Ronny Kramer Movies

2005  
 
The kidnapping and assassination of Moroccan political activist Mehdi Ben Barka, fictionalized in Yves Boisset's L'Attentat in 1972, gets a more historically accurate treatment in Serge Le Péron's noirish docudrama, the tabloid-headline-titled I Saw Ben Barka Get Killed. The film is narrated by cynical ex-con Georges Figon (Charles Berling), whose dead body is shown at the film's opening. Figon talks about the heady times, as newsreel footage of the civil rights movement and the anti-colonial uprisings of the 1960s is shown. In flashbacks, Figon wants to be a film producer, and has connections to screenwriter Marguerite Duras (Josiane Balasko) who puts him in touch with director Georges Franju (Jean-Pierre Léaud). Figon keeps promising to make his actress girlfriend, Anne-Marie Coffinet (Fabienne Babe), a star. But he still has ties to the underworld, and through them he meets the shady Chtouki (Azize Kabouche), a Moroccan operative who offers him a lot of money to scrap his current filmmaking plans to make a documentary about the worldwide anti-colonial movement. Chtouki's main interest is that the exiled Barka (Simon Abkarian) be hired as a consultant on the doc, so that he'll come to Paris to meet with Figon, Franju, and Philippe Bernier (Mathieu Amalric). On the day of the meeting, Figon watches from the café window as the French police intercept Barka and take him away. After witnessing what becomes of Barka, Figon grows increasingly concerned for his own safety, and goes to the press with a sensationalized version of the events. I Saw Ben Barka Get Killed was shown by the Film Society of Lincoln Center in 2006 as part of their annual Rendez-Vous with French Cinema. ~ Josh Ralske, All Movie Guide

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Starring:
Charles BerlingSimon Abkarian, (more)
2004  
 
Add Notre Musique to QueueAdd Notre Musique to top of Queue
Legendary French filmmaker Jean-Luc Godard once again poses a number of provocative questions about art, politics, and the nexus point between them in this drama in three acts, "Hell," "Purgatory," and "Paradise." After a collage of film clips illustrate a meditation on the nature of war and conflict in society, Godard introduces his central set piece, in which a group of authors, artists, and noted thinkers gather for a symposium taking place in the battle-scarred city of Sarajevo. Olga Brodsky (Nade Dieu) is a young journalist who is French and Jewish by birth and Israeli by choice; she has come to discuss the conflict between her adopted nation and Palestine with some of the many notables in attendance, in particular a celebrated Palestinian author. As Olga wrestles with issues of conflict, identity, and culture along with others at the conference, one of the participants, Jean-Luc Godard, points out the frustrating similarities between the grammar of cinema and human nature, and posits the notion that it's the essential differences of the peoples of the world, rather than their similarities, which are at the root of our culture. Notre Musique was a prizewinner at the 2004 San Sebastián International Film Festival, where it was named Film of the Year. ~ Mark Deming, All Movie Guide

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Starring:
Sarah AdlerNade Dieu, (more)

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