unknown in 1979, very nearly remained that way in the role of post-Civil War Southern belle Stella. As Stella fiddle-dee-dees around in an effort to raise the tax money to maintain her mansion, her faithful ex-slave Minerva (Lynne Moody) runs the household with an iron hand (that must hurt). Also lurking about is Stella's cousin Valerie (Patricia Pearcy), who squanders her own savings in an effort to find her missing husband. This is the sort of film in which the aggressively urbanized actor Mandy Pantinkin plays a corn-fed character named Beaudine Croft. Martha Scott, the only "name" actor in Charleston, is wasted in a peripheral role as Stella's mom. ~ Hal Erickson, All Movie Guide
- 1980
Some sort of Bad Timing Award must surely be bestowed upon the otherwise worthwhile Golden Moment: An Olympic Love Story. David Keith stars as American athlete Wayne Robinson, whose main goal in life is to win the Olympic Decathlon. His dream is compromised when he falls in love with Soviet athlete Anya Andreyev (Stephanie Zimbalist), sparking an international cause celebre. First shown in two parts on May 25 and 26, 1980, Golden Moment was timed to coincide with the telecast of the 1980 Olympics--from which the United States had just withdrawn! Even with this working against it, the film performed reasonably well in the ratings, and also managed to pick up an Emmy nomination for best sound mixing. ~ Hal Erickson, All Movie Guide
With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide
- Starring:
- Craig T. Nelson, JoBeth Williams, (more)
In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Faye Grant
- 1984
Ever on the lookout for a quick buck, T.C. (Roger E. Mosley) agrees to deliver a mysterious briefcase to Oahu. En route, T.C.'s chopper plunges into the ocean, and he ends up in the hospital in a comatose state. Flying in the face of convential wisdom, Magnum (Tom Selleck) is certain that the crash was no accident, and he is determined to bring in the men responsible for T.C.'s plight. Joining Magnum in this mission is T.C.'s visiting brother Gerald (Richard Lawson)--who turns out to be pursuing an agenda of his own. ~ Hal Erickson, All Movie Guide
More like a series of MTV sequences than a long-term narration, this super-thin story line focuses on a kidnapped singer (Diane Lane) and her ex-boyfriend (Michael Pare) who goes forth to save her through rainy streets, the roar of elevated subways, several alleys, and the usual warehouses. Each thrust of the story has rock music that follows along with the narration. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michael Paré, Diane Lane, (more)
- 1985
- R
Burt Reynolds directed and starred in this actioner from an Elmore Leonard novel about an ex-con living dangerously close to the drug traffickers in Miami. When Stick (Reynolds) arrives in Miami just out of prison, an old buddy of his is murdered, sending Stick on a wild and complex journey to track down the killers. Along the way, he meets the attractive Kyle (Candice Bergen), has to deal with Chucky (Charles Durning in a blond wig and loud tourist shirts), a mob go-fer, and the albino Moke (Dar Robinson). In order to better zap his enemies, Stick gets a job as chauffeur to rich Palm Beach underworld figure Barry (George Segal) -- and the plot coils and twists from there until the bad guys get their due. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Burt Reynolds, Candice Bergen, (more)
- 1986
Under the Influence is a TV movie about an alcoholic, scripted by recovered alcoholic Joyce Rebeta-Burdett. Andy Griffith plays the head of an outwardly respectable New England family. Griffith drinks heavily, but the rest of the family sweeps his addiction under the rug. When Griffith lands in the hospital, he must come to grips with his illness--and the rest of the family must stop lying to each other and to themselves. Under the Influence is remarkable not only for the intelligent, unsensational handling of its subject, must also for Andy Griffith's convincing portrayal of a New Englander. ~ Hal Erickson, All Movie Guide
- 1986
Bill Duke directed this fact-based tale of a poor Southern black woman who rose from poverty to become an FBI agent. Retitled Johnnie Gibson F.B.I. for home video. ~ Jason Ankeny, All Movie Guide
